Rafaël Newman studied classical philology at the University of Toronto and comparative literature at Princeton University, where he earned his doctorate. He has published essays on literature and contemporary culture in German and English in Germany, New Zealand, Poland, Switzerland and the United States. He is the author of The Visible God: Staging the History of Money (UPA, 1999) and the editor of Zweifache Eigenheit: Neuere jüdische Literatur in der Schweiz (Limmat Verlag, 2001) and Contemporary Jewish Writing in Switzerland: An Anthology (UNP, 2002). His poetry has appeared in journals and collections, most recently in Live Long Enough (Paekakariki, 2017), and on two CDs: We Are The NewMen (EyeMix, 2008) and Everything Is Good (EyeMix, 2010). He lives and works in Zurich as a translator, companion to addicts in recovery, and moderator. Email: rnewman [at] gmx.net
by Rafaël Newman Mourning is in season. Newspapers of record these days publish interactive mass obituaries, images of “ordinary” people fallen to “the opioid crisis” or to Covid-19 (the front page of the Sunday New York Times was recently riven down the middle by a monolith composed of thousands of dots, growing denser towards the…
by Rafaël Newman In the summer of 1977 my father invited me to tea at the Hotel Grande Bretagne in Athens. I had turned 13 that spring, and instead of a bar mitzvah, prohibited by matrilineal descent and an antipathy to organized religion, my father and I were en route to Israel, to visit the…
by Rafaël Newman Arma virusque cano: Sing, O Muse, through me, the wandering Of something lowly, microscopic, But found at both Poles, and each Tropic. An opportunist virus, which Is banished by mere soap (or bleach), And yet has billions, masked, in arma, Awaiting backup from Big Pharma! Now, whether to the Orient The creature…
by Rafaël Newman All my life I’ve been fascinated by the systems of mutual connections and influences of which we are generally unaware, but which we discover by chance, as surprising coincidences or convergences of fate, all those bridges, nuts, bolts, welded joints and connectors… —Olga Tokarczuk, Nobel Lecture, December 7, 2019 When I was quite…
by Rafaël Newman It’s November 9 – what Europeans, with their rational, smallest-to-greatest date format, might call “9/11”, if that particular shorthand hadn’t already been otherwise coopted for the 21st-century world’s symbology. At the same time, Europeans, particularly Germans, would be hard pressed to say which of the several events to have taken place on…
by Rafaël Newman A system update recently downloaded to my cellphone included artificial intelligence capable of facial recognition. I know this because, when I subsequently opened the “Gallery” function to send a photograph, I discovered that the refurbished app had taken it upon itself to create a new “album” (alongside “Camera”, “Downloads” and “Screenshots”) called…
by Rafaël Newman For the staff of Flussbad Oberer Letten On a warm evening in late August I was basking by the Limmat, the river that runs through downtown Zurich, alongside substantially fewer than the 400 permitted in the public bathing area in the past several weeks: school holidays had just ended and work had…
by Rafaël Newman On the first day of August in Year One AC (anno coronae), I boarded an Intercity train in Zurich bound for Singen, in the German federal state of Baden-Württemberg. In Singen I transferred to the Intercity headed to Stuttgart but left the train a few stops shy of the state capital, at…
by Rafaël Newman I may rise in the morning and notice that a long overdue spring rainfall has revived the flagging vegetation in my kitchen garden. I may give thanks to an unseen, benevolent power for this respite from a protracted and wasting drought. And I may record in my journal: “The heavens cannot horde…
by Rafaël Newman A friend of mine, a retired Swiss high school teacher and an aficionado of American culture, has been compiling a list of “Pseudo Anglicisms”, words of evident English origin used in contemporary colloquial German (especially in Switzerland) which often have no actual correspondence in English as commonly employed by native speakers. His…
by Rafaël Newman Morgan Meis, The Drunken Silenus: On Gods, Goats, and the Cracks in Reality (Slant Books, 2020) Reviewing a new translation of the Iliad, the military historian Edward Luttwak speculates about the enduring popularity of the ancient epic: Why are our contemporaries so keen on buying and presumably reading the Iliad’s Iron Age reminiscence of…
by Rafaël Newman For C.J. Newman My father is no longer at home. He returned to Montreal, the city of his birth, on retirement from the University of British Columbia, and has been living in the bottom half of a duplex in the Mile End district since. Some time ago he decided to sell the…
by Rafaël Newman Some years ago, a friend told me about his dilettantish taste for nicotine, indulgence in which, however, he noted ruefully, was often thwarted by his young daughter. He supposed the vehemence of her protests derived, simply, from a concern for his health – to which I responded, perhaps: but that there might…
by Rafaël Newman Notwithstanding the spread of English as a global lingua franca, translation continues to be a vital component of international relations, whether political, commercial, or cultural. In certain cases, translation is also necessary nationally, for instance in countries comprising more than one significant linguistic group. This is so in Switzerland, which voted by…
by Rafaël Newman For Eva, mère & fille; and for Tom Yesterday was James Joyce’s birthday. His one-hundred-and-thirty-seventh. Or would have been, if he hadn’t died, in Zurich, in January 1941, but were instead swelling the ranks of the current generation of supercentenarians, their increasing longevity bedeviling the demographics departments of local life insurers. Joyce…
by Rafaël Newman When Bob Dylan was awarded the Nobel Prize in Literature in 2016, the poet Nora Gomringer expressed her satisfaction at the recognition thus afforded not only poetry, but in particular songwriting, which she identified as the very wellspring and guarantee of literature, citing in her appraisal such classical forebears as Sappho and…
by Rafaël Newman And the children of the moon / Were like a fork shoved on a spoon Hedwig and the Angry Inch 1. The goddess Demeter, having received the Earth as her domain in the post-Titanic dispensation that followed the parricidal murder of her father Kronos, had mated with her brother Zeus, lord of…
by Rafaël Newman In the spring of 1991 I crossed the German-Polish border at Görlitz and travelled through Zgorzelec, the city’s one-time other half across the river Neisse, into Poland. The Gulf War had just ended, and the streets of Berlin, where I was spending the year at the Freie Universität, were still littered with…
by Rafaël Newman For Fred Weinstein “What is hidden is for us Westerners more ‘true’ than what is visible,” Roland Barthes proposed, in Camera Lucida, his phenomenology of the photograph, almost forty years ago. In the decades since, the internet, nanotechnology, and viral marketing have challenged his privileging of the unseen over the seen by…
by Rafaël Newman It was Ramadan on Mother Teresa Street, so the professor and his wife were discreetly abstaining. Their daughter, an aspiring YouTuber, had been granted special dispensation and was gorging herself on chocolate ice cream and Coca Cola, along with me and my colleague, an Israeli poet who had won an award from…