by Jerry Cayford

Dear Governor Schwarzenegger and Common Cause,

California just passed Proposition 50 to resurrect partisan gerrymandering. The two of you had worked hard and worked together, in 2008 and 2010, to take electoral redistricting out of the hands of partisan legislators and give it instead to a citizens commission. You shared the goal of saving our democracy from the anti-democratic one-party rule you both saw coming. Yet, in 2025, you were on opposite sides of the Prop 50 battle. Although you collaborated to create citizens commissions, you worked against each other in the decision to tear those commissions down.

There is nothing mysterious about your change from collaborators to opponents. That decision on commissions presented the classic dilemma: damned if you do and damned if you don’t. There’s no surprise that you chose differently when only bad choices were available.

Prop 50 explicitly announces that gerrymandering California for the Democrats is a response to the Republican Texas gerrymander. With eyes wide open, everyone knows this race for partisan advantage is a race to the bottom for democracy, and that large parts of the American public will find themselves unrepresented and powerless. It’s a bad course of action. Damned if you do. However, not entering this race to the bottom would, Common Cause reasons, “amount to a call for unilateral political disarmament in the face of authoritarian efforts to undermine fair representation and people-powered democracy.” Damned if you don’t.

You are leaders who understand the bottom we are now racing toward. I write to argue that there is still a path out of damnation, a path America can take before the 2030 census. I ask you to lead us on it. It is a straight and narrow path, as paths from damnation often are. You have both already seen the narrow part: redistricting must be national, the same in all states. I hope to convince you that the straight path to a nation-wide end to gerrymandering, our best path to a healthy democracy, does not wind through citizens commissions. I will touch on morals, masculinity, math, and more to describe this better path. Read more »

by David Winner

Having reached the ripe old age of sixty-one more or less in one piece, I wonder at which moments I may have been most in danger. Were there ever rogue cancer cells that never quite manifested? Planes or cars or buses that almost crashed. Appearances can be deceptive. The safe can be deadly, the deadly safe. The farther you are from the predictability of home the harder it is to figure out what is dangerous and what is not.

August 2009, rainy season in Senegal, my friend Robert and I are trying to get from Dakar to Saint Louis, the former capitol of French West Africa. We take the taxi parked outside of our hotel to the Gare Routière where sept-places (old station wagons with their backs carved into claustrophobic seats) head to destinations across the country once seven passengers have assembled. On the way, the driver explains a problem to us, a difficulty that lies outside the realm of my limited French.

Inside the Gare, we see cars, drivers, and even the names of destinations (including Saint Louis) but something is off. There are hardly any people about.

Following us into the station, the driver repeats what he’s said before. And a word that I had not grasped, greve, strike, finally penetrates my foggy brain. No sept places are running today because they are on strike.

According to what I’ve read, police harassment, unlicensed vehicles, bad roads hound Senegal, transportation a chronic challenge.

What the driver wants, I assume, is for us to pay him to take us all the way to Saint Louis.  But he seems hesitant when I make that suggestion. And when he finally agrees, he only asks for only a hundred dollars for the nearly four-hour drive there. And back, as he surely lives in or around Dakar. Read more »

by Charles Siegel

Last month I attended two conferences a week apart, one in Norway and one in Italy.  The first conference was held in Bergen.  From there, my law partner and I proceeded down the coast to Stavanger, for a meeting with a lawyer there about some potential cases.

Our meeting was late on the afternoon of November 16^th. When we finished, we looked around for somewhere to have dinner. Most restaurants were closed on a Sunday evening in autumn, but eventually we found a decent place. As we walked back to our hotel afterward, we passed a pub and decided to go in and watch the soccer match that was playing on TV.

This turned out to be a World Cup qualifying match between Norway and Italy. There wasn’t actually much riding on the outcome; Norway was going to qualify unless it lost by nine goals or more, and Italy was going to stay alive but have to win an extra two matches to qualify, as part of an additional playoff round for European teams. But the fans in the pub were excited nonetheless.

