by Carol A Westbrook

The big blue behemoth of a garbage truck came barreling toward me. I knew I was going to die. I was in the middle of an intersection about to make a left turn. One moment the intersection had been clear, with the truck about a half mile distant.
In the next moment, the truck had sped up and was almost on top of me. I couldn’t turn in any direction without driving into traffic. I had about three seconds left to live…
This day, possibly the last day of my life, started out as a normal spring day in April. My husband, Rick, and I had errands to run in Michigan City. We were driving our cars in tandem to the tire store, so we could drop his car off for new tires and drive home together. He was in front of me and made the left turn; I followed. As I explained above, I was caught in the intersection with no place to turn.
I was about to be hit by a truck, and there was a good chance it would kill me.
I didn’t panic. I was not afraid to die. I just relaxed and waited for the end.

Time moved slowly. I was never unconscious, but I have amnesia for a good part of the event. The car was struck on the left side, which triggered the left side airbags. The impact pushed the car into the next lane, where it was struck on the right front fender. I don’t remember hearing or feeling the first impact, but I do remember the second. By this time, Rick had reached my car, and looked in to see if I was okay. He was the first person there. I told him I was fine except for chest pain (due to hitting the steering wheel). The paramedics arrived shortly thereafter, and soon I was settled in an ambulance with oxygen. I was taken to a nearby hospital where I spent 2 days, until I no longer needed oxygen. Afterwards, recovery was fast, and (eventually) the insurance company totaled the car and sent me a check to cover the purchase of an equivalent, replacement car.
It takes a close call like this to realize how poorly prepared one is for death, and to give some thought to what death might be like. Read more »


The Australian author Richard Flanagan is the 2024 winner of the prestigious Baillie Gifford Prize for Non-Fiction for his book Question 7. The book is a brilliant weaving together of memory, history, of fact and fiction, love and death around the theme of interconnectedness of events that constitute his life. Disparate connections between his father’s experience as a prisoner of war, the author H.G. Wells, and the atomic bomb all contributed towards making Flanagan the thinker and writer he is today. The book reveals to us his humanity, his love of family and of his home island of Tasmania; it is what Flanagan expects of a book when he says, ‘the words of a book are never the book, the soul is everything’, and this book has ‘soul’.


After I moved from the UK to the US it took me only a couple of years to cede to my friends’ pleas and start driving on the right. When in Rome, and all that. But I still like to irritate Americans by maintaining that we Brits are better at this essential mechanical skill. I mean, when we drive, we
Sughra Raza. Ephemeral Apartment Art. Boston January 4, 2025.
The same media that warned us against Donald Trump now warn us against tuning out. Though our side has lost, we must now ‘remain engaged’ with the minutiae of Mike Johnson’s majority 


What do swimming, running, bicycling, dancing, pole jumping, tying shoelaces, and reading all have in common? According to John Guillory’s new book On Close Reading, they are all cultural techniques; in other words, skills or arts involving the use of the body that are widespread throughout a society and can be improved through practice. The inclusion of reading (and perhaps, tying shoelaces) may come as a surprise, but it is Guillory’s goal in this slim volume to convince us that reading, and in particular, the practice of “close reading,” is a technique just like the others he mentions. This is his explanation for the questions he explores throughout the book—namely, why the practice of “close reading” has resisted precise definition, and why the term itself was so seldom used by the New Critics, the group of theorists most associated with it.
A number of books published in Ireland in the past few years relate to the centenaries of the First World War and the fight for Irish independence. Apart from being an opportunity to sell books, the conjuncture afforded readers an opportunity to reflect while delving into a receding page of history. Mary O’Donnell’s narrative collection Empire includes interlinked short stories dealing with the revolutionary period, along with a novella-length title piece. Notwithstanding its historical tie-in and informative potential, the true raison d´être of this book is the pleasure of reading.
When I started as a Monday columnist at 3 Quarks Daily in July of last year, my debut 
