by Akim Reinhardt
Art is dangerous. It’s time people remembered that and recognized the fullness of it. For if art is to remain important or even relevant in the current moment, then it’s long past time artists stopped flashing dull claws and pretending they had what it takes to slice through ignorance. We need them swallow their feel-good clichés and to begin sharpening their blades. We need dangerous art, and we cannot afford much more art that its creators believe is dangerous when it is not.
When people say Art is dangerous, they’re often bragging. Talking it up like a super hero. Evil had better beware: Art is here to save the day!
Oh my, she gasped, clutching her pearls. Why, how could art possibly do that?
Because it’s dangerous! It reveals the evil that masked villains seek to hide!
Such sentiments are naive. They are wishful thinking. And those sentiments are actually far more dangerous than the art typically produced by those who espouse such sentimets. Supposedly dangerous art often does little more than preach to the choir or wrap important points up in obfuscations that most audiences lack the inclination or even the background to unravel. Instead of puncturing sacred cows or shining a bright light on dark evils, much “dangerous” art merely creates illusions of damage amid billows of self-congratulation and self-satisfaction. When the smoke clears, all the same problems remain, and no one, save for perhaps professionals and other insiders of various art worlds, are any more enlightened, while the problems that had been targeted with “dangerous” art quietly and stubbornly linger. Read more »

Last spring, American documentary film maker Ken Burns gave a commencement address at Brandeis University in Boston. Burns is a talented speaker, adept at spinning uplifting yarns, and
Are you savvy?
Some people use religion to get their life together. Good for them. I’m all for it. Although I myself am an atheist, I don’t think it much matters how someone gets their life together so long as they do.
Historians have spilled much ink analyzing and interpreting all of the U.S. presidential elections, dating back to George Washington’s first go in 1788. But a handful of contests get more attention than others. Some elections, besides being important for all the usual reasons, also provide insights into their eras’ zeitgeist, and proved to be tremendously influential far beyond the four years they were intended to frame.
There are only four U.S. states where white people are
Two spaces after a period, not one. If a topic sentence leading to a paragraph can get a whole new line and an indentation, then other new sentences can get an extra space. Don’t smush sentences together like puppies in a cardboard box at a WalMart parking lot. Let them breathe. Show them some affection. Teach them to shit outside.
The barbarians have won.
A little over a year ago I published
What do we know about vampires?
I teach at a large, public university in the mid-Atlantic region of the United States. For about a decade now, the upper administration has had a habit of sending “comforting” emails whenever there’s a major school shooting. Of course there are far too many school shootings in America to send a note for each one, so I suppose the administration tries to keep it “relevant,” for lack of a better word. These heartfelt missives arrive in my Inbox once or twice a year, typically after some lunatic shoots up a college campus. So far as I can tell, they go to everyone. To every faculty member, staff member, and student on campus. To 25,000 people or more.
I am sitting on the couch of our discontent. The Robot Overlords™ are circling. Shall we fight them, as would a sassy little girl and her aging, unshaven action star caretaker in the Hollywood rendition of our feel good dystopian future? Shall we clamp our hands over our ears, shut our eyes, and yell “Nah! Nah! Nah! Nah! Nah!”? Shall we bow down and let the late stage digital revolution wash over us, quietly and obediently resigning ourselves to all that comes next, whether or not includes us?
You don’t have to fuck me. Or give me any money. You don’t have to shave your head or adopt a peculiar diet or wear an ugly smock or come live in my compound among fellow cult members. You don’t even have to believe in anything.

I can’t sing. Or so I always thought. A notorious karaoke warbler, I would sometimes pick a country tune, preferably Hank Williams, so that when my voice cracked, I could pretend I was yodeling. Then one night, I stepped up to the bar’s microphone and sang a Gordon Lightfoot song.