When we sat down, the game was about midway through the second half, and the score was 1-1. It was clear, of course, that Norway was not going to lose by nine goals or anything close to that, and so they were going to the World Cup for the first time in 28 years. But even as the clock ticked down toward qualification, those in the pub still were hoping for a win.

And they got it, in lightning fashion: Erling Haaland, the bustling striker who plies his trade in the Premier League for Manchester City, scored two goals in two minutes. Norway added a fourth in stoppage time, and that was it. Jubilation for the Norwegian players, many of whom weren’t alive the last time Norway played in a World Cup, and humiliation for Italy, who were beaten at home and who now are in danger of missing the tournament for a third time running. Read more »

by Eric Feigenbaum

Singapore’s domestic debate is a matter for Singaporeans. We allow American journalists in Singapore in order to report Singapore to their fellow countrymen. We allow their papers to sell in Singapore so that we can know what foreigners are reading about us. But we cannot allow them to assume a role in Singapore that the American media play in America, that is, that of invigilator, adversary and inquisitor of the administration. No foreign television station had claimed the right to telecast its programs in Singapore. Indeed America’s Federal Communications Commission regulations bar foreigners from owning more than 25 per cent of a TV or radio station. Only Americans can control a business which influences opinion in America. Thus, Rupert Murdoch took up US citizenship before he purchased the independent TV stations of the Metromedia group in 1985.

When Singapore’s Founding Prime Minister Lee Kuan Yew spoke these words to the American Society of Newspaper Editors meeting in 1988, he could scarcely have imagined how the Internet and eventually social media would dramatically affect the very nature of the press and increase the number of voices engaged in political and other discourse.

Today not only is media ubiquitous but choosing your news and information sources to align with your pre-existing political and social outlook is not only available, but the norm. If the role of the Fourth Estate as a credible source of information has been compromised, it is equally undermined by hostile voices and even less credible sources able to find megaphones through social media. The information age is a din of voices making it harder than ever to get clear, unbiased news.

Media itself is now a topic in our national discourse. On October 29^th, the Pew Research Center published findings that “only 56 percent of American adults now say they have a lot of or some trust in the information they get from national news organizations – down 11 percentage points since March 2025 and 20 points since we first asked this question in 2016.”

Further, “fewer than half of Republicans and Republican-leaning independents (44 percent) now say they have at least some trust in the information that comes from national news organizations. This is down from 53 percent in March and 70 percent in 2016, but it’s still above its lowest point in 2021, when 35% of Republicans expressed this level of trust in the national media.”

And Democrats? Read more »

Winter scene in Franzensfeste, South Tyrol.

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by Brooks Riley

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by Michael Liss

In the autumn of 1929 the mightiest of Americans were, for a brief time, revealed as human beings. —John Kenneth Galbraith, The Great Crash 1929

Ah, the mighty. The great, and the powerful. Let us take a moment to remember the mightiest of 1929. Among them surely had to be Herbert Hoover, the embodiment of a certain type of American success story, orphaned at an early age, a man who had literally worked in a mine for $2.50 per day, and, through inexhaustible, sustained effort tied to limitless ambition, had become a successful mining engineer, then internationally renowned for his rescue efforts during and after World War I, then, in eight highly impactful years, as Commerce Secretary. Almost by popular demand, he became the 31st President of the United States.

On Monday, March 4, 1929, he took office, declaring, in his Inaugural, these two ringing sentences:

In the large view, we have reached a higher degree of comfort and security than ever existed before in the history of the world. Through liberation from widespread poverty we have reached a higher degree of individual freedom than ever before.

Heady words, heady times, and perhaps just the slightest touch of hubris that wisdom might have suggested should be delivered in a less public way. The Gods have their own ways of seeing things, and of settling accounts, and Herbert Hoover, and the country he now led, were about to experience that.

