by David Beer

Could there be anything more insulting for a writer than someone assuming that their writing is an output of generative artificial intelligence? The mere possibility of being confused for a neural network is enough to make any creative shudder. When it happens, and it will happen, it will inevitably sting.
By implication, being mistaken for AI is to be told that your writing is so basic, so predictable, so formulaic, so replicable, so obvious, so neat, so staid, so emotionless, so stylised, so unsupervised, that it is indistinguishable from the writing of a replication machine. Your writing, such a slur will tell you, lacks enough humanity for it to be thought of as being human. The last thing any writer needed was another possible put-down for their work.
Over a decade ago, in the 2012 book How We Think, Katherine Hayles’ concluded that being immersed within and operating alongside advancing networked media structures, with changing cognitive abilities, changes thinking itself. This shift in how we think inevitably has implications for how we write too. Beyond this, there is a new pressure now. As we interface with it, AI will not just directly change what and how we know, but will also impact on how we anticipate being judged in comparison to those generative systems.
With the fear of the insult and the anxiety of comparison in the background, the objective of writing may be to avoid the threat of someone wondering, if only for a moment, if you had simply typed a prompt into your preferred app and then comfortably reclined to stream a TV show. Will we now push ourselves to write in a style that means we can’t possibly be confused for AI? Might we try to sound more human, more distinct, more fleshy, and therefore less algorithmic. As we adapt our writing in response to the presence of AI, we will enter into a version of what Rosie DuBrin and Ashley Gorham have called ‘algorithmic interpellation’. That is to say that when we are incorporated into algorithmic structures, even acts of resistance are defined and directed by those very circumstances. What AI writing looks like will become the thing to avoid replicating, meaning that the form AI takes will also define attempts at its opposition. Read more »

One argument for the existence of a creator /designer of the universe that is popular in public and academic circles is the fine-tuning argument. It is argued that if one or more of nature’s physical constants as mathematically accounted for in subatomic physics had varied just by an infinitesimal amount, life would not exist in the universe. Some claim, for example, with an infinitesimal difference in certain physical constants the Big Bang would have collapsed upon itself before life could form or elements like carbon essential for life would never have formed. The specific settings that make life possible seem to be set to almost incomprehensible infinitesimal precision. It would be incredibly lucky to have these settings be the result of pure chance. The best explanation for life is not physics alone but the existence of a creator/designer who intentionally fine-tuned physical laws and fundamental constants of physics to make life physically possible in the universe. In other words, the best explanation for the existence of life in general and ourselves in particular, is not chance but a theistic version of a designer of the universe.
Sughra Raza. Scattered Color. Italy, 2012.






As atrocious, appalling, and abhorrent as Trump’s countless spirit-sapping outrages are, I’d like to move a little beyond adumbrating them and instead suggest a few ideas that make them even more pernicious than they first seem. Underlying the outrages are his cruelty, narcissism and ignorance, made worse by the fact that he listens to no one other than his worst enablers. On rare occasions, these are the commentators on Fox News who are generally indistinguishable from the sycophants in his cabinet, A Parliament of Whores,” to use the title of P.J. O’Rourke’s hilarious book. (No offense intended toward sex workers.) Stalin is reputed to have said that a single death is a tragedy, a million deaths is a statistic. Paraphrasing it, I note that a single mistake, insult, or consciously false statement by a politician is, of course, a serious offense, but 25,000 of them is a statistic. Continuing with a variant of another comment often attributed to Stalin, I can imagine Trump asking, “How many divisions do CNN and the NY Times have.”



Sughra Raza. Seeing is Believing. Vahrner See, Südtirol, October 2013.
It’s a ritual now. Every Sunday morning I go into my garage and use marker pens and sticky tape to make a new sign. Then from noon to one I stand on a street corner near the Safeway, shoulder to shoulder with two or three hundred other would-be troublemakers, waving my latest slogan at passing cars.