by Peter Topolewski

Imagine you could you travel back in time with your phone. Imagine you presented your phone to the first stranger you encountered. Didn’t dilly dally at all but straightaway showed this lucky stranger the Google Home app. How far back in time would you have to travel to ensure the app didn’t make one bit of sense to the stranger?

The 1940s?

Doubtful. The TV screen, though not yet in wide use, existed and set a high bar in the imaginations of who saw or even heard of such a thing.

The 1840s? Most certainly. Sure, Google Home is mostly colored icons, but to a citizen of the world of 1840—where and when electric power is not yet present—a glass-faced notepad with moving, colored icons would look like magic.

For those not in the know, the colored icons of Google Home exist in service of “setting up, managing, and controlling compatible Google and third-party smart home devices.” Apple users undoubtedly roll their eyes at this point, but they have their own version, smartly called Home. It works with Apple and Apple-adjacent products.

The purpose of setting up this Google (or Apple) app is to create a home partially or fully stuffed with lights, thermostats, speakers, and cameras you control from anywhere, anytime. Using your phone.

If all goes well, the results will be magical, even to present-day folks, never mind those of the 1840s.

Too bad the app—and the entire enterprise of setting up, managing, and controlling devices connected to it—is awful. Read more »

Alternate Paradise

……. All poems hint death
though some strive not to mention it
decked as they are
in bright intentions to make it moot,
but it can’t be helped,
it looms over every word
no matter how light

……. No matter how fresh and light a poem may seem
it can’t resist death’s ballast, can’t throw it off
to set its brilliant balloon completely free,
to let it float over rain forests, wine dark seas, and
the snows of Kilimanjaro, over sun-stroked streams
and lovers walking their banks in bliss,
over day lilies, lupine, and coffee with you at six
as still earth sloughs its gloom and blue heaven
comes with sun creating the more tentative moon
pallid in the light of life

……. All poems blossom in the shade of death
so it’s no wonder we imagine an alternate paradise
beyond, a place of mythic respite,

…… It’s no wonder we sadly obfuscate
and tell tales of it to the young who then
disregard a closer truth clear and dear:

……This world
offers a promise of a paradise
only lovers may reach

by Jim Culleny

Enjoying the content on 3QD? Help keep us going by donating now.

by Thomas R. Wells

Many climate activists claim to believe that climate change is an existential threat to humanity if not the entire biosphere. This is the justification for groups like Extinction Rebellion to engage not only in demonstrations and civil disobedience to raise awareness of the issue and persuade fellow citizens to demand action, but also blocking and disruptive actions aimed at coercing governments and businesses to speed up the transition to net zero.

My point is simple. If you actually believe that climate change is an existential danger, then you should be demanding something that could actually save us from that danger. In the real  world rich democracies are not a big enough part of the problem for their governments’ carbon policy choices to make much of a difference. The only climate saving action they could plausibly take is to develop effective and responsibly deployable geoengineering technologies. If climate activists genuinely believe they have a duty to save us from climate change, that is what they should be demanding.

Read more »

by Barry Goldman

The term legaldegook appears to have been coined by Bryan A. Garner. He is the author of several books on language in general and legal language in particular. Garner co-wrote a book with Antonin Scalia called Reading Law: The Interpretation of Legal Texts. He is a leader in the plain English movement. The idea there is that legalese unnecessarily complicates things. If we could scrape away the legaldegook and get down to bedrock, simple language, the theory goes, the law would be clear and understandable, and everyone would be happier.

This is partly true. Legal language is often ridiculously complicated. It’s fun to come up with examples. Garner and his colleagues used to publish The Legaldegook Awards for particularly egregious passages. Here’s one winner:

No savings and loan holding company, directly or indirectly, or through one or more transactions, shall … [a]cquire control of an uninsured institution or retain, for more than one year after other than an insured institution or holding company thereof, the date any insured institution subsidiary becomes uninsured, control of such institution.  12 C.F.R. § 584.4(b) (1989)

This is obviously gibberish. And it is equally obvious that it would be a good idea to reduce the amount of gibberish in the Code of Federal Regulations. But the overall theory is false. The sad truth is there is no bedrock. Beneath the confusion there is only more confusion. It’s legaldegook all the way down.

