by Shadab Zeest Hashmi
“Aik Shaam,” “An Evening (By the River Neckar)” is Iqbal’s ode to silence. A short lyric poem, it describes a rare personal moment in the vast corpus of a poet who is known by such hefty honorifics as “Allama” (the “learned one”), the “national” poet, “poet-philosopher,” or “Poet of the East.” This poem is an instance where we find a poet of great stature revealing his vulnerability, seeking pause, perhaps from the overwhelming disquiet of confronting the political tensions of his times as a scholar visiting Europe, a colonized subject of the Raj in a climate of rising awareness, perhaps negotiating intense homesickness in beautiful Heidelberg, or as many suggest, being lovelorn (as an already married man) for Emma Wegenast, the German tutor who was instrumental in guiding him through a remarkable turning point in his life by introducing him to Goethe’s poetry.
Literary correspondence between Iqbal and Emma Wegenast offers clues to their attachment. Though Iqbal’s biographers are better qualified to discuss their relationship and surmise what they will from it, Emma’s role in inspiring Iqbal to gain insights into Goethe’s works is significant to anyone interested in understanding Iqbal’s poetry. Before returning to a brief annotation on the poem, here are some thoughts on how the study of Goethe’s poetry, plays and philosophy left a deep impression on Iqbal, as reflected in his masterworks following his stay in Germany.
Iqbal’s poetry, valued for its exceptional originality in both the idiom he coined and the range of topics he stretched Urdu poetics into containing— is an important example of what is classified as “World Literature.” This, in no small measure, is due to the strong influence of Goethe (who was the first to come up with the term “Weltliteratur” or “World Literature”) but also Iqbal’s inclination to dissect, balance and appreciate the radically diverse, syncretic traditions of his own South Asian culture many years prior to encountering Goethe’s work. The book (besides Faust) that made a lasting impact on Iqbal’s psyche was Goethe’s West-ostlicher Divan or West-Eastern Divan. Iqbal was to compose “Payam e Mashriq,” a great work of his own, in response to Goethe and Rumi, that other sage Iqbal held in the highest regard. Read more »

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