by Richard Farr
You might think London’s National Portrait Gallery is a temple of celebrity, and it’s true that many of the faces on these walls belong to mere royalty, or influential past Nabobs, or those more recently glossy with fame. But the people who draw me back again and again are the ones who get to be here only because they were freakishly good at something.
Poets. Dancers. Singers. Scientists. Generals. Explorers. Actors. Engineers. Diplomats. Reformers. Painters. Sailors. Builders. Climbers. Composers. In a pretty-good eighteenth-century copy of a portrait by Holbein the Younger, Thomas Cromwell is not so much a man as a slab of living, dangerous gristle. Henry James looks dangerous too, in a portrait by John Singer Sargent that more people would recognize as great if inverted snobbery hadn’t turned under-rating Sargent into a whole academic discipline. Humphrey Davy, painted in his forties, could not be more different. He looks about 14; thinking about science has made him glow with delight.
Thomas Gainsborough is all over the place to good effect next door, in the National Gallery, but his self-portrait here makes him look embalmed. It seems almost cruel to have placed him next to his contemporary Joshua Reynolds, whose own self-portrait demonstrates how far wit and brio can take you. A less successful Reynolds captures Samuel Johnson looking morose, or constipated; no greater contrast than with that prince among wits Laurence Sterne (Reynolds yet again), seen in full gloat after the publication of Tristram Shandy. Read more »

There are worse places to be a stargazer than south-central Indiana; it’s not cloudy all the time here. I’ve spent many lovely evenings outside looking at stars and planets, and I’ve been able to see a fair number of lunar eclipses, along with the occasional conjunction (when two or more planets appear very close together on the sky) and, rarely, an occultation (when a celestial body, typically the moon but sometimes a planet or asteroid, passes directly in front of a planet or star).
Sughra Raza. Figure in Environment, May 1974.








Raqib Shaw. Detail from Ode To a Country Without a Post Office, 2019-20. (photograph by Sughra Raza)