From time to time, legal scholars acknowledge this. The great Lon Fuller wrote:

Formal legal principles of interpretation… tend to come in offsetting pairs. One can find a maxim according to which when you say “trees” you must mean shrubs also, shrubs being so much like trees. By another maxim one can argue that when you say “trees” you must mean to exclude shrubs because if you had meant shrubs you would have said so; shrubs being so much like trees, and so naturally suggested by them, you couldn’t have forgotten about them when you said “trees” and stopped.

I have written both decisions many times myself. I have said “the drafters know how to say X. They said it in Article 1 and Article 2. If they had meant X in Article 3 they would have said it there too.” And I have said, “The purpose of Article 3 is clear from the context. The drafters clearly intended to prohibit Y and Z. To prohibit Y and Z and at the same time to allow X would defeat the obvious purpose of the provision. As a matter of simple logic, that cannot have been the intent of the drafters.”

My point is, you can scrape away as many layers as you like, ultimately someone is going to have to make a determination about the meaning of the language in a legal document. It is not going to interpret itself. Read more »

by Rachel Robison-Greene

In 1961, Dr.  Martin Luther King Jr. delivered an address before the annual meeting of the Fellowship of the Concerned.  In the speech, he defended non-violence, arguing that rising up in a spirit of hatred was not only bad for the soul, but it was also counterproductive.  He warned that doing so would ensure that “unborn generations will be the recipients of a long and desolate night of bitterness” and that “our chief legacy to the future will be an endless reign of meaningless chaos.”

Lately, the hatred and vitriol omnipresent in social life makes it feel meaninglessly chaotic.  Most people crave social connection, which explains why they are willing to subject themselves to the exploitative practices of social media companies.  Instead of friendship, we often find ourselves slogging through posts expressing senseless cruelty, misinformation, and a reckless commitment to maintaining in-group out-group dynamics.  People wear their rage as a badge of honor, and it is often political rage. The angry person feels powerful—they subordinate the subject of their rage along with those who don’t also burn with righteous indignation.

In that same address, King describes what he calls an “Ethic of Love.”  He says, of the students he mentors in the movement, “When the students talk about love, they are not talking about emotional bosh, they are not talking about merely a sentimental outpouring; they’re talking about something much deeper.”  The kind of love that King has in mind is not romantic love or even the love of friendship.  The love that motivated his movement was “understanding, redemptive, creative, good will for all men.” He uses the Greek word agape to label the type of love he has in mind, and it is political at its core. Yet again, we find ourselves in a political context in which anger vibrates at fever pitch. It is a moment for us to ask ourselves: what is the real potential of political love? Read more »

by Eric Schenck

One of my New Year’s resolutions was to read one of the “classics of fiction” each month this year. I’m happy to report that I’m on pace to succeed. 

While I won’t tell you which books I’ve read so far (no spoilers here!) this year of reading has taught me a few things.

I used to think it was a waste of time reading old novels. But now?

I realize it can actually teach you quite a lot – even if it’s not what you expected. In honor of the nine classics I’ve read so far in 2025-

Here are nine reasons you should read them in the first place.

1) You can get off the self-help train.

I used to read self-help books almost constantly. Whether it was about optimizing your time, optimizing your health, or optimizing your optimization (sadly, not a joke), I was trying to get to the ideal level of everything.

But if you really want to improve your life – the classics will help.

Stories like this teach you lessons on love, death, success, and what it means to be human.

What more do you need?

2) You can hate on the classics you don’t like.

I said there wouldn’t be any spoilers here, but I can’t help myself. Don’t hate me for what I’m about to say…

But I read “Beloved” by Toni Morrison and I couldn’t stand it. Too poetic. Plus, you’re telling me a ghost came back to live with her and everybody was cool about it?

Pssssssh.

There’s a special kind of club (even if you’re the only member) where you hate a book everybody else seems to love.

