by Herbert Harris

What gives art its power? There are as many answers as there are powerful works of art, but most seem to fall into a few broad categories. A great deal of art is representational. It is intended to depict or show us something, whether natural or abstract. It succeeds by faithfully capturing its subject. Other art may be intended to express an inner state, feeling, intuition, or vision. In both cases, the creative act is a one-sided process of mimesis or self-expression. Appreciation of the artwork is also somewhat unidirectional. What does this show me? How does it make me feel?
Authenticity of expression and fidelity of representation are important aspects of art’s power, but neither can explain the uncanny phenomenon that occurs when a work seems to look back at the viewer, drawing them into a relationship with it. What happens is more than the recognition of a represented object or an expressed feeling. It is a mutual recognition mediated by the painting, poem, or musical composition in an intersubjective space co-created by the artist, the viewer, and their shared culture.
The neuroscience of active inference proposes that the mind meets the world not directly but through a guessing game. The brain builds models of reality, predictions, and structured hunches, and tests them against incoming experience, updating them when they don’t fit. You don’t see the world as it is. You see your best guess, corrected in real time.
This works beautifully for the world out there. But how does a guessing machine guess about itself? Try to model your own consciousness, and you hit a strange loop: the modeler is the thing being modeled.
Since Hegel, philosophers have argued that self-consciousness depends on recognition. The self becomes itself not by staring inward, but by encountering itself in another’s response.
Nature’s solution is elegant and inescapably social. Read more »


The question of whether AI is capable of having conscious experiences is not an abstract philosophical debate. It has real consequences and getting the wrong answer is dangerous. If AI is conscious then we will experience substantial pressure to confer human and individual rights on AI entities, especially if they report experiencing pain or suffering. If AI is not conscious and thus cannot experience pain and suffering, that pressure will be relieved at least up to a point.






In 

The only thing worse than a good argument contrary to a conviction you hold is a bad argument in its favor. Overcoming a good argument can strengthen your position, while failing to may prompt you to reevaluate it. In either case, you’ve learned something—if perhaps at the expense of a cherished belief.





