Bill Benzon is an independent scholar working on mind and culture. He published Beethoven’s Anvil: Music in Mind and Culture in 2001 and is on the Scientific Advisory Committee for the Institute for Music and Neurologic Function in New York City. He has taught in the Department of Language, Literature, and Communication at the Rensselaer Polytechnic Institute and has published widely on literary analysis and theory, cultural evolution, cognition and brain theory, visual thinking, African-American music, and technical communication. He also plays trumpet and has shared the stage with Dizzy Gillespie, B.B. King, Frank Foster, Al Grey, and Nick Brignola. He blogs at New Savanna. Email: bbenzon [at] mindspring.com
by William Benzon That’s a highly condensed form of an idea that began with this thought: You have no business making decisions about the deployment of technology if you can’t keep people on the dance floor for three sets on a weekday night. There are a lot of assumptions packed into that statement. The crucial…
by William Benzon It began at The New Republic. I don’t know just why I did it, but I bought a subscription to that magazine the year I went off to college. I remember when Robert Wright was there and I remember when he published Nonzero: The Logic of Human Destiny (1999), which was about…
by William Benzon On the one hand, nothing has changed since August 2020, when I wrote GPT-3: Waterloo or Rubicon? Here be Dragons. I argued that, yes, GPT-3 marks a major technological breakthrough, one that may transform the way we live. But this technology is not sufficient. It is not deep enough. If we’re not…
by William Benzon If Harold Bloom is correct in asserting that, in some sense, Shakespeare invented the human, not in the sense that Eli Whitney invented the cotton gin, Alexander Graham Bell the telephone, Thomas Edison the light bulb, Hedy Lamar got a patent for frequency-hopping spread spectrum technology, not to mention Yahweh’s work on…
by William Benzon A couple of weeks ago The New York Times ran an op-ed in which Drew Lictenberg, who is the artistic producer at Shakespeare Theatre Company, pointed out that there has been a drop in Shakespeare productions recently: American Theatre magazine, which collects data from more than 500 theaters, publishes a list of…
by William Benzon “Georgia on My Mind” was composed and recorded by Hoagy Carmichael (lyrics by Stuart Gorrell) in 1930. Born in 1899 and dying in 1981, Carmichael composed several hundred songs, many of which became hits, including “Stardust,” “The Nearness of You,” “Heart and Soul,” “Skylark,” and “In the Cool, Cool, Cool of the…
by William Benzon In the first part of this series on Affective Technology, I talked about Poems and Stories, using Coleridge’s “This Lime-Tree Bower My Prison” as one example and a passage from Mark Twain’s Tom Sawyer as the other. Coleridge’s poem talks about an injured poet having to spend the afternoon alone while his…
by William Benzon Here’s the previous article: Affective Technology, Part 1: Poems and Stories In his 1997 best-seller, How the Mind Works, Steven Pinker suggested that, however important art may be to humans, it is not part of our specifically biological nature: We enjoy strawberry cheesecake, but not because we evolved a taste for it.…
by William Benzon This is the first in a series of three articles on literature consider as affective technology, affective because it can transform how we feel, technology because it is an art (tekhnē) and, as such, has a logos. In this first article I present the problem, followed by some informal examples, a poem…
by Bill Benzon From beginning to end, Unfrosted is constructed with the intricacy of Seinfeld’s stand-up bits. Taken as a sequence of five-minute segments it’s wonderful, and there are resonances among and mid- and long-range connections among those segments. But you can’t carry an hour and 20-minute film on watch-making intricacy alone. There’s got to be…
by William Benzon I live in Hoboken, New Jersey, across the Hudson River from Midtown Manhattan. I have been photographing the irises in the Eleventh Street flower beds since 2011. So far I have uploaded 558 of those photos to Flickr. I took most of those photos in May or June. But there is one…
by William Benzon I give up. ONE: An Alien A.I. is a visitor from another planet, perhaps even from another galaxy, maybe from the beginning of the universe, or the end. Is it friend, or foe? Does it want to see our leader? Perhaps it is interested in our water supply. Maybe it’s concerned about…
by William Benzon I read a great deal of Bertrand Russell when I was in my teens. I read various collections of essays, such as Why I Am Not A Christian, In Praise of Idleness and Other Essays, and Marriage and Morals, some of which my father had stored in a box in the basement,…
by William Benzon I knew about Charlie Keil somewhat before I met him and long before we began collaborating on various projects. In 1966 he published Urban Blues, which was a study of such singers as Bobby Blue Bland and B.B. King, blues musicians who wore sharp suits and performed in urban venues with electrified…
by William Benzon I’ve now seen Maestro twice, spread out over four, maybe five, sittings. I suppose the fact that I haven’t watched it straight through in a single sitting might be taken as an indication that I didn’t find it…Didn’t find it what? Good, compelling, interesting, satisfying? If one or some combination of those…
by William Benzon That title reads like I have doubts about the current state of affairs in the world of artificial intelligence. And I do – who doesn’t? – but explicating that analogy is tricky, so I fear I’ll have to leave our hapless captain hanging while I set some conceptual equipment in place. First,…
by Bill Benzon The road was generally somewhere in the Capital District of upstate New York. Think of it as a group of small cities and towns and centered on Albany, the state capital, Troy, where I lived at the time, and Schenectady, incidentally, where my grandfather had his first job in the United States,…
by William Benzon Oh, Ariela, daughter of the People of the Book, the work of the mind is our game! –Miriam Yevick I first became aware of Miriam Lipschutz Yevick through my interest in human perception and thought. I believed that her 1975 paper, Holographic or Fourier Logic, was quite important. David Hays and I…
by William Benzon I have been thinking about the culture of AI existential risk (AI Doom) for some time now. I have already written about it as a cult phenomenon, nor am I the only one. But I that’s rather thin. While I still believe it to be true, it explains nothing. It’s just a…
by William Benzon Some years ago I went to a concert by the Gordys, a local group in Hoboken, New Jersey, that performs an eclectic mixture of folk, rock, and klezmer music. The performance had been an annual event and this was, I believe, the 11th or 12th such concert. The concert was held at…