And with the classics?

That club is all the cooler. Read more »

Just a leaf I saw lying on the sidewalk.

Enjoying the content on 3QD? Help keep us going by donating now.

by Ali Minai

As AI insinuates itself into our world and our lives with unprecedented speed, it’s important to ask: What sort of thing are we creating, and is this the best way to create it? What we are trying to create, for the first time in human history, is nothing less than a new entity that is a peer – and, some fear, a replacement – for our species. But that is still in the future. What we have today are computational systems that can do many things that were, until very recently, the sole prerogative of the human mind. As these systems acquire more agency and begin to play a much more active role in our lives, it will be critically important that there is mutual comprehension and trust between humans and AI. I have argued elsewhere that the dominant AI paradigm is likely to create powerful intelligences that are quite alien, and therefore potentially hazardous. Here, I critique an influential principle implicit in this paradigm, and make the case that incorporating insights from biological intelligence could lead to a more natural AI that is safer and more well-adjusted to the human world.

General Critique:

In 2019, Richard Sutton, one of the pioneers of computational reinforcement learning and winner of the Turing award, wrote an extremely influential essay titled “The Bitter Lesson”. His main argument was that trying to reach artificial intelligence by emulating biology, neuroscience, and psychology was futile, and that the focus should be on general purpose meta-methods that can scale with computation – notably search and learning. The following quote from the essay captures the essential insight:

We have to learn the bitter lesson that building in how we think we think does not work in the long run. The bitter lesson is based on the historical observations that 1) AI researchers have often tried to build knowledge into their agents, 2) this always helps in the short term, and is personally satisfying to the researcher, but 3) in the long run it plateaus and even inhibits further progress, and 4) breakthrough progress eventually arrives by an opposing approach based on scaling computation by search and learning. The eventual success is tinged with bitterness, and often incompletely digested, because it is success over a favored, human-centric approach.

This is a truly profound point that deserves some unpacking. The implication in Sutton’s argument is that the “intelligence” that AI seeks to implement is something similar to the intelligence exhibited by humans, or possibly by some other animals. In other words, biological, natural intelligence. This is reasonable, since all existing examples of general intelligence are biological, and it’s hard to imagine some radically different form of intelligence. Given this goal of building AI similar to natural intelligence, it seems reasonable to assume that insights from biology would be very useful. Read more »

by Laurie Sheck

1.
In the garden of the Maui home where the poet W.S. Merwin lived for the last forty years of his life, writing and translating poems, and restoring deforested land into a flourishing palm forest, there is a black stone marker engraved with his name and that of his wife, along with the four simple words “Here we were happy.” It is a remarkable story. Merwin first came to the island in 1975 to study with the Buddhist teacher Robert Aitken. Drawn to the land, he found at first three acres of a disused pineapple plantation where, with the help of friends, he built a house. Later, he purchased and tended fifteen acres more. Over the years, seedling by seedling, he planted his palm forest. At first, he wanted to plant only trees native to the island but found through experience the ecosystem had been so degraded they could no longer survive. The first 800 trees he planted died. After that, he focused on planting various endangered species of plants and trees. He planted one tree almost daily; by the time of his death, he had planted approximately 14,000 palm trees.

The history of the island is one of natural beauty severely harmed by human intervention. When the earliest settlers arrived, many of its trees were cut down to provide wood for the construction of whaling ships. Soon the land was further cleared for grazing cattle. Rats, mosquitoes and other life-forms foreign to the island were introduced. In 1876, the Hamakua Ditch Company began building a network of ditches and tunnels that diverted the rainwater from the central valley to newly cultivated sugar cane fields. The valley was starved of water. By 1917 nearly 130,000 acres of Maui had come under the ownership of sugar plantations and factories. Large numbers of the native population had died from infectious diseases brought to the island by Americans and Europeans. When the pineapple industry arrived, it further destroyed what was left of the native ecosystem.

2.
These are some of the life-forms that were lost: Acacia palm trees, sandalwood trees, many kinds of native land snails, damselflies, honeycreepers.

