by Leanne Ogasawara

1.
I was nineteen when I first saw Venice. My college boyfriend and I had taken an overnight train from Vienna and arrived in the mist of early morning. It was late summer. This was at the tail end of almost three months in India, where I saw my fill of glorious wonders. Still, nothing could have prepared me for my first glimpse of the fabled city. First of all, I hadn’t expected the Grand Canal to be right outside the train station. Boarding a vaporetto, I sat speechless. The canal was shimmering like a vision from a dream. Church bells could be heard just above the loud din of the boats, and everywhere I looked: marble palaces stood crumbling into the water. I vividly remember my heart racing as I looked around, not believing the place was real.
“A wonder of the world,” my boyfriend called it on the train from Vienna.
And when I at last found my voice, I asked, “Why does anyone live anywhere else?”
He just laughed.
That was in 1990.
Then as now, traveling to Venice meant being able to view the work of the dazzling trio of Venetian artists that Henry James claimed would “form part of your life in Venice.” Giovanni Bellini and Tintoretto, as well as the great Carpaccio, said James “shall illuminate your view of the universe.” James was hinting at the way that these painters’ works exert an overwhelming power, not only over the way we see Venice, but over our vision of the world. And this is especially true when the great pictures are viewed in situ, in the palaces and churches for which they were originally created. Read more »

My favorite bookstore closed this month. Well, my favorite bookstore in Zurich, where I live. Also it hasn’t actually closed, it’s only changing hands. But 


The season finale of
Two weeks ago, outside a coffee shop near Los Angeles, I discovered a beautiful creature, a moth. It was lying still on the pavement and I was afraid someone might trample on it, so I gently picked it up and carried it to a clump of garden plants on the side. Before that I showed it to my 2-year-old daughter who let it walk slowly over her arm. The moth was brown and huge, almost about the size of my hand. It had the feathery antennae typical of a moth and two black eyes on the ends of its wings. It moved slowly and gradually disappeared into the protective shadow of the plants when I put it down.
Philosopher Harry Frankfurt is best known for his article-turned-manuscript On Bullshit, in which he distinguishes between lying and bullshitting. Most of us are raised to condemn liars more than bullshit artists, but Frankfurt makes the claim that we’ve all got it backwards. His argument is philosophical, rather than scientific, which means observable evidence is hard to come by, but recent political events have filled the gap.
Sughra Raza. Untitled. Cambridge, 1999-2000.
Having 
On the night of July 13, 1977, the old god Zeus roused from his slumber with a scratchy throat. Reaching drowsily for the glass by his bedside, his arm knocked a handful of thunderbolts from the nightstand. Swift and white, they rattled across the floor to the mountain’s, his home’s, precipitous edge: off they rolled and dropped to plummet through the dark. That night, great projectiles of angular light splashed against and extinguished New York City’s billion fluorescent eyes.

When we speak about identity, we usually have in mind the various social categories we occupy—gender categories, nationality, or racial categories being the most prominent. But none of these general characteristics really define us as individuals. Each of us falls into various categories but so does everyone else. To say I’m a straight white male puts me in a bucket with millions of others. To add my nationality and profession only narrows it down a bit.
There are two possible attitudes towards Scripture. One is to regard it as the direct and infallible word of God. This leads to certain problems. The other one, equally compatible with devotion, is to regard it as the recorded writings of men (it almost always is men), however inspired, writing at a specific time and place and constrained by the knowledge and concerns of that time. This invites deeper study of what was at stake for the writers, the unravelling of different narrative strands and voices, and discussion of whatever message the Scriptures may have for our own times. I expect that most readers here will adopt the second approach, while those who adopt the first are not to be dissuaded by mere rational argument, so why am I even discussing it?
