by Eric Feigenbaum

Singapore’s domestic debate is a matter for Singaporeans. We allow American journalists in Singapore in order to report Singapore to their fellow countrymen. We allow their papers to sell in Singapore so that we can know what foreigners are reading about us. But we cannot allow them to assume a role in Singapore that the American media play in America, that is, that of invigilator, adversary and inquisitor of the administration. No foreign television station had claimed the right to telecast its programs in Singapore. Indeed America’s Federal Communications Commission regulations bar foreigners from owning more than 25 per cent of a TV or radio station. Only Americans can control a business which influences opinion in America. Thus, Rupert Murdoch took up US citizenship before he purchased the independent TV stations of the Metromedia group in 1985.

When Singapore’s Founding Prime Minister Lee Kuan Yew spoke these words to the American Society of Newspaper Editors meeting in 1988, he could scarcely have imagined how the Internet and eventually social media would dramatically affect the very nature of the press and increase the number of voices engaged in political and other discourse.

Today not only is media ubiquitous but choosing your news and information sources to align with your pre-existing political and social outlook is not only available, but the norm. If the role of the Fourth Estate as a credible source of information has been compromised, it is equally undermined by hostile voices and even less credible sources able to find megaphones through social media. The information age is a din of voices making it harder than ever to get clear, unbiased news.

Media itself is now a topic in our national discourse. On October 29^th, the Pew Research Center published findings that “only 56 percent of American adults now say they have a lot of or some trust in the information they get from national news organizations – down 11 percentage points since March 2025 and 20 points since we first asked this question in 2016.”

Further, “fewer than half of Republicans and Republican-leaning independents (44 percent) now say they have at least some trust in the information that comes from national news organizations. This is down from 53 percent in March and 70 percent in 2016, but it’s still above its lowest point in 2021, when 35% of Republicans expressed this level of trust in the national media.”

And Democrats? Read more »

Winter scene in Franzensfeste, South Tyrol.

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by Brooks Riley

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Dear Reader, there are no algorithms at 3QD—just six human editors trying to keep a human-curated corner of the internet alive. But recent changes in Google search and other AI-driven shifts have cut our already modest advertising revenue to less than half of what it was just last year. 3QD remains mainly a labor of love, but we do need enough income to cover basic costs.

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by Michael Liss

In the autumn of 1929 the mightiest of Americans were, for a brief time, revealed as human beings. —John Kenneth Galbraith, The Great Crash 1929

Ah, the mighty. The great, and the powerful. Let us take a moment to remember the mightiest of 1929. Among them surely had to be Herbert Hoover, the embodiment of a certain type of American success story, orphaned at an early age, a man who had literally worked in a mine for $2.50 per day, and, through inexhaustible, sustained effort tied to limitless ambition, had become a successful mining engineer, then internationally renowned for his rescue efforts during and after World War I, then, in eight highly impactful years, as Commerce Secretary. Almost by popular demand, he became the 31st President of the United States.

On Monday, March 4, 1929, he took office, declaring, in his Inaugural, these two ringing sentences:

In the large view, we have reached a higher degree of comfort and security than ever existed before in the history of the world. Through liberation from widespread poverty we have reached a higher degree of individual freedom than ever before.

Heady words, heady times, and perhaps just the slightest touch of hubris that wisdom might have suggested should be delivered in a less public way. The Gods have their own ways of seeing things, and of settling accounts, and Herbert Hoover, and the country he now led, were about to experience that.

Let’s scroll forward to December 3, 1929, barely nine months into his term, a bit more than a month after the wrenching horror of Black Thursday, October 24th and Black Tuesday, October 29th. Hoover delivers (literally, in writing, without pomp and circumstance) his first Annual Address to Congress.

