by Steve Szilagyi

Having invisible friends is not necessarily a bad thing. What matters is how you handle it. You could, like the engineer Emmanuel Swedenborg or the poet William Blake, spin whole theologies out of your visions. Or you could try and ignore your invisible companions, like the philosopher Jean Paul Sartre, and hope they’ll go away (they won’t. Not for a while at least). Here we’ll see that the best thing to do is to learn to live with the darn things. That’s how Calvin Stowe, the husband of American author Harriet Beecher Stowe, handled his teeming world of invisible companions, setting an example of savoir faire from which we can all take heart.

For much of his young life, Calvin Stowe believed that the Bible sanctioned slavery. He was in a good position to know this, being among the most erudite biblical scholars of his day and able to read scripture in Hebrew, Aramaic, Greek and Latin. He knew every square inch of holy writ the way a bored student knows the top of his desk. And as far as he could see the Bible was okay with human bondage. Then, in 1850, Congress passed the Fugitive Slave Act, a law that required Northern citizens to help capture runaway slaves. Sickened by this mad injustice, Stowe flipped his beliefs, and where he once saw scripture justifying slavery, he now saw its opposite. In a letter to his wife, he wrote:
“Hattie, if I could use a pen as you can, I would write something that would make this whole nation feel what an accursed thing slavery is.”
Harriet, then a modestly successful author, responded by writing the powerful anti-slavery novel, Uncle Tom’s Cabin – which whipped up sentiments leading to the American Civil War, played a key role in the abolition of slavery and indirectly led to the deaths of some 600,000 people. Read more »







An era of worldwide illiberal governance approaches. If the Trump administration has its way, future illiberal leaders will face fewer opponents. Aspiring autocrats will lose the constraint of the United States as a potential opponent. Autocracy will spread.
Alia Farid. From the series “Elsewhere”. Produced by Chisenhale Gallery, London. Commissioned by Chisenhale Gallery; Passerelle Centre d’art contemporain, Brest.




