by Tim Sommers

“Suddenly he woke up and there he was, solid and unmistakable Zhuang Zhou. But he didn’t know if he was Zhuang Zhou who had dreamt he was a butterfly, or a butterfly dreaming that he was Zhuang Zhou.” — Zhuangzi (translation by Burton Watson)
“We are almost certainly living in a computer simulation.” – Nick Bostrom*
Is the hypothesis that we live in a computer simulation an improvement, in some way, on the classic skeptical argument that life is but a dream? The dream argument seems to show that life could be a dream. Some claim that the simulation argument shows that not only is it possible that we live in a computer simulation, but that we almost certainly do live in a simulation.
I’ll argue that the simulation argument does not make it any more likely than the dream argument does that this is not reality. Furthermore, the simulation argument might even be worse (as a skeptical argument) in one way. If I am dreaming, there is not just another world, but, in some sense, another me, out there beyond the dream. But if I am a being that only exists in a simulation, it follows that there is no other me out there – and challenges the very idea that this scenario is really “skeptical,” in the same way, as the dream argument.
From Zhuangzi to Descartes to The Matrix, people have worried and wondered over global epistemological skeptical scenarios like these. Let’s call them GESSes.
They are global because they cover all knowledge from our senses, they are epistemological because they raise the question of what we can know, skeptical because they answer, ‘we can’t know anything,’ and scenarios in the sense that they offer a story about why our senses systemically fail to make contact with reality.
So, how do you know whether we are currently being deceived about everything around us by an evil demon or dreaming it all, as Descartes says, or if we live in some kind of simulation? Read more »

1. In nature the act of listening is primarily a survival strategy. More intense than hearing, listening is a proactive tool, affording animals a skill with which to detect predators nearby (defense mechanism), but also for predators to detect the presence and location of prey (offense mechanism).
Njideka Akunyili Crosby. Still You Bloom in This Land of No Gardens, 2021.

A metal bucket with a snowman on it; a plastic faux-neon Christmas tree; a letter from Alexandra; an unsent letter to Alexandra; a small statuette of a world traveler missing his little plastic map; a snow globe showcasing a large white skull, with black sand floating around it.
I liked to play with chalk when I was little. Little kids did then. As far as I can tell they still do now. I walk and jog and drive around town for every other reason. Inevitably, I end up spotting many (maybe not 




In The Art of Revision: The Last Word, Peter Ho Davies notes that writers often have multiple ways to approach the revision of a story. “The main thing,” he writes, “is not to get hung up on the choice; try one and find out. … Sometimes the only way to choose the right option is to choose the wrong one first.” I’m easily hung up on choices of all kinds, and I read those words with a sense of relief.
A friend just sent me a copy of materials that the Cornwall Alliance is sending to its supporters. Here is an extract [fair use claimed]:


Recently, I asked the students in my class whether they had used