Barcelona’s Revolutionary Requiem Asserts Enlightenment Values

by Dick Edelstein Following the opening night performance of Mozart’s Requiem in Barcelona last month, I left the Gran Teatre del Liceu harboring the thought that this revolutionary setting was a slick riposte to the existential challenge of malevolent Trumpian ideology, a notion that could have motivated theatre director Romeo Castellucci’s approach to staging Mozart’s…

Women in Jazz: Sheila Jordan, Age 96, Drops a New Album

by Dick Edelstein A message from Spotify on my phone this morning announced that jazz singer Sheila Jordan had just dropped a track from her forthcoming album. A musician of very long experience among the inner circle of bebop jazz stars—iconic players, most of whom are no longer with us—she is an iconic figure herself,…

Reimagining the Self: Identity in the Shadow of Political Transformation

by Dick Edelstein A number of  books published in Ireland in the past few years relate to the centenaries of the First World War and the fight for Irish independence. Apart from being an opportunity to sell books, the conjuncture afforded readers an opportunity to reflect while delving into a receding page of history. Mary…

Haiku, Naming Things and the Poetics of Reason

by Dick Edelstein Irish poet Geraldine Mitchell begins her new collection as she means to go on, choosing as an epigraph an untitled, haiku-like poem in an exalted tone: a blackbird knaps the flint of my heart, sparks fly Written in a non-classical style, the epigraph is a signpost indicating the celebratory mood prevailing in…