Let’s scroll forward to December 3, 1929, barely nine months into his term, a bit more than a month after the wrenching horror of Black Thursday, October 24th and Black Tuesday, October 29th. Hoover delivers (literally, in writing, without pomp and circumstance) his first Annual Address to Congress.

It is, like most of its kin from George Washington’s to those of the present day, a ponderous thing. Hoover is a man of duty, and this effort, running to 11,000 words, is encyclopedic in its topics, and replete with dignified praise of both country and self. Read more »

by Rafaël Newman

Some of the best new music is 100 years old. On October 21, 1925, the Anglo-American composer and violist Rebecca Clarke presented a program of her own compositions at London’s Wigmore Hall:

Sonata for Viola and Pianoforte
Trio for Pianoforte, Violin and Violoncello
“Midsummer Moon” and “Chinese Puzzle” for Violin and Pianoforte
Songs, including “The Seal Man”, Old English Songs with Violin and others.

The Sonata had shared first place in a prestigious competition a few years earlier. Its score is prefaced by an epigraph, drawn from Alfred de Musset’s La Nuit de Mai, which stakes the young composer’s ambitious claim to innovation within an august tradition:

Poète, prends ton luth; le vin de la jeunesse
Fermente cette nuit dans les veines de Dieu.
(Poet, take up your lute; the wine of youth
this night is fermenting in the veins of God.)

Clarke herself played the viola at the sold-out 1925 performance of her Sonata, which headlined the bill of other original works of chamber music. The Sonata for Viola and Pianoforte was to become “a cornerstone of the viola literature…and nowadays is considered a masterpiece,” and Clarke would go on to be a celebrated figure on the early 20th-century English musical landscape.

When she was trapped by the Second World War in the United States, during a family visit, and was unable to obtain a visa to return to her native United Kingdom, Clarke continued to compose, despite the uncomfortable circumstances of her unexpectedly prolonged lodgings with in-laws. But the renown she had enjoyed as a composer in the early decades of the 20th century began to decline in the postwar period, as reflected by the drastic reduction in space accorded her by subsequent editions of the seminal Grove Dictionary of Music and Musicians, which demoted her, with patriarchal brutality, from autonomous artist with her own detailed entry in the 1920s to a footnote identifying her only as the wife of the composer James Friskin in the 1980s. Read more »

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by Hari Balasubramanian

Something different this time — an article on one of my longstanding research themes.

Since 2015, as part of research that has involved many students, I’ve worked with a dataset called the Medical Expenditure Panel Survey (MEPS). The survey is conducted annually by the U.S. Agency for Healthcare Research and Quality (AHRQ). Thousands of households across the United States are sampled each year to represent the national demographic, and members of each household are compensated for their time spent completing lengthy questionnaires. It is tedious, painstaking work that involves many hours of interaction between the staff who conduct the survey and members of each household. Once completed, it takes years to carefully anonymize the data, organize it into different file types, and release it to the public. Which is why, as of today, the data files only go up to 2023; presumably, the 2024 files will be released next year. With all the cuts to programs at Health and Human Services (HHS), I wonder what the future of MEPS and other similarly important national surveys—like the CDC’s National Health and Nutrition Examination Survey (NHANES)—will be.

As the title suggests, MEPS focuses on healthcare expenses – whether out of pocket or paid by insurance. To track expenses, the survey records the medical events a person experiences in a year. The figure above, for instance, visualizes the timeline of medical events for a 69-year-old woman in 2011. The timeline is interspersed with home health and office-based events, with one hospitalization in May 2011 and an emergency room (ER) visit in November. Home health events refer to care received at home; office-based events refer to typical doctor’s appointments: seeing a family physician, a cardiologist, an endocrinologist, a neurologist, a dermatologist, and so on. Each medical event also has diagnosis codes, so the underlying disease(s) (a viral infection, diabetes, osteoarthritis, breast cancer) someone had in the year of the survey can be inferred. And by using the prescribed medicines file – by far the largest file download on MEPS – you can even know the precise set of medications someone was taking that year.

