by Jochen Szangolies

In the previous column, I wrote about how forces originate from quantum mechanics, using the electric force as an example. Rather than being caused by ‘virtual’ particles being tossed back and forth, which is a picture that seems alluringly intuitive, but ultimately misleads more than it clarifies, a better way is to think in terms of the most characteristic feature of quantum mechanics: interference. Quantum objects, you recall, may appear as particle-like dots upon measurement (say, causing a tiny dark spot on a photographic plate), but are best described in a wave-like manner otherwise. And, while particles can only pile up, waves can both reinforce each other and cancel out, which leads to the familiar pattern of interference.
Interference is most often discussed in terms of the double slit experiment, where, say, electrons are aimed at two narrow, nearby apertures, and, rather than just piling up behind each slit, produce a picture of bands of greater and lesser intensity. But in fact, interference isn’t just important in the quantum realm in the course of clever experiments in which scientists try to get the quanta to identify, once and for all, as wave or particle, only to be frustrated by their refusal. In an often quoted heuristic, suppose what happens if one particle is sent to an aperture with three slits, or four, or five, or more than one aperture: each time, you have to sum the contributions along each possible path to obtain the final intensity at any possible end point of its journey. But once you take that process to the limit, where you have ‘slits everywhere’, at every point in space, you find you can still use that same prescription: sum up the contribution of every possible path, to obtain the intensity (or the probability of finding the particle) at each final point. Thus, we were led to Feynman’s ‘sum over paths’-picture of quantum mechanics. Read more »


Nanni Moretti has always been a melancholic in denial. Perhaps more than any other film-director raised on the French New Wave – born in 1953, shooting his first short in 1973 – Moretti has been turning around the question that François Truffaut posed as a key to the seventh art: is cinema more important than life? But where for Truffaut, or Rossellini, as for many amongst their long and glorious lineage (from Spielberg to Tran Anh Hung) the dilemma has been between a painful reality full of obstacles on one side and a ‘harmonious’ path where ‘there are no traffic jams’ (to speak like Truffaut in his 1973 Day for Night), on the other – in other words, where cinema is the path of escape towards a world where dreams (or nightmares) come true – for Moretti, it is the dilemma itself which is the essence of cinema.



I never heard Henry Bull, my father-in-law, claim he invented the Whee-Lo, but his proud sons have on occasion. He manufactured and distributed the toy, and made it into a nationwide sensation in 1953, just before the hula hoop and Frisbee. A curved double metal track that held a spinning plastic wheel, the gyroscopic magnetic Whee-Lo is still available for purchase, most frequently at airport gift shops. By flicking your wrist, you propel the wheel and its spinning progress down the track and back. Mesmerizing, it’s a sort of fifties’ analog Game Boy. First called the Magnetic Walking Wheel, it came packaged with six colorful cardboard discs known as “Whee-lets” that created optical illusions as the wheel spun. According to Fortune, Henry’s company, Maggie Magnetics, sold two million units its first year.




The second half of Frankl’s
Human treatment of animals is a moral calamity at an outrageous scale, that I can get from zero to really quite worked up about in a matter of seconds. For fear of hurting the cause, I allow myself to take part in polite conversation about the dead bodies on the dinner table only if there is a more soft-spoken ally nearby. Two minutes into the conversation, when I find myself suppressing the urge to yell at a meat apologist how that kind of excuse might equally well be used to justify eating human babies, I am often grateful that there is somebody who can steer the conversation instead towards the socially acceptable topic of plant-based recipes.
We’re here early this year. June has just gotten started, and after a day or two of intermittent rain with a blustery sky and a stiff wind off Lake Saimaa, fifty degrees Fahrenheit feels a lot colder than the same back in Atlanta. I’ve just learned that it hasn’t been this cold in June since 1968. It snowed today right down the road. The paper took the laconic approach and 