by Rafaël Newman
It’s the final day of February 2022, a month that began with the centenary of the publication, on February 2, 1922, of Ulysses, on what was also the 40th birthday of its author, James Joyce. Commemorations were held, among other places, in Dublin, where Joyce was born and which plays a central role in the novel, and in Zurich, where Joyce wrote parts of Ulysses, where he died, and where he is buried.
The commemoration in Zurich took the form of an all-day reading of sections of the novel at thematically appropriate locations throughout the city. The marathon was organized by friends of the James Joyce Foundation, a center for the study of the writer’s works under the direction of the eminent Swiss Joyce scholar Fritz Senn; and because I have myself been involved in other events organized by the Foundation, and count among my acquaintances people associated with it, I was asked to take part, on Saturday, February 5, as a reader.
By a happy chance, the section I was invited to read from, alongside Andreas Flückiger and William Brockman, two associates of the Foundation, at the James Joyce Pub in Pelikanstrasse in downtown Zurich, was the Cyclops episode, the 12th of the novel’s 18 chapters. This pleased me because I have cherished the episode for years, in part because my Greek teacher at high school had begun our reading of Homer’s Odyssey with the ninth book of that 24-book poem, in which the Greek hero cunningly escapes death at the hands of the one-eyed giant Polyphemus, and which serves as the template for Joyce’s episode; and in part because, when I first came to read Ulysses, at university in the 1980s, it was the Cyclops chapter that appealed to me most, as it contained what I found the most cogently political encounter in Joyce’s novel—and politics was what interested me most at the time. Read more »