by Christopher Hall
This past October saw a peculiar heat wave in my corner of Ontario. 30 degree Celsius (around 86 degrees for those of you still using
unenlightened temperature scales) is a kind of touchstone temperature for Canadians – a midsummer sort of heat, usually restricted to July and August, permissible in June and September, but out of its proper place elsewhere. (Its mirror image, -30 degrees (-22 degrees F) is likewise to be restricted to the depths of January and February – though increasingly infrequent even there.) These 30 degree days at the beginning of October had intruded on a moment when every instinct was attuning itself to the coming rituals of autumn, and it thus accorded jarringly, like the rhythm section had suddenly lost its way in the middle of the song.
What followed was weeks of drought; my parents, living off a well, had to restrict water use for the first time in the many decades they’ve been living on their lake-front property. As in any good scary story, these anomalies creep on our attention slowly and portend, at first, no great crisis. The rain eventually came, and temperatures in November have been acceptably normal – even perhaps a little colder than usual. There isn’t, and there usually isn’t, a definite reason to attribute any singular aberration to the larger motions of climate change. But the signs accumulate and intrude more forcefully on our attention; something is near and approaching.
But is it the monster itself? As Quico Toco notes recently in Persuasion, we have come to a point where we don’t actually know where we are, where we are going or, most importantly, what’s coming for us. Renewable power is growing at a stunning rate, but coal-fired power plants are surging in the industrializing world. The complete collapse which would seem unavoidable once we hit temperatures 4, 5 or 6 degrees beyond the baseline now seems, as Toco notes, “no longer plausible.” But the Paris Agreement’s target of an increase below 2 degrees likewise seems out of reach. And the fact is, we don’t know what a world 2.5 or 3 degrees warmer looks like:
A three-degree-hotter world may do away with summer Arctic sea ice altogether[…]or it may not. It might cause a collapse in agricultural productivity across the Sahel. Or it might not. It might send the warm ocean currents that keep Europe livable in winter in irreversible decline. Or it might not.
The monster’s true nature is rarely revealed in the middle of the horror story, and in a lot of the better ones, it’s never revealed at all.
Climate change is a psychic phenomenon as much as it is an environmental one. Read more »




In earlier essays, I argued that beauty can orient our desires and help us thrive in an age of algorithmic manipulation (
The full title of Charles Dickens’ 1843 classic is “A Christmas Carol in Prose: Being a Ghost Story for Christmas.” Inspired by a report on child labor, Dickens originally intended to write a pamphlet titled “An Appeal to the People of England on behalf of the Poor Man’s Child.” But this project took a life of its own and mutated into the classic story about Ebenezer Scrooge that virtually all of us think we know. It’s an exaggeration to say that Dickens invented Christmas, but no exaggeration to say that Dickens’ story has become in our culture an inseparable fixture of that holiday.