By the time of Merwin’s death, his plantings included 128 genera and 486 species. One ecosystem had been destroyed but another had begun to flourish.

3.
I first came upon Merwin’s poems in my early twenties. It interested me that he had turned from the lapidary early poems that drew notice from W.H. Auden, who picked Merwin’s first book for the Yale Series of Younger Poets, to something much starker, stripped down, alert to and pained by human hubris and error. By his 6th volume, The Lice, he had dropped punctuation. The poems were concerned with war, destruction, power, and the counterforces that make us of value as a species, and that make our planet a wondrous place. Read more »

by Brooks Riley

Enjoying the content on 3QD? Help keep us going by donating now.

by Bonnie McCune

When my grandson was about two, I heard him stirring from his nap and went to his bedroom to get him up. He saw me at the door and clambered to his feet, clinging to the rail of his crib. “I got eye blooows,” he announced with pride, indicating with a pointed finger the yellow fuzz framing one eye.

I can imagine his curiosity as he first felt the ridge frequently called the brow ridge, the bony prominence above the eyes, known also as the supraorbital ridge. Touching the hairs and wondering what in the heck they are. Asking his parents why his face sprouted these strange growths. Checking faces of people around him for similar protrusions.

A momentous discovery, probably more for me than for him. It’s difficult for adults to get any view, even a squinty-eyed one, into the mind of a child just learning about himself and life. I was lucky. This particular child, at that precise time, paired verbal skills with a questioning mind and was able to say what he was thinking. I’d never caught a glimpse of the process before although I’d wondered how a kid learns.

I’ll give you an answer. It’s the same way a kid learns about a roly-poly bug and how it faces danger. They poke at it. Go nudge something and get excited about it, learn about it. This is actually how we continue to learn about life in all its fascinating variations. We witness some phenomenon, wonder about it, and learn and think.

We don’t claim we’re always right. Aging is a particularly delicate topic. Some of us don’t want to admit we’re not as charming or beautiful or strong or healthy as we once were. So we cover up with white lies and smiles.

But how does each of us determine, and ADMIT, we’re old? Read more »

by Malcolm Murray

“A clearly written and compelling account of the existential risks that highly advanced AI could pose to humanity.” — Ben Bernanke

“Humans are lucky to have Yudkowsky and Soares in our corner, reminding us not to waste the brief window that we have to make decisions about our future.”— Grimes

Probably the first book with blurbs from both Ben Bernanke and Grimes, a breadth befitting of the book’s topic – existential risk (x-risk) from AI, which is a concern for all of humanity, whether you are an economist or an artist. As is clear from its in-your-face title, with If Anyone Builds It, Everyone Dies (IABIED), Eliezer Yudkowsky and Nate Soares have set out to write the AI x-risk (AIXR) book to end all AIXR books. In that, they have largely succeeded. It is well-structured and legible; concise, yet comprehensive (given Yudkowsky’s typically more scientific writing, his co-author Soares must have done a tremendous job!) It breezily but thoroughly progresses through the why, the how and the what of the AIXR argument. It is the best and most airtight outline of the argument that artificial superintelligence (ASI) could portend the end of humanity.

Although its roots can be traced back millennia as a fear of the other, of Homo sapiens being superseded by a superior the way we superseded the Neanderthals, the current form of this argument is younger. I.J. Good posited in 1965 that artificial general intelligence (AGI) would be the last invention we would need to make and in the decades after, thinkers realized that it might in fact also be the last invention we would make in any case, since we would not be around to make any more. Yudkowsky himself has been one of the most prominent and earliest thinkers behind this argument, writing about the dangers of artificial intelligence from the early 2000s. He is therefore perfectly placed to deliver this book. He has heard every question, every counterargument, a thousand times (“Why would the AI be evil?”, “Why don’t we just pull the plug?”, etc.) This book closes all those potential loopholes and delivers the strong version of the argument. If ASI is built, it very plausibly leads to human extinction. End of story. No buts. So far, so good. As a book, it is very strong. Read more »

Conversation

Enjoying the content on 3QD? Help keep us going by donating now.

by Philip Graham

Archipelago, the third novel by Natalie Bakopoulos, ranges among the Cycladic Islands of Greece, the coast of Croatia, and crosses the borders of various Balkan states until finally—temporarily?—settling in a small town in the Peloponesian peninsula. All this traveling echoes (and is echoed by) the inner journey of the unnamed (and yet named) narrator of Archipelago, a translator who, as the novel progresses, seems to allow her own self to be written, to be translated.

