Perceptions
Cauleen Smith. Space Station Chinoiserie #1: Take hold of the Clouds, 2018. More here, here, and here.
Sughra Raza
Sughra grew up in Karachi, Pakistan, along with siblings Abbas and Azra (above), and several others. She studied fine arts as an undergraduate, later shifting gears to become a doctor of medicine, specializing in diagnostic radiology. Sughra lives in Boston, Massachusetts, working and teaching at Brigham & Women’s Hospital and Harvard Medical School. She feels most excited in a world of images, invention, art and music; and despite Fenway Park floodlights lighting up the sky in her windows, she remains oblivious to the Red Sox battling the Yankees a stone’s throw away. Email: sraza1@bwh.harvard.edu
Perceptions
Baseera Khan. A New Territory, 2021. More here, here, and here.
Perceptions
Robert Dash. Flower Bud of the Arbequina Olive Tree (black olives). Microphotography, from National Geographic.
Perceptions
Uuriintuya Dagvasambuu. Aabam Beebem, 2019. Acrylic on canvas. More here and here.
Perceptions
Florine Demosthene. Before The Decline, 2019. Collage on paper. More here, here, and here.
Perceptions
Andrea Chung. From the series Vex, 2020. Collage on paper. More here, here, and here.
Perceptions
Sughra Raza. Karachi Afternoon Sun, 2010. Digital photograph.
Perceptions
Sughra Raza. Temple Wall Philosophy. Galle, Sri Lanka, 2010. Digital photograph.
Perceptions
Didier William. Ezili Toujours Konnen, 2015. Ink and collage on panel. More here, here, and here.
Perceptions
Sughra Raza. HAPPY BIRTHDAY JIM CULLENY! May all the marvels of the world be yours to see. Warmest wishes for many healthy and joyful years ahead. Digital photograph, Mt. Cinnamon, Sri Lanka, 2010. PS: perhaps this will inspire a poem 🙂
Perceptions
Sughra Raza. Untitled. April 2021 Digital photograph.
Perceptions
Wendel White. South Lynn Street School, Seymour, Indiana, 2007. In the series Schools For The Colored. “This meaningful effort features the architectural remains of structures once used as segregated schools for African Americans in New Jersey, Pennsylvania, Ohio, Indiana, and Illinois. Wendel explains his focus on these states, “The project is a survey of the…
Perceptions
Helina Metaferia. The Empress returns, 2018. Collaged paper. More here, here, and here. Thanks to Anjuli Raza Kolb for the tip!
Perceptions
Michael Armitage. Pathos and The Twilight of the Idle. 2019. Oil on Lubugo bark cloth. More here and here.
Perceptions
Suzanne Jackson. The American Sampler, 1972. Part of “You’ve Come a Long Way Baby: The Sapphire Show” at Ortuzar Projects, NY. More here, here, and here.
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Delita Martin. Rain Falls From The Lemon Tree. 2020 Acrylic, Charcoal, Decorative Papers, Hand Stitching More here and here.
Perceptions
Jean Shin. Fallen. Installation at Olana State Historic Site, New York. “… In the 19th century, hundreds of thousands of hemlocks were cut down for the tanning industry, which used the tannin in the tree’s bark for the commercial demands of leather-making. The devastating loss of these evergreen forests would have been visible from Olana’s…
Perceptions
Sughra Raza. Beech Bark Landscape. June, 2021. Digital photograph.
Perceptions
Helen Marden. Raja Ampat, 2018. Resin, acrylic, powered paint, and abalone shells on linen. More here and here.
Perceptions
Shada Safadi. Promises. 2014. Engraving on plexiglass. “That spirit could have flown without being seen by anyone. But the horror of what happened, and it’s struggling out of fear, made it leave an impact that demands of us, we the ones how are alive, to give promises. We forget the promises we give to our…