by Dilip D’Souza
Nearly six years ago, I lost a good friend to cancer. It was tragedy compounded, because he had lost his wife to cancer a few years earlier. That left their two daughters, orphaned in their 20s. More recently, another good friend has been struck with the disease. I know others too, as I’m sure you do as well.
What’s clear to me by now is that this is a relentless disease, not often defeated. With my friend and his wife, both were first diagnosed all the way back in 2004, within months of each other, when their girls were under ten years old. Both went through treatment and lived several happy, fulfilling lives, raising their daughters. But then the disease struck back with menace and intensity, showing up unpredictably in different parts of their bodies. They fought hard, but the cancer finally won.
Wrenching times for them, the daughters and for all of us who knew them, yes. Through it all, and in the years since, I often found myself musing about what it all meant, or came down to. Every time my friend went through a particular procedure, he’d tell me something about what the chances were of its success. Though he knew, and I knew, that “success” was really a euphemism for his survival. It’s 75 percent if nothing else comes up, he’d say, or some other such number. Presumably he had been told so by his doctors. Whatever the number, it was invariably hard to hear. Because each time, it hammered home the full import of that word “survival”. Because each time, it made me conscious of how these odds are calculated at all: by accounting for the people the disease takes from us. One of every four gone? There’s your 75 percent figure. Read more »









An era of worldwide illiberal governance approaches. If the Trump administration has its way, future illiberal leaders will face fewer opponents. Aspiring autocrats will lose the constraint of the United States as a potential opponent. Autocracy will spread.
Alia Farid. From the series “Elsewhere”. Produced by Chisenhale Gallery, London. Commissioned by Chisenhale Gallery; Passerelle Centre d’art contemporain, Brest.



