When Bach was a Busker in Brandenburg
When Bach was a busker playing for humble coin
he’d set up his organ in the middle of a square
regardless of pigeons, ignoring the squirrels who sat
poised at its edges waiting for their daily bread,
and work to build its impossible structure of intricacies,
assembling its pipes from his scaffold of arpeggios
of baroque means, setting its stops and starts,
its necessary rests and quick resumptions,
seeing in his mind’s-eye each note to come
as he’d placed them just so on paper at his desk,
simultaneously hearing them as they would resonate
against eardrums in potential cathedrals of brains
even before a key was touched,
even before a bow was raised,
even before a slender column of breath
was blown into a flute, or tympanic skins troubled the air,
he’d hear them as he saw them, strung out
along a horizontal lattice of five lines
with intervening measure marks,
following the lead limits of a cleft,
soaring between and around each other
darting out, in and through, climbing, diving,
making unexpected lateral runs between boundaries,
touching sometimes the edge of chaos but
never veering there, understanding the limits of all,
so that now, having prepped for his street-corner concerto,
this then unknown genius would descend from his scaffold
and share with the ordinary world how a tuned mind works
in harvesting songs from a universe of stars,
collecting their sweet sap, distilling it into a sonic portrait
of a universe that forever lies within the looped
horizon of things.
Jim Culleny, 10/3/22
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I write this not to counter Holocaust deniers. That would be a waste of time; the criminally insane will spew their fantastical vitriol no matter what you tell them. Nor do I write this in the spirit of “Never forget!” As a historian I am committed to remembering this and many more genocides, particularly the most devastating and thorough genocide of all: the European genocides of Indigenous societies. At the same time, I understand the ultimate futility of admirable slogans such as “Never Forget!” For everything is forgotten, eventually. Everything and everyone.


In reading about attachment theory, 
On a sunny Saturday towards the end of last month we took a train to Moutier in the west of Switzerland, half an hour from the French border, to attend an opera in a shooting range. We had tickets to hear my friend 


Americans learn about “checks and balances” from a young age. (Or at least they do to whatever extent civics is taught anymore.) We’re told that this doctrine is a corollary to the bedrock theory of “separation of powers.” Only through the former can the latter be preserved. As John Adams put it in a letter to Richard Henry Lee of Virginia, later a delegate to the First Continental Congress, in 1775: “It is by balancing each of these powers against the other two, that the efforts in human nature toward tyranny can alone be checked and restrained, and any degree of freedom preserved in the constitution.” As Trump’s efforts toward tyranny move ahead with ever-greater speed, those checks and balances feel very creaky these days.


Gozo Yoshimasu. Fire Embroidery, 2017.




In a culture oscillating between dietary asceticism and culinary spectacle—fasts followed by feasts, detox regimens bracketed by indulgent food porn—it is easy to miss the sensuous meaningfulness of ordinary, everyday eating. We are entranced by extremes in part because they distract us from the steady, ordinary pleasures that thread through our daily lives. This cultural fixation on either controlling or glamorizing food obscures its deeper role: food is not just fuel or fantasy, but a medium through which we experience the world, anchor our identities, and rehearse our values. The act of eating, so often reduced to a health metric or a social performance, is in fact saturated with philosophical significance. It binds pleasure to perception, flavor to feeling, and the mundane to the meaningful.