by Rachel Robison-Greene

Aaron, an old friend from high school, was a lurker on social media for fourteen years. He never liked or commented on anyone’s posts. He was never one to share news articles or life updates. He didn’t tag himself in vacation photos or let his friends know how his wife and children were doing. In person, though, it was clear that he always knew what everyone was up to, so we knew he was present online, quietly paying attention to those of us who find it difficult to resist posting what we had for breakfast in the morning. Some time ago, in a chance encounter with a mutual acquaintance, I learned that Aaron had died. Not recently. Four years ago. His family was about as keen on online life as Aaron had been, so when he died, they handled it privately and tastefully.
Though he had been gone for years, I felt I had just lost him. All those years I had wished him a happy birthday, I assumed he felt remembered, even if he wasn’t the type to engage. People tagged him in nostalgic posts from the past. It felt like he was still in my life. It seemed that my relationship with him extended past his relationship with me; I had four years of shallow online friendship that he didn’t have.
Our lives have more parts than they once did. We constantly leave behind digital pieces of ourselves; the virtual equivalent of shedding hair or skin cells. Somewhere out there, there is a MySpace account that proves that I was alive, kicking, and making music in 2004. I have an inbox full of Discord messages that I’ll never read after the app finished serving the singular purpose of keeping me in touch with a group of students for an activity in 2022. I’ve abandoned all of these pieces of me, and I couldn’t collect them if I tried.
Our best theories of personal identity and of the nature of the self were all crafted before the onset of digital strangeness. What it is to be who one is may have fundamentally shifted. So, too, might what it means to live and die. Read more »




Sughra Raza. Sunset. Vermont, July 15, 2026.
What makes a city? What gives a place its distinct character? I think of the slogan ‘dilwalon ki dilli’ – the supremely banal play on words. It works in the context of Delhi only because of a happy conjunction of the word dil, or heart, with the Hindi word for the city – ‘Dilli’. It works also because it simultaneously tells us everything and nothing. Okay, people in Delhi have hearts; though this might be disputed by many who live precarious lives in this city, the marginalized, the victims of the violence the state and citizens alike often perpetrate on them. In any event, do people in other cities not have large hearts? Still, it is a catchphrase that makes those of us who live in the city feel good about ourselves. As Delhi’s most famous poet would have said, “dil ke khush rakhne ko Ghalib yeh khayal achchha hai” – it is a thought that keeps us happy.
For about 450 years, the western European colonial powers shit all over the world in spectacular fashion. Genocide across the Americas and the trans-Atlantic slave trade were the main drivers during the first phase. By the mid-19th century, European colonialism was approaching its bloody apogee with more genocide in Australia, the carving up of much of Asia, and eventually the scramble for Africa.
A recent
I always enjoy Rebecca Solnit’s writing, and her 2025 book, 



On June 27, 2026, the hottest day recorded to date in Berlin, I emerged from the meagre shade of St. Hedwig’s Cathedral to make a run for it across Bebelplatz, on Unter den Linden in the city’s Baroque center. I had resolved to brave the punishing late-afternoon sun for a souvenir photograph of the skylight set into the middle of the square, which offers a view down into “
