by Tim Sommers

Back in June, Dr. Peter J. Hotez, an expert on neglected tropical diseases and vaccines, made a splash when he categorically refused to participate in a public debate on vaccines with vaccine-denier Robert F. Kennedy, Jr. on Joe Rogan’s podcast.
Dr. Hotez had been on Rogan’s show before, more than once, and said he would go on again – but not to debate. Among those “urging” him (to put it politely) to do so were Rogan (who offered him $100,000 dollars), Elon Musk (the richest man in the world) who said that Dr. Hotez is “afraid of a public debate because he knows he’s wrong,” a social media mob of thousands, and finally a pair of stalkers arrested outside his home.
Why didn’t Dr. Hotez just do the debate? I don’t know. But I think it’s because he knows that experts should not participate in public debates against nonexperts.
Maybe, I should mention why I feel qualified to address this topic. I participated in competitive academic and public debates, of various sorts, as a debater, a judge, and a coach for ten years. I have used debate to teach philosophy courses, and have written four academic papers on how to make academic debate more relevant to teaching and scholarship.
So, here we go. Top ten reasons experts should not debate nonexperts in public debates. Read more »


Harry Frankfurt, who died of congestive heart failure this July, was a rare academic philosopher whose work managed to shape popular discourse. During the Trump years, his explication of bullshit became a much used lens through which to view Trump’s post-truth political rhetoric, eventually becoming deeply associated with liberal politics.
Aesthetic properties in art works are peculiar. They appear to be based on objective features of an object. Yet, we typically use the way a work of art makes us feel to identify the aesthetic properties that characterize it. However, dispassionate observer cases show that even when the feelings are absent, the aesthetic properties can still be recognized as such. Feelings seem both necessary yet unnecessary for appreciation of the work.
ed to be protected from blasphemy, I must have overheard someone say
The other day, over cigarettes and beer, my friend M. told me the story of the Ghost Cop of Rowan Oak. She was speaking from authority, as she had just encountered it a few days before. Her boyfriend P. was there—both at Rowan Oak and on my front porch with the cigarettes and the beer—and it was nice to watch them swing on the swing and finish each other’s sentences.






Today marks eight years since I had my last drink. Or maybe yesterday marks that anniversary; I’m not sure. It was that kind of last drink. The kind of last drink that ends with the memory of concrete coming up to meet your head like a pillow, of red and blue lights reflected off the early morning pavement on the bridge near your house, the only sound cricket buzz in the dewy August hours before dawn. The kind of last drink that isn’t necessarily so different from the drink before it, but made only truly exemplary by the fact that there was never a drink after it (at least so far, God willing). My sobriety – as a choice, an identity, a life-raft – is something that those closest to me are aware of, and certainly any reader of my essays will note references to having quit drinking, especially if they’re similarly afflicted and are able to discern the liquor-soaked bread-crumbs that I sprinkle throughout my prose. But I’ve consciously avoided personalizing sobriety too much, out of fear of being a recovery writer, or of having to speak on behalf of a shockingly misunderstood group of people (there is cowardice in that position). Mostly, however, my relative silence is because we tribe of reformed dipsomaniacs are a superstitious lot, and if anything, that’s what keeps me from emphatically declaring my sobriety as such.


