Carmina Baloney

by Steve Szilagyi Those first eight thunderous notes—”Oh Fortuna, velut Luna”—delivered by a massive choir of a hundred voices, have become as instantly recognizable as Beethoven’s da-dah-dah-DUM or the opening of Strauss’ Also Sprach Zarathustra. Since John Boorman first deployed O Fortuna in his 1981 film Excalibur, this choral juggernaut has stampeded through many horror films,…