Barcelona’s Revolutionary Requiem Asserts Enlightenment Values

by Dick Edelstein Following the opening night performance of Mozart’s Requiem in Barcelona last month, I left the Gran Teatre del Liceu harboring the thought that this revolutionary setting was a slick riposte to the existential challenge of malevolent Trumpian ideology, a notion that could have motivated theatre director Romeo Castellucci’s approach to staging Mozart’s…

Women in Jazz: Sheila Jordan, Age 96, Drops a New Album

by Dick Edelstein A message from Spotify on my phone this morning announced that jazz singer Sheila Jordan had just dropped a track from her forthcoming album. A musician of very long experience among the inner circle of bebop jazz stars—iconic players, most of whom are no longer with us—she is an iconic figure herself,…

Reimagining the Self: Identity in the Shadow of Political Transformation

by Dick Edelstein A number of  books published in Ireland in the past few years relate to the centenaries of the First World War and the fight for Irish independence. Apart from being an opportunity to sell books, the conjuncture afforded readers an opportunity to reflect while delving into a receding page of history. Mary…

Lush Life

by Dick Edelstein Although jazz pianist, composer, arranger and lyricist Billy Strayhorn died in 1967 at the age of 51, his obscure life has since then become much better known than it was during his lifetime. His songs remain popular, and his reputation has continued to grow. Strayhorn shares credit for many jazz tunes he…

Lady Day

by Dick Edelstein Following Hulu’s release of “The United States vs Billie Holiday”, the singer’s musical career has become a topic of discussion. The docu-drama is based on events in her life after she got out of prison in 1948, having served eight months on a set up drug charge. Now she was again the…