by Derek Neal
The File on H is a novel written in 1981 by the Albanian author Ismail Kadare. When a reader finishes the Vintage Classics edition, they turn the page to find a “Translator’s Note” mentioning a five-minute meeting between Kadare and Albert Lord, the researcher and scholar responsible, along with Milman Parry, for settling “The Homeric Question” and proving that The Iliad and The Odyssey are oral poems rather than textual creations. As The File on H retells a fictionalized version of Parry and Lord’s trips to the Balkans to record oral poets in the 1930’s, this meeting from 1979 is characterized as the genesis of the novel, the spark of inspiration that led Kadare to reimagine their journey, replacing primarily Serbo-Croatian singing poets in Yugoslavia with Albanian bards in the mountains of Albania.
This anecdote is repeated in almost every article one finds on the novel, scholarly or popular. Perhaps it is simply too good of a story to pass up—the American meets the Albanian, who, trapped in a communist dictatorship, knows nothing of the research and scholarship going on outside his country’s borders. On one of the few trips when he’s allowed to leave the country, a special privilege granted to culturally important Albanians, he meets an American who enlightens him about the history of his own country, but they’re only given a few minutes before the Albanian has to return to his isolated nation, forced to reconstitute the conversation in novelistic form.
It is ironic that what seems to be a piece of gossip, a possibly apocryphal tale, would attach itself to the story of The File on H, which ultimately deals with the implications of the transition from an oral world to a literate one. These types of tales change each time they get passed on from one person to another, but once they are set down in writing, they become fixed. The official account becomes codified—Kadare wrote this novel because of his conversation with Albert Lord in 1979. And maybe he did. But if this is the case, one wonders how his characterization of Lord and Parry’s findings, how his articulation of the difference in the oral worldview and the literate worldview, are so accurate in his novelization. Surely Lord couldn’t have told him of his in-depth findings on the composition of oral poetry in just a few minutes. What one forgets, however, is that the world Lord and Parry were discovering was already Kadare’s world. Read more »




The Paradise, Pandora and Panama Papers, exposing secret offshore accounts in global tax havens, will be familiar to many. They are central to the work of economic sociology professor, Brooke Harrington. She has spent many years researching the ultra-wealthy and several books on the subject have been the result. Her latest book Offshore: Stealth Wealth and the New Colonialism is a continuation of her research; it focuses on ‘the system’, the professional enablers who support and advise the ultra-wealthy and make it possible for them to store and conceal their phenomenal fortunes in secret offshore accounts.

Sughra Raza. Light Tricks, Seattle, March, 2022.
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