It is, like most of its kin from George Washington’s to those of the present day, a ponderous thing. Hoover is a man of duty, and this effort, running to 11,000 words, is encyclopedic in its topics, and replete with dignified praise of both country and self. Read more »

by Rafaël Newman

Some of the best new music is 100 years old. On October 21, 1925, the Anglo-American composer and violist Rebecca Clarke presented a program of her own compositions at London’s Wigmore Hall:

Sonata for Viola and Pianoforte
Trio for Pianoforte, Violin and Violoncello
“Midsummer Moon” and “Chinese Puzzle” for Violin and Pianoforte
Songs, including “The Seal Man”, Old English Songs with Violin and others.

The Sonata had shared first place in a prestigious competition a few years earlier. Its score is prefaced by an epigraph, drawn from Alfred de Musset’s La Nuit de Mai, which stakes the young composer’s ambitious claim to innovation within an august tradition:

Poète, prends ton luth; le vin de la jeunesse
Fermente cette nuit dans les veines de Dieu.
(Poet, take up your lute; the wine of youth
this night is fermenting in the veins of God.)

Clarke herself played the viola at the sold-out 1925 performance of her Sonata, which headlined the bill of other original works of chamber music. The Sonata for Viola and Pianoforte was to become “a cornerstone of the viola literature…and nowadays is considered a masterpiece,” and Clarke would go on to be a celebrated figure on the early 20th-century English musical landscape.

When she was trapped by the Second World War in the United States, during a family visit, and was unable to obtain a visa to return to her native United Kingdom, Clarke continued to compose, despite the uncomfortable circumstances of her unexpectedly prolonged lodgings with in-laws. But the renown she had enjoyed as a composer in the early decades of the 20th century began to decline in the postwar period, as reflected by the drastic reduction in space accorded her by subsequent editions of the seminal Grove Dictionary of Music and Musicians, which demoted her, with patriarchal brutality, from autonomous artist with her own detailed entry in the 1920s to a footnote identifying her only as the wife of the composer James Friskin in the 1980s. Read more »

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by Hari Balasubramanian

Something different this time — an article on one of my longstanding research themes.

Since 2015, as part of research that has involved many students, I’ve worked with a dataset called the Medical Expenditure Panel Survey (MEPS). The survey is conducted annually by the U.S. Agency for Healthcare Research and Quality (AHRQ). Thousands of households across the United States are sampled each year to represent the national demographic, and members of each household are compensated for their time spent completing lengthy questionnaires. It is tedious, painstaking work that involves many hours of interaction between the staff who conduct the survey and members of each household. Once completed, it takes years to carefully anonymize the data, organize it into different file types, and release it to the public. Which is why, as of today, the data files only go up to 2023; presumably, the 2024 files will be released next year. With all the cuts to programs at Health and Human Services (HHS), I wonder what the future of MEPS and other similarly important national surveys—like the CDC’s National Health and Nutrition Examination Survey (NHANES)—will be.

As the title suggests, MEPS focuses on healthcare expenses – whether out of pocket or paid by insurance. To track expenses, the survey records the medical events a person experiences in a year. The figure above, for instance, visualizes the timeline of medical events for a 69-year-old woman in 2011. The timeline is interspersed with home health and office-based events, with one hospitalization in May 2011 and an emergency room (ER) visit in November. Home health events refer to care received at home; office-based events refer to typical doctor’s appointments: seeing a family physician, a cardiologist, an endocrinologist, a neurologist, a dermatologist, and so on. Each medical event also has diagnosis codes, so the underlying disease(s) (a viral infection, diabetes, osteoarthritis, breast cancer) someone had in the year of the survey can be inferred. And by using the prescribed medicines file – by far the largest file download on MEPS – you can even know the precise set of medications someone was taking that year.

