by Herbert Harris

What gives art its power? There are as many answers as there are powerful works of art, but most seem to fall into a few broad categories. A great deal of art is representational. It is intended to depict or show us something, whether natural or abstract. It succeeds by faithfully capturing its subject. Other art may be intended to express an inner state, feeling, intuition, or vision. In both cases, the creative act is a one-sided process of mimesis or self-expression. Appreciation of the artwork is also somewhat unidirectional. What does this show me? How does it make me feel?
Authenticity of expression and fidelity of representation are important aspects of art’s power, but neither can explain the uncanny phenomenon that occurs when a work seems to look back at the viewer, drawing them into a relationship with it. What happens is more than the recognition of a represented object or an expressed feeling. It is a mutual recognition mediated by the painting, poem, or musical composition in an intersubjective space co-created by the artist, the viewer, and their shared culture.
The neuroscience of active inference proposes that the mind meets the world not directly but through a guessing game. The brain builds models of reality, predictions, and structured hunches, and tests them against incoming experience, updating them when they don’t fit. You don’t see the world as it is. You see your best guess, corrected in real time.
This works beautifully for the world out there. But how does a guessing machine guess about itself? Try to model your own consciousness, and you hit a strange loop: the modeler is the thing being modeled.
Since Hegel, philosophers have argued that self-consciousness depends on recognition. The self becomes itself not by staring inward, but by encountering itself in another’s response.
Nature’s solution is elegant and inescapably social. Read more »












Michelle Lougee, Cecily Miller. Magazine Beach Tapestry, 2022.
Justice Clarence Thomas recently gave a speech at the University of Texas on the Declaration of Independence in anticipation of its 250th anniversary this coming July. In giving his take on the Declaration and its ties to the Constitution, Thomas interspersed autobiographical details with commentary on what he perceives to be America’s moral failures to live up to the Declaration. Thomas attributed these failures to what he called “progressivism.”
Before I launch into any critique of the phone, I should confess that I am not immune to its seductive qualities. I am not writing from a mountain, purified by silence, looking down at the scrolling masses. Like almost everyone else, I spend too much time on my phone. I reach for it when I am bored, when I am anxious, when I am tired, when I have two minutes between tasks, and the list goes on and on. I have checked it without wanting anything from it. I have opened one app, closed it, opened another, returned to the first, and emerged several minutes later with nothing gained but a vague sense of …something so amorphous that I can’t even begin to find the words to describe it.

