Solitary Confinement and the Exercise of Freedom

by Scott Samuelson

The sole cause of man’s unhappiness is that he does not know how to stay quietly in his room. —Blaise Pascal

In its “Recovered Books Series,” Boiler House Press has just republished Christopher Burney’s Solitary Confinement, originally released in 1951, a profound, steely, and even sometimes funny account of the five-hundred and twenty-six days the author spent in a Nazi prison cell during World War II. Ted Gioia, who’s written a preface to the new edition, calls it “one of the great masterpieces of contemplative literature.” Even though I’ve made a point of exploring the masterpieces of contemplative literature, I hadn’t heard of Solitary Confinement until a few weeks ago. Given its publishing history, it seems that the book’s fate is to be praised as a masterpiece (by luminaries like Roberto Calasso and Frank Kermode), fall immediately into oblivion, and then be rediscovered a decade or so later—only to go through the same cycle all over.

The backstory of Solitary Confinement has the makings of a good movie. Christopher Burney (1917-1980) was born in England to upper-class parents, spent part of his childhood in India, dropped out of school at the age of sixteen (shortly after his beloved father keeled over from a heart attack around the tea table), and then wandered around Europe for a few years picking up languages. Because Burney had learned to speak French idiomatically without an accent, the British army enlisted him as a secret agent during the war. Blind-dropped into occupied France, he made his way to a crew of fellow operatives to disrupt German supply lines. When it was discovered that a double agent had infiltrated his group, Burney attempted to flee to Spain with the Nazis in hot pursuit. Surprised in his sleep by Abwehr agents who were tipped off by a hotel clerk, he was thrown into solitary confinement at Fresnes Prison in the south of France.

His cell was just ten feet long by five feet wide. The space was mostly taken up by a bed and a small table, which he turned on their side during the day to do exercises and walk back and forth. Read more »

Monday, April 20, 2020

Plague Echoes

by Shadab Zeest Hashmi

“A pestilence isn’t a thing made to man’s measure; therefore, we tell ourselves that pestilence is a mere bogy of the mind, a bad dream that will pass away. But it doesn’t always pass away and, from one bad dream to another, it is the men who pass away…” —Albert Camus (The Plague)

Photo by Yaseen Hashmi

“So long as each individual doctor had come across only two or three cases, no one had thought of taking action. But it was merely a matter of adding up the figures and, once this had been done, the total was startling. In a very few days the number of cases had risen by leaps and bounds, and it became evident to all observers of this strange malady that a real epidemic had set in.” (The Plague, Page 35)

Death by pneumonia, and then another, and another, advancing in only days to large populations— caused by one of those crown-wearing microbes, a Coronavirus, deadly, beautiful under the microscope. They named it Novel Coronavirus. Once unsheathed, it leapt from animal to human, one town to another, then between land and sea borders. The first confirmed case in the United States was recorded on January 20, 2020. Only 20 days ago, we had wished each other peace and a vision clear as 20/20. But is a year of numbers and blurred vision. The Grand Princess sailed with 2000-plus, 21 infected by the time she passed under the Golden Gate Bridge. By March 18th there were 7,769 cases. Ten days later, on March 28th, they had risen to 116,505.

“The evening papers that day took up the matter and inquired whether or not the city fathers were going to take steps, and what emergency measures were contemplated, to abate this particularly disgusting nuisance. Actually the municipality had not contemplated doing anything at all, but now a meeting was convened to discuss the situation.” (The Plague, Page 15)

There was a memo early on, wasn’t there? One of them asked.
The man had no answers, only mirrors and insults inside. He spoke as if swirling in a perpetual drumroll. He appeared every day for the press conference, knotting a bright tie in a different color, head skewed; most days he favored red— red and oversized, as he snarled or shrugged at a question, red as he made his pounce. Read more »