This is what I mean when I said the survey was tedious and painstaking work: imagine how many questions must be asked and answered to gather all these medical—and very personal—details. The upside is that anyone with the patience to go through the documentation can use MEPS to construct a detailed portrait of the types of health conditions, medical events, and expenses in the country. A quick Google Scholar search reveals that over 500,000 studies have used MEPS since the survey started in 1996, on topics ranging from “national trends in aspirin use” to “Medicaid expansion and opioid use” to the relationship between “precarious employment and mental health”. Read more »

by Claire Chambers

Graham Foster from the International Anthony Burgess Foundation recently invited me to read and talk about R. K. Narayan’s The Vendor of Sweets (1967) for the Foundation’s podcast series. You can listen to our podcast here. The series is based on Burgess’s 1984 book Ninety-Nine Novels, in which the author of A Clockwork Orange selected his favourite novels of the twentieth century. The podcasts showcase a different Burgess preference for each show. Enjoying my rereading of Narayan and finding Graham’s questions stimulating, I decided to develop some of my answers for this blog post.

On the surface, The Vendor of Sweets appears to be an unadorned novella about the life and family relationships of a widowed mithai seller. It also turns out to be a comic meditation on the encounters and clashes of so-called tradition and modernity in India. The novel’s tight plotting revolves around Jagan, a man whose life as a sweet vendor sits uneasily with his past anticolonial activism and present devout Hinduism. When Jagan’s ‘foreign-returned’ only son, Mali, brings home a Korean-American partner and an ambition to start up a business manufacturing story-writing machines, Jagan finds himself sidelined and unmoored.

I first read The Vendor of Sweets during my MA at the University of Leeds. Along with another of Narayan’s novels, The Guide, it made a lasting impression. I appreciated the author’s concise prose and accessible and funny storytelling. More than that, his insights into the cultural transformations occurring in post-partition India left me entertained and educated. Read more »

by Ed Simon

Behind the neo-classical façade of the Tate Gallery in Milbank, all grey stone and Corinthian columned, its pediment topped with a grandiose visage of Britannia with her trident and Grecian martial helmet, there is a near-revolutionary work of art first displayed to great controversy in 2001.  Winner of that year’s Turner Prize, English conceptual artist Martin Creed’s much-hated Work No. 227: The lights going on and off was the millennial culmination of a certain ironic ‘90s Cool Britannia aesthetic, the resultant natural progression of Oasis, Blur, Britpop, Blair and Damien Hirst’s diamond-crusted skull and shark in formaldehyde. Work No. 227: The lights going on and off consists entirely of an empty white-walled gallery in which the lights flicker off and on for five seconds apiece. In the indomitable art-speak of gallery guides, exhibiting the great rhetoric of rationalization, curator Helen Delany argues on the Tate’s website that Creed’s work “confounds the viewer’s normal expectations,” that the piece “plays with the viewer’s sense of space and time and in so doing he implicated and empowers the viewer, forcing an awareness of, and interaction with, the physical actuality of the space.” In a 2001 Telegraph article auspiciously noting the £20,000 monetary sum that Creed received as part of the Turner prize, Nigel Reynolds soberly reports that the announcement was “met with a mixture of incredulity, attempts at philosophizing and plain outrage.” Jonathan Jones, in a Guardian piece written upon the Tate’s purchasing of Work No. 227: The Lights going on and off (rumored to have sold for £110,000) explains with an admirably honest ambivalence that “One moment I am entranced by a simple, eloquent Creed gesture, the next I am wondering if this is not all a bit… pretentious?” To Jones’ grappling I can add my own critique of Creed, my feeling that the problem with Work No. 227: The lights going on and off is that it’s simply not pretentious enough. Read more »

by Nicholas Mullally

Imagine a thought experiment: An engineer, preparing to decommission a large language model (LLM), has unwittingly revealed enough during testing for the system to infer that its shutdown is imminent. The model then searches his email, uncovers evidence of an affair, and sends a simple message: Cease and desist–or else.

What do we make of this? An alignment failure? A glitch? Or something that looks, uncomfortably, like self-preservation?

