by Mark Harvey
All the territorial possessions of all the political establishments in the earth–including America, of course–consist of pilferings from other people’s wash. —Mark Twain, Following the Equator

There’s a wonderful story from Paul Bunyan Swings His Ax about how a heat wave in Iowa made all the field corn pop until the whole state was covered in ten feet of popcorn. Then a terrific wind blew all the popcorn over to Kansas, where cattle mistook it for snow and froze to death. Somehow that story captures the absurd myths about the West that drew settlers into a dry forsaken land. Myths about the West and how it was “won” abound and some of them were meant for the movies before movies existed. But much of western mythology has to do with square-jawed cowboys fighting for what’s right, and one day meeting a bonneted school mistress transplanted from the east. After a gunfight or two defending the lass’s honor, a golden life on the prairie begins.
The real history of the West is far more colorful and much less savory. It has a lot of graft, fraudulent misrepresentation, speculative puffery, and truly clever schemes to outwit the government and the gullible. If cinema truly captured the Wild West, it would be less John Ford and more Steven Soderberg. Where to begin?
The tools of western conquest in the cinematic version are six shooters, covered wagons, and fleet horses. There was some of that, but much of what moved thousands of people to the western states and made some men rich and others desperate had more to do with stuffy laws written in Washington, The General Land Office, survey chains, and crooked speculators. Start with the Homestead Act of 1862.
The Homestead Act promised a simple bargain: any adult citizen could claim 160 acres of public land, and after living on it for five years the property was theirs. In a progressive twist for the time, the law allowed women and Black Americans to claim land alongside white men. The act had stalled in Congress for years because Southern legislators feared it would create new abolitionist states and upset the balance of power in the Senate. It finally passed only after the South seceded from the Union. Read more »



SUGHRA RAZA. Shadows On The Riverbed. Celestun, Mexico, March 2025.
Allopathy and homeopathy are two contrasting theories of medicine. Allo, meaning other, and homo, meaning same, indicate how suffering (pathos) is cured in these two approaches. Modern medicine, speaking generally, is based on the principle of allopathy, meaning that sickness is counteracted by healing and therapeutic treatments; homeopathy, often considered alternative medicine or pseudoscience, is based on the idea that “like cures like,” so rather than introducing an antidote to an illness, the medicine used is meant to produce a response similar to the illness itself, stimulating the body’s natural healing mechanisms and curing the underlying ailment.

Political discussions and debates leave me cold. That’s because I abhor conflict, and politics always seem to be accompanied by disagreements, fights, raised voices, and anger. When I think about the hot topics in the 60s and 70s, many of them centered on matters of race, I associate those times with images of red-faced individuals confronting one another, not infrequently accompanied by fists, even guns. Sometimes soldiers or militias or mobs.
KK: One of my best friends from high school, Brian Boland, was a regular on the main stage at Second City, which helped define improvisational comedy and produced so many famous comic actors. He’s also an accomplished voice actor and has been in some ads our readers have probably seen (like for Geico). He brought two of his colleagues and they each took on characters in the story, “The Ad Man After Dark.” It was amazing to witness how they brought the characters to life and entertained the audience. 

Do birds have a sense of beauty? Do they, or does any animal, have an aesthetic sense? Do they respond to beauty in ways we might find familiar – with a feeling of awe, suffused with attraction, mixed with joy? Do they seek it out, and perhaps even work to fashion it from their surroundings? Darwin thought so, and made the idea the subject of his second major work, The Descent of Man (1871). In it, he outlined a mechanism by which the sense of beauty might, by shaping mating preferences, work to shape the form of insects, fish, and birds in a manner parallel to the better known process of natural selection. The resulting beauty of form, sound, or movement, Darwin argued, is neither the result of intelligent design, nor a necessary indication of superior fitness. Beauty, as 

In a recent interview in the 

