by TJ Price
1.
It’s no secret that every society thinks its days are the last days. “But there’s something different about these days,” each cycle of humanity insists, and circumstances provide the breeding ground for our justifications in believing such. In these days, there’s unprecedented amounts of strife and calamity, as evidenced by the ever-more-definite probability of climatological oblivion and global political unrest with the rank scent of war in the wind—not to mention that the lower classes don’t trust the upper classes, but now the upper classes have learned how to hide better from the guillotine.
We are all distracted from what matters, if we’re to believe the headlines and the studies, by inessential, vain pursuits. We spend hours of our lives moving our thumbs up and down over screens, or else sitting in front of one kind or another. Now, there’s the threat of Large Language Models—so-called “AI”—to contend with, too, which routinely and with ever more speed replaces us on a functional level. Though it is fairly clear this new technology is not universally reliable, it perhaps says something about us that we are so eager to embrace even a flawed substitute for human work.
I’m with Wordsworth when he says, in his now-famous sonnet,
“The world is too much with us; late and soon,
Getting and spending, we lay waste our powers;—
Little we see in Nature that is ours:
We have given our hearts away, a sordid boon!”
Now we do not only give our hearts away, but also our brains, perhaps even (to wax dramatic) our souls. We seem determined to shed ourselves in favor of a desiderative mode. I think that we are tired, all of us—exhausted. We have sliced ourselves to ribbons on the cutting edge. I see the signs and symptoms all around, from a slackening of empathy and a rise in frustration with the systems in place to outright violence and sanguine disregard for the lives or wellbeing of others. Society has never been a place where one can call oneself totally safe, but now it has become necessary to protect oneself in addition.
We shoulder carapace on top of exoskeleton. We develop weapons fashioned from whatever sharp edges we can. Knives. Keys spiking out between fist-clenched fingers. Words. Anything to threaten, to ward off.
To empathize is to reveal, and to reveal is to be made vulnerable. So down comes the portcullis. Up goes the bridge. The alligators snap in the moat, their tails frothing the water. Read more »


As atrocious, appalling, and abhorrent as Trump’s countless spirit-sapping outrages are, I’d like to move a little beyond adumbrating them and instead suggest a few ideas that make them even more pernicious than they first seem. Underlying the outrages are his cruelty, narcissism and ignorance, made worse by the fact that he listens to no one other than his worst enablers. On rare occasions, these are the commentators on Fox News who are generally indistinguishable from the sycophants in his cabinet, A Parliament of Whores,” to use the title of P.J. O’Rourke’s hilarious book. (No offense intended toward sex workers.) Stalin is reputed to have said that a single death is a tragedy, a million deaths is a statistic. Paraphrasing it, I note that a single mistake, insult, or consciously false statement by a politician is, of course, a serious offense, but 25,000 of them is a statistic. Continuing with a variant of another comment often attributed to Stalin, I can imagine Trump asking, “How many divisions do CNN and the NY Times have.”



Sughra Raza. Seeing is Believing. Vahrner See, Südtirol, October 2013.
It’s a ritual now. Every Sunday morning I go into my garage and use marker pens and sticky tape to make a new sign. Then from noon to one I stand on a street corner near the Safeway, shoulder to shoulder with two or three hundred other would-be troublemakers, waving my latest slogan at passing cars. 
I first started reading Jon Fosse’s Septology in a bookstore. I read the first page and found myself unable to stop, like a person running on a treadmill at high speed. Finally I jumped off and caught my breath. Fosse’s book, which is a collection of seven novels published as a single volume, is one sentence long. I knew this when I picked it up, but it wasn’t as I expected. I had envisioned something like Proust or Henry James, a sentence with thousands and thousands of subordinate clauses, each one nested in the one before it, creating a sort of dizzying vortex that challenges the reader to keep track of things, but when examined closely, is found to be grammatically perfect. Fosse isn’t like that. The sentence is, if we want to be pedantic about it, one long comma splice. It could easily be split up into thousands of sentences simply by replacing the commas with periods. What this means is the book is not difficult to read—it’s actually rather easy, and once you get warmed up, just like on a long run, you settle into the pace and rhythm of the words, and you begin to move at a steady speed, your breathing and reading equilibrated.






