by Mike Bendzela

Tending to a partner who manages a chronic illness means I don’t travel much. Luckily, he has been stable for some time now, meaning he continues to jack up portions of the farmhouse to replace rotted sill timbers, lay pine board flooring in the kitchen, and repair chairs, doors, and woodwork throughout the place. Even so, aside from the odd banjo camp or old time music festival, I usually stay at home. That’s fine with me as most of the notable sites in the US — even the world — have become traffic shit-holes anyhow.
What I would most like to do is stand in the presence of old things, especially ancient ones. Granted, living in an 18th century farmhouse on a country road is a one such gift, but there is architecture from earlier periods I would like to experience; also museum exhibits and archeological sites; stupendous paleontological finds and geological formations. It would be nice to stroll through Cahokia, Göbekli Tepe and Jericho; to view in person the existing cave paintings and petroglyphs that have not been closed off to the teeming masses; to smell the fumaroles in the volcanic field of Campi Flegrei and marvel that hundreds of thousands call the place home.†
One may have ersatz experiences of such things on the internet, and with the launching of artificial intelligence, artificial experience will likely be heightened by orders of magnitude, but so what? This is as ephemeral as the fossil energy sources used to conjure it. And the totalitarian implications of such tricks seem reason enough to stay at home, offline, tending one’s flock of actual hens.
Then, on May 11, something remarkable happened, which only struck me as profound in retrospect. Coming after nearly a solid week of rain and fog, a brilliant full moon rose in clear skies over the woods directly beyond an adjoining open field. Said shiny object nested in the top of a huge pine tree nearby while I closed and latched the chicken house door for the night. Meanwhile, the little pond close by and the surrounding hardwood trees virtually shrieked with spring peepers and tree frogs.
I paused for a minute to take in the spectacle. That rising stone was so luminous the field of stars it floated in was reduced to only the most high-magnitude objects, such as Spica and Arcturus. I marked the stark shadows of tree trunks sprawled on the grass and felt the cool, moist air that might be described as buffered by satiny light. Read more »





As atrocious, appalling, and abhorrent as Trump’s countless spirit-sapping outrages are, I’d like to move a little beyond adumbrating them and instead suggest a few ideas that make them even more pernicious than they first seem. Underlying the outrages are his cruelty, narcissism and ignorance, made worse by the fact that he listens to no one other than his worst enablers. On rare occasions, these are the commentators on Fox News who are generally indistinguishable from the sycophants in his cabinet, A Parliament of Whores,” to use the title of P.J. O’Rourke’s hilarious book. (No offense intended toward sex workers.) Stalin is reputed to have said that a single death is a tragedy, a million deaths is a statistic. Paraphrasing it, I note that a single mistake, insult, or consciously false statement by a politician is, of course, a serious offense, but 25,000 of them is a statistic. Continuing with a variant of another comment often attributed to Stalin, I can imagine Trump asking, “How many divisions do CNN and the NY Times have.”



Sughra Raza. Seeing is Believing. Vahrner See, Südtirol, October 2013.
It’s a ritual now. Every Sunday morning I go into my garage and use marker pens and sticky tape to make a new sign. Then from noon to one I stand on a street corner near the Safeway, shoulder to shoulder with two or three hundred other would-be troublemakers, waving my latest slogan at passing cars. 
I first started reading Jon Fosse’s Septology in a bookstore. I read the first page and found myself unable to stop, like a person running on a treadmill at high speed. Finally I jumped off and caught my breath. Fosse’s book, which is a collection of seven novels published as a single volume, is one sentence long. I knew this when I picked it up, but it wasn’t as I expected. I had envisioned something like Proust or Henry James, a sentence with thousands and thousands of subordinate clauses, each one nested in the one before it, creating a sort of dizzying vortex that challenges the reader to keep track of things, but when examined closely, is found to be grammatically perfect. Fosse isn’t like that. The sentence is, if we want to be pedantic about it, one long comma splice. It could easily be split up into thousands of sentences simply by replacing the commas with periods. What this means is the book is not difficult to read—it’s actually rather easy, and once you get warmed up, just like on a long run, you settle into the pace and rhythm of the words, and you begin to move at a steady speed, your breathing and reading equilibrated.


