by Brooks Riley
‘Every situation in life, indeed every moment, is of infinite value, because it represents an entire eternity.’ –Johann Wolfgang von Goethe
It seems we’re always tinkering with those eternities, not just to cherish their value or find their meaning, but to transform them into something else. Maybe that’s what creative writing ultimately is—momentary eternities arranged so that they somehow move the reader the way a perfect arrangement of musical notes might do. Reading is a compelling pastime for millions because words function as artfully selected indicators of events and images that readers will complete in their own minds, as they follow verbal guideposts for the imagination to begin to do its work.
‘The dog is brown’ will evoke as many different brown dogs as there are readers of that sentence. But even a more exacting description of a short brown dog with silky fur that catches the light will conjure up a variety of imagined brown canines with silky fur, enough to fill a kennel. In every piece of writing, there will always be ellipses that can be filled in only by the reader’s imagination, which acts like spilled water, spreading into every dry nook and cranny along its path, its wetness both a nourishment and an added dimension. A book is a writer’s covenant with the reader’s imagination. Together they complete the work.
What authors create for their readers are metaverses. They’ve been carefully fashioned and made accessible to anyone who cares to traverse them, in the same way that the viewer of a movie enters a carefully prepared visual environment. Whether content plays out on a monitor or in the mind’s eye, the second-life reality of an invented world has already been here for a long time. For non-readers, movies and television offer the same kind of metaversal immersion. Read more »