by Thomas Fernandes

Last time, we explored how insects navigate and hunt using motion-based vision, and how these perceptual interfaces can themselves be exploited by dragonflies using motion camouflage to trick conspecifics.
In this essay, we shift from insects to spiders, and from motion cues to the many sensory strategies spiders use to sense their environment and guide their behavior. These developments culminate in the Portia spider, which has evolved one of the most remarkable visual systems known, along with cognitive abilities to match it. Harland and Jackson assembled three representative hunting scenarios involving Portia, drawn from repeated observations, which I will use as illustrative examples during the essay, while we try to understand their perceptual space.
Spiders are an unlikely place to look for visual sophistication. The first spiders evolved more than 300 million years ago, long before flying insects. Web-building spiders, which dominated early spider evolution, rely only minimally on vision. Instead, they externalize perception into silk. The web is not just a trap; it is an extended sensory organ. Web-dwelling spiders using aerial structures developed about 150 million years ago targeting flying insects.
In web-dwelling spiders, vibration replaces vision as the primary channel of information. Abiotic sources such as wind tend to displace large portions of the web at once in low frequency. Biotic sources like struggling prey, potential mates, invading conspecifics or even predators, originate from specific locations usually at higher frequencies.
The web transmits and amplifies all signals generated, while the spider “listens” with its legs, reconstructing a three-dimensional map of tension and displacement. It senses these displacements using slit sensilla, specialized strain sensors located at the joints of its eight legs, capable of detecting movements as small as 0.1 μm. Read more »






International order in the twentieth century was set by empires, then blocs engaged in ideological struggle, and finally by alliances based on common ideological and financial interests. Now even those alliances are dissolving. The Iran episode is the unmistakable break, and the United States is the agent of that break.
Sughra Raza. Fungal Abstractions. March 2022, Vermont.








I find myself increasingly unable to read anything resembling AI text, that is, anything seemingly preformed, readymade, or mass produced, like an IKEA chair; but even as I write this, I think to myself—why an IKEA chair? Why does this object, or rather, this unit of language—IKEA chair—come to me unbidden? “IKEA” as signifier of anonymous, impersonal and practical furniture, and “chair” as typical illustrative example—Wittgenstein’s theory of family resemblances as shown by how the concept of “chair” functions in language, for example—combining to form the perfect analogy: IKEA chair is to furniture as AI text is to human writing; and yet, when I visualize an IKEA chair, or rather, when I see myself walking through the showroom in Burlington, Ontario, I see many chairs of all shapes and sizes, some hard and made of wood, some soft and upholstered, some big and roomy, some ergonomic and sleek, and I realize that, in fact, IKEA makes a wide variety of chairs, and perhaps my analogy is flawed.
