by Steve Szilagyi

The year was 1960. Kennedy, U-2, the Twist. Our family now included two parents and nine children. The house was too small for us. Our father searched the inner-ring suburbs for something bigger. He got a deal on an enormous house nobody else seemed to want. The seller was an Italian-American grocery magnate. He was willing to let it go for a handful of cash.
The Neighborhood
The surrounding neighborhood was as suburban fantasy land , built in the 1910s and ’20s for wealthy urbanites with literary tastes—Sir Walter Scott, Thomas Hardy, Jane Austen. Cotswold cottages, Tudor manors, and Georgian palaces lined the streets, nestled among mature trees and manicured lawns. Our new house, though, was no Austen idyll. It was pure Charles Addams: dark, brooding, with lancet arches and steep gabled roofs. Heavy chimneys loomed over a dour brick façade. An earthen bridge spanned a ravine with a shallow creek (pronounced “crick” in our part of the world) to reach the front door. Unlike some haunted houses, 2910 Berkeley Boulevard did not have a deceptively benign presentation. It laid its dark, heavy essence on you at first glance.
Exploration
Deed in hand, my father piled us into the station wagon to let us explore our new home. We tumbled out of the tailgate and swarmed over the property: a child’s paradise. Woods to explore; a creek to splash in; and a salamander under every rock. Inside, we raced up and down the grand staircase. Tested the banister for slide-ability (too wobbly). And fought over who would get what bedroom. Further upstairs, we found the old servants’ quarters. More bedrooms. A ballroom lined with benches. And an ominous closet. Read more »


As atrocious, appalling, and abhorrent as Trump’s countless spirit-sapping outrages are, I’d like to move a little beyond adumbrating them and instead suggest a few ideas that make them even more pernicious than they first seem. Underlying the outrages are his cruelty, narcissism and ignorance, made worse by the fact that he listens to no one other than his worst enablers. On rare occasions, these are the commentators on Fox News who are generally indistinguishable from the sycophants in his cabinet, A Parliament of Whores,” to use the title of P.J. O’Rourke’s hilarious book. (No offense intended toward sex workers.) Stalin is reputed to have said that a single death is a tragedy, a million deaths is a statistic. Paraphrasing it, I note that a single mistake, insult, or consciously false statement by a politician is, of course, a serious offense, but 25,000 of them is a statistic. Continuing with a variant of another comment often attributed to Stalin, I can imagine Trump asking, “How many divisions do CNN and the NY Times have.”



Sughra Raza. Seeing is Believing. Vahrner See, Südtirol, October 2013.
It’s a ritual now. Every Sunday morning I go into my garage and use marker pens and sticky tape to make a new sign. Then from noon to one I stand on a street corner near the Safeway, shoulder to shoulder with two or three hundred other would-be troublemakers, waving my latest slogan at passing cars. 
I first started reading Jon Fosse’s Septology in a bookstore. I read the first page and found myself unable to stop, like a person running on a treadmill at high speed. Finally I jumped off and caught my breath. Fosse’s book, which is a collection of seven novels published as a single volume, is one sentence long. I knew this when I picked it up, but it wasn’t as I expected. I had envisioned something like Proust or Henry James, a sentence with thousands and thousands of subordinate clauses, each one nested in the one before it, creating a sort of dizzying vortex that challenges the reader to keep track of things, but when examined closely, is found to be grammatically perfect. Fosse isn’t like that. The sentence is, if we want to be pedantic about it, one long comma splice. It could easily be split up into thousands of sentences simply by replacing the commas with periods. What this means is the book is not difficult to read—it’s actually rather easy, and once you get warmed up, just like on a long run, you settle into the pace and rhythm of the words, and you begin to move at a steady speed, your breathing and reading equilibrated.