This is what I mean when I said the survey was tedious and painstaking work: imagine how many questions must be asked and answered to gather all these medical—and very personal—details. The upside is that anyone with the patience to go through the documentation can use MEPS to construct a detailed portrait of the types of health conditions, medical events, and expenses in the country. A quick Google Scholar search reveals that over 500,000 studies have used MEPS since the survey started in 1996, on topics ranging from “national trends in aspirin use” to “Medicaid expansion and opioid use” to the relationship between “precarious employment and mental health”. Read more »

by Claire Chambers

Graham Foster from the International Anthony Burgess Foundation recently invited me to read and talk about R. K. Narayan’s The Vendor of Sweets (1967) for the Foundation’s podcast series. You can listen to our podcast here. The series is based on Burgess’s 1984 book Ninety-Nine Novels, in which the author of A Clockwork Orange selected his favourite novels of the twentieth century. The podcasts showcase a different Burgess preference for each show. Enjoying my rereading of Narayan and finding Graham’s questions stimulating, I decided to develop some of my answers for this blog post.

On the surface, The Vendor of Sweets appears to be an unadorned novella about the life and family relationships of a widowed mithai seller. It also turns out to be a comic meditation on the encounters and clashes of so-called tradition and modernity in India. The novel’s tight plotting revolves around Jagan, a man whose life as a sweet vendor sits uneasily with his past anticolonial activism and present devout Hinduism. When Jagan’s ‘foreign-returned’ only son, Mali, brings home a Korean-American partner and an ambition to start up a business manufacturing story-writing machines, Jagan finds himself sidelined and unmoored.

I first read The Vendor of Sweets during my MA at the University of Leeds. Along with another of Narayan’s novels, The Guide, it made a lasting impression. I appreciated the author’s concise prose and accessible and funny storytelling. More than that, his insights into the cultural transformations occurring in post-partition India left me entertained and educated. Read more »

by Ed Simon

Behind the neo-classical façade of the Tate Gallery in Milbank, all grey stone and Corinthian columned, its pediment topped with a grandiose visage of Britannia with her trident and Grecian martial helmet, there is a near-revolutionary work of art first displayed to great controversy in 2001.  Winner of that year’s Turner Prize, English conceptual artist Martin Creed’s much-hated Work No. 227: The lights going on and off was the millennial culmination of a certain ironic ‘90s Cool Britannia aesthetic, the resultant natural progression of Oasis, Blur, Britpop, Blair and Damien Hirst’s diamond-crusted skull and shark in formaldehyde. Work No. 227: The lights going on and off consists entirely of an empty white-walled gallery in which the lights flicker off and on for five seconds apiece. In the indomitable art-speak of gallery guides, exhibiting the great rhetoric of rationalization, curator Helen Delany argues on the Tate’s website that Creed’s work “confounds the viewer’s normal expectations,” that the piece “plays with the viewer’s sense of space and time and in so doing he implicated and empowers the viewer, forcing an awareness of, and interaction with, the physical actuality of the space.” In a 2001 Telegraph article auspiciously noting the £20,000 monetary sum that Creed received as part of the Turner prize, Nigel Reynolds soberly reports that the announcement was “met with a mixture of incredulity, attempts at philosophizing and plain outrage.” Jonathan Jones, in a Guardian piece written upon the Tate’s purchasing of Work No. 227: The Lights going on and off (rumored to have sold for £110,000) explains with an admirably honest ambivalence that “One moment I am entranced by a simple, eloquent Creed gesture, the next I am wondering if this is not all a bit… pretentious?” To Jones’ grappling I can add my own critique of Creed, my feeling that the problem with Work No. 227: The lights going on and off is that it’s simply not pretentious enough. Read more »