Bill Benzon is an independent scholar working on mind and culture. He published Beethoven’s Anvil: Music in Mind and Culture in 2001 and is on the Scientific Advisory Committee for the Institute for Music and Neurologic Function in New York City. He has taught in the Department of Language, Literature, and Communication at the Rensselaer Polytechnic Institute and has published widely on literary analysis and theory, cultural evolution, cognition and brain theory, visual thinking, African-American music, and technical communication. He also plays trumpet and has shared the stage with Dizzy Gillespie, B.B. King, Frank Foster, Al Grey, and Nick Brignola. He blogs at New Savanna. Email: bbenzon [at] mindspring.com
by William Benzon Jersey City is a medium-size city on the West bank of the Hudson River across from Lower Manhattan. Up through the middle of the 20th century it was a port and a railroad hub but that disappeared when containerized freighter became too deep to travel that far up New York Bay. Without…
by William Benzon I didn’t see E.T. the Extra-Terrestrial when it came out in 1982, but I was certainly aware of it. It was an unexpected smash hit and went on to become the highest grossing film of all time, at least for a while. At this point I don’t remember why I didn’t go…
by William Benzon When ChatGPT was released late in November of 2022 my immediate response was, “meh.” But then I decided that I needed to check it out, if only out of curiosity. Within an hour or so my reaction went from “meh” to “hot damn!” I put it through its paces in various small…
by William Benzon Sometime in 1984, after Apple had released the first Macintosh, my friend Rich sent me a short note he’d written on one. The note had some text, not much, nor do I remember about what, and a black and white image of Japanese woman that Apple had put on the over of…
by William Benzon Justly is shame very specially connected with this lust; justly, too, these members themselves, being moved and restrained not at our will, but by a certain independent autocracy, so to speak, are called “shameful.” Their condition was different before sin. For as it is written, “They were naked and were not ashamed,”—not…
by William Benzon I have been thinking about artificial intelligence and its implications for most of my adult life. In the mid-1970s I conducted research in computational semantics which I used in analyzing Shakespeare’s famous Sonnet 129, “Th’ Expense of Spirit.” In the summer of 1981 I participated in a NASA study investigating ways to…
by William Benzon The Saint Matthew Passion – yes, I know, by Bach – was a rock band I played in back in the ancient days, 1969 through 1971, when I was working on a master’s degree in Humanities at Johns Hopkins. Before I can tell you about that band, however, I want to tell…
by William Benzon “Loyalty to the country always, loyalty to the government when it deserves it.” –Mark Twain Sometime in the past two weeks I found myself feeling patriotic in a way I don’t remember ever having felt before. I accounted for this feeling by invoking that old adage, “you don’t recognize what you have…
by William Benzon Yet there is no country and no people, I think, who can look forward to the age of leisure and of abundance without a dread. For we have been trained too long to strive and not to enjoy. It is a fearful problem for the ordinary person, with no special talents, to…
by William Benzon That’s a highly condensed form of an idea that began with this thought: You have no business making decisions about the deployment of technology if you can’t keep people on the dance floor for three sets on a weekday night. There are a lot of assumptions packed into that statement. The crucial…
by William Benzon It began at The New Republic. I don’t know just why I did it, but I bought a subscription to that magazine the year I went off to college. I remember when Robert Wright was there and I remember when he published Nonzero: The Logic of Human Destiny (1999), which was about…
by William Benzon On the one hand, nothing has changed since August 2020, when I wrote GPT-3: Waterloo or Rubicon? Here be Dragons. I argued that, yes, GPT-3 marks a major technological breakthrough, one that may transform the way we live. But this technology is not sufficient. It is not deep enough. If we’re not…
by William Benzon If Harold Bloom is correct in asserting that, in some sense, Shakespeare invented the human, not in the sense that Eli Whitney invented the cotton gin, Alexander Graham Bell the telephone, Thomas Edison the light bulb, Hedy Lamar got a patent for frequency-hopping spread spectrum technology, not to mention Yahweh’s work on…
by William Benzon A couple of weeks ago The New York Times ran an op-ed in which Drew Lictenberg, who is the artistic producer at Shakespeare Theatre Company, pointed out that there has been a drop in Shakespeare productions recently: American Theatre magazine, which collects data from more than 500 theaters, publishes a list of…
by William Benzon “Georgia on My Mind” was composed and recorded by Hoagy Carmichael (lyrics by Stuart Gorrell) in 1930. Born in 1899 and dying in 1981, Carmichael composed several hundred songs, many of which became hits, including “Stardust,” “The Nearness of You,” “Heart and Soul,” “Skylark,” and “In the Cool, Cool, Cool of the…
by William Benzon In the first part of this series on Affective Technology, I talked about Poems and Stories, using Coleridge’s “This Lime-Tree Bower My Prison” as one example and a passage from Mark Twain’s Tom Sawyer as the other. Coleridge’s poem talks about an injured poet having to spend the afternoon alone while his…
by William Benzon Here’s the previous article: Affective Technology, Part 1: Poems and Stories In his 1997 best-seller, How the Mind Works, Steven Pinker suggested that, however important art may be to humans, it is not part of our specifically biological nature: We enjoy strawberry cheesecake, but not because we evolved a taste for it.…
by William Benzon This is the first in a series of three articles on literature consider as affective technology, affective because it can transform how we feel, technology because it is an art (tekhnē) and, as such, has a logos. In this first article I present the problem, followed by some informal examples, a poem…
by Bill Benzon From beginning to end, Unfrosted is constructed with the intricacy of Seinfeld’s stand-up bits. Taken as a sequence of five-minute segments it’s wonderful, and there are resonances among and mid- and long-range connections among those segments. But you can’t carry an hour and 20-minute film on watch-making intricacy alone. There’s got to be…
by William Benzon I live in Hoboken, New Jersey, across the Hudson River from Midtown Manhattan. I have been photographing the irises in the Eleventh Street flower beds since 2011. So far I have uploaded 558 of those photos to Flickr. I took most of those photos in May or June. But there is one…