Archipelago is a heady read, deceptively quiet and yet rife with private risk-taking and minute transgressions. It’s a novel that sets its own pace and sets its own rules as the narrator, in the process of discovering herself, must also learn how to remember herself.

*

Philip Graham: I have so much to say and ask about this beautifully-written house of mirrors that is Archipelago, your latest novel, that I don’t know where best to start. Perhaps the novel’s own beginning? The narrator, a translator of Greek literature on her way to a literary conference, has a brief but disturbing encounter with an aggressive man. A case of mistaken identity? She has no recollection of this man, but somehow she has become a character in his angry imagination. The possibility of being a “someone else,” seems to cling to her in different ways as the novel progresses.

Meanwhile, she decides to forego reading a novel—titled Occupation—before beginning to translate it, a new professional process for her. “I wanted to try translating something as I was coming to know it,” she says, in order to “tell a story before I knew its ending.” Her translating “blind” sets the stage for another thread in the novel, an acceptance of “unknowing” how her own story will move forward.

As she notes near the end of Archipelago, “the beginning is often many places at once.”

Natalie Bakopoulos: Thank you so much, Philip, for starting this conversation, and for these wonderful observations and connections. You’re absolutely right, I was indeed playing with the idea of “beginnings.” “Here in Greece,” the narrator says, “the rivers rarely have a single source: They spring from the mountains at several places.” I also wanted to think about the arbitrariness of origin and a way of thinking about belonging that wasn’t necessarily about “roots”—but instead rhizomes, as Edouard Glissant, and others, might say.

Joan Silber, in The Art of Time in Fiction, writes: “A story is already over before we hear it. That is how the teller knows what it means.” I really appreciate this sentiment, and I even echo it in the book, but I also think the actual telling of the story helps the teller to understand it, and that each telling, or translation, might privilege different things. I fact, I might say that in Archipelago, her narration is as much the story as any other elements of the work. Read more »

by Eric Feigenbaum

In 2016, my then-wife and I took our one and three-year-old children from Los Angeles to Bali, Indonesia. It took 21 hours of flight time with one stop in Tokyo to refuel and another in Singapore to change planes – making for a roughly 26-hour journey with two kids in diapers. It is not the easiest way to begin a vacation.

My wife and I were seasoned travelers – both of us having lived abroad before meeting. Asia was no stranger to either of us, and in fact I had lived in both Bali and Singapore in my 20’s. There was a time in both our lives when the best flight was the cheapest one. When flying from Bangkok to Kathmandu for the first time with two buddies aboard Royal Nepal Airlines, we laughed about the used TV cart the flight attendants pushed through the aisle instead of the Boeing-issued ones – purposely included with the plane both for functionality and safety.

One British friend used to take Biman Airlines of Bangladesh back to London from Bangkok, sleeping on the floor of the Dhaka Airport in order to save the most money. Once on a budget flight from Bangkok to Udon Thani, there was so little leg room, I couldn’t sit forward and had to pivot to fit into the row.

It didn’t matter – it was part of the adventure and made for great stories.

Traveling with a one and three-year old across the world was an adventure in and of itself – and suddenly inconveniences were enemies and comforts our best friends. We needed any and every advantage we could get. It became clear to my wife and I that we had reached the age where reducing friction was worth a premium. We needed to rely on everything we couldn’t control going right.

After all, when something goes right, we often don’t notice or comment – but when it goes wrong, it becomes clear that “nothing” is really the hallmark of incredible accomplishment.

This is the bedrock success of Singapore Airlines. Read more »