Storytelling Techniques in Film: Affliction, Badlands, and L’Eclisse
by Derek Neal The opening credits of Affliction (1997) feature small, rectangular images that fill only half the screen. You wonder if something is wrong with the aspect ratio, or if the settings have been changed on your television. A succession of images is placed before the viewer: a farmhouse in a snowy field, a…
Movie Review: On Paul Schrader’s Latest Film, “Oh, Canada”
“The Mezzanine” by Nicholson Baker and Attending to the Mundane
by Derek Neal The Mezzanine by Nicholson Baker is a novel about paying attention. After you read a chapter, you, too, begin paying attention to things you’ve never noticed before. On my way to work this morning, gliding down quiet, leafy streets in my 2012 Mazda 3 GS-SKY, I noticed a new sign. It was…
Chekov’s Gun
by Derek Neal Karl Ove Knausgaard went around for many years claiming that he was sick of fiction and couldn’t stand the idea of made-up characters and invented plots. People understood this to be an explanation of why he had decided to write six long books about his own life. There was some truth in…
“The Apartment” and the Debate Around Autofiction
Theories of Art and Rachel Cusk
by Derek Neal An excerpt of Rachel Cusk’s forthcoming novel, Parade, appeared in the Financial Times last week. The story features two narratives, one about a female painter simply referred to as “G,” told in third person, and another about a group of people visiting a farm in the countryside, told in first person plural.…
Is Art a Form of Therapy?
Joy in Repetition
Double Feature: The Yakuza (1974) and Nostalghia (1983)
by Derek Neal A few days ago I watched The Yakuza (1974), Paul Schrader’s screenwriting debut, and the following day I saw Andrei Tarkovsky’s Nostalghia (1983) at the cinema. These two films would never feature on a double bill together, and yet, due to having watched them within 24 hours of each other, they seem…
Pride and Envy in “Andrei Rublev”
Why Do I Keep Writing the Same Essay Again and Again?
More Thoughts on Boredom: Moravia, Sontag, and Schrader
by Derek Neal Alberto Moravia’s 1960 novel Boredom begins and ends with the narrator, Dino, describing his relationship to external reality. He does this, in the first instance, by describing a drinking glass, and in the second instance, by describing a tree. Here are Dino’s thoughts in the prologue: “The feeling of boredom originates for…
On Boredom
by Derek Neal The narrator of Alberto Moravia’s 1960 novel Boredom is constantly defining what it means to be bored. At one point, he says “Boredom is the lack of a relationship with external things” (16). He gives an example of this by explaining how boredom led to him surviving the Italian Civil War at…
Notes Towards a Collection of Essays on Americans in Europe
Against the Internet Novel
by Derek Neal There has been talk in recent years of what is termed “the internet novel.” The internet, or more precisely, the smartphone, poses a problem for novels. If a contemporary novel wants to seem realistic, or true to life, it must incorporate the internet in some way, because most people spend their days…
A Bunch of Strangers Trying to Put a Ball in a Hole; or, Pickup Basketball
by Derek Neal I’ve recently started playing pickup basketball again. When I was younger, I played basketball all the time. At two or three years old, we had a toy hoop with a bright orange rim, white backboard, blue pole, and black base. It was, I believe, a “Little Tikes” brand hoop; I’ve just looked…
Always in the Garden: On Two Recent Films from Paul Schrader
by Derek Neal There is a scene near the end of First Reformed, the 2017 film directed by Paul Schrader, where the pastor of a successful megachurch says to the pastor of a small, sparsely attended church: You’re always in the Garden. Jesus wasn’t always in the Garden, on his knees, sweating drops of blood.…
Stoicism Just Won’t Go Away
by Derek Neal An essay about Stoicism appeared on this website about a month ago. The essay was critical, seeing Stoicism and its contemporary manifestation as a sort of individualistic therapy that excluded the possibility of political and collective action. Instead of attempting to improve society or grapple with its problems, the turn to Stoicism,…
I’m Him!
by Derek Neal In the first round of this year’s NBA playoffs, Austin Reaves, an undrafted and little-known guard who plays for the Los Angeles Lakers, held the ball outside the three-point line. With under two minutes remaining, the score stood at 118-112 in the Lakers’ favor against the Memphis Grizzlies. Lebron James waited for…