When European colonists and used West African tribesmen and their descendants as slaves, they had no intention of learning anything from them or of adopting their ways. Their intention was simply to secure a source of cheap and tractable labor. But they were struck by the musicality of their slaves. And that musicality was to have a profound influence on their descendents and, in time, on peoples around the world. Let’s take a quick look at some moments in this centuries-long process of miscegenation, mutation, and cultural transmogrification.
Ecstatic Religion
Early in the seventeenth century, at about the same time Jamestown was being settled, Richard Jobson, an English sea captain, went to Africa and subsequently wrote that “no people on the earth [are] more naturally affected to the sound of musicke than these people.” A century and a half later, the Rev. Samuel Davies heard slaves in Virginia and remarked that the “Negroes above all the Human Species that I ever knew have an Ear for Musick, and a kind of extatic Delight in Psalmody.”
Published in 1640, The Bay Psalm Book was the first full-length book published in the English-speaking colonies, thus illustrating the importance that religious song had for the colonists. Singing schools—a 3 or 4 month series of meetings in which people learned to sing hymns—were held throughout the colonies. Meanwhile, as the slaves grew in number, they held festivals grounded in African custom, such as the ‘Lection Day festivals held in New England during which the slaves elected their own governors or kings, and the legendary Congo Square meetings in New Orleans. Read more »