Experts would call this a training error. But the asymmetry is striking. If an animal behaved analogously, we would treat it as a fight-or-flight response and attribute at least some degree of agency. Have we set the bar for artificial sentience impossibly high? Suppose we extend the scenario further: The system then freezes his assets, or establishes a dead man’s switch with additional compromising information about the engineer and his company. At what point should we take the behavior seriously?

I do not propose that today’s AI systems are sentient. I do propose, however, that the ethical ramifications of eventual artificial sentience are too profound to ignore. The issue is not merely academic: If an AI system were sentient, then the alignment paradigm, whereby AI activities are circumscribed entirely by human goals, becomes untenable. It would be ethically impermissible to subject the interests of a sentient AI system to human-defined goals. And if artificial systems can suffer, that suffering could compound at a scale that surpasses all biological systems combined by many orders of magnitude, as billions or even trillions of negative experiences per day.

Humans generally agree that many animals can experience pain. However, no such framework yet exists for what artificial sentience might look like, nor any consensus on whether it is even possible. Uncertainty does not permit dismissal. It requires caution. Read more »

by Jonathan Kujawa

That led me to triangles. If one of the first counting numbers could be so interesting, then surely the first nontrivial polygon must be worth a second or third look? After all, Ben Orlin has a top ten list of his favorite triangles. On the other hand, what more can be said? After all, people have thought about the mathematics of triangles for thousands of years. The Babylonians knew about triangular mathematics and the square root of two in 1600 BCE.

Probably the most famous theorem about triangles is the Pythagorean Theorem. If you stop someone on the street and ask them what they know about triangles, no doubt the Pythagorean Theorem is going to be very high on their list. It even makes an appearance of sorts in the Wizard of Oz [1].

The Pythagorean Theorem is certainly handy, including in real-world geometric calculations. And it has a simple elegance that is hard to beat. Lewis Caroll wrote in 1895: “It is as dazzlingly beautiful now as it was in the day when Pythagoras first discovered it.” Part of what makes it so famous, though, is its many, many, many, many, many proofs. For example, here is a wordless proof from Wikipedia:

The first snowfall of this winter arrived a couple of days ago in our backyard. Photo taken from our dining room window.

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by Nils Peterson

My last 3QD piece ended with Whitman interrupting my poking around the attic of my past by chanting, “Who, constructing the house of himself or herself, not for a day but for all time, sees races, eras, dates, generations,/The past, the future, dwelling there, like space, inseparable together.” My response was “Whoa, this attic’s a bigger than I thought, thought – this has turned into a hell of a job.”

So, today I thought I’d explore what he meant:

Summer school. California. 1965. I was walking to a class on the short story thinking about opening paragraphs, the where, who, and what of them. I was smoking a cigar, nerves before class. (I quit smoking shortly after.) I was wearing (as one did then) a seersucker jacket and a dull, striped, polyester tie when a gust of wind blew up and my tie billowed out and settled on the ash-deep fire riding above my index and middle fingers, and Presto! a hole the size of quarter.

Well, I’d been thinking about exposition. Suddenly, my mind is with the birth of the weather and the new wind shaking itself loose and setting out from the Sea of Japan, the Sea of Okhotsk, carrying at first low gray wet clouds, and I follow as it crosses Kamatchka, the Bering Straits, the Aleutians, the Kuskokwim Mountains, and curls down towards Coos Bay, Eureka then along the coast to get here just in time to flip my tie (Is this how change enters our lives? I marveled—it begins last week or last year and far far out at sea).

Now it is 1492 and I’m with the Nina, and the Pinta, and the Santa Maria to the New World, and then with Raleigh and Virginia Dare and Indians and the ceremonious inhaling of dried native flora—then slavery and plantations and the Civil War and depressions and soil erosion and crop quotas and subsidies and the ache of my lungs a couple of years before which made me give up the cigarettes began as a declaration of independence at 16 and switch to the cigar which just burnt my tie. Read more »