by Malcolm Murray
In the 21st century, only two risks matter – climate change and advanced AI. It is easy to lose sight of the bigger picture and get lost in the maelstrom of “news” hitting our screens. There is a plethora of low-level events constantly vying for our attention. As a risk consultant and superforecaster, I try to pay disproportionate attention to the bigger picture, in order to separate the signal from the noise. With that bigger picture in mind, I would argue that climate change and advanced AI are the only two risks where parts of their probability curve include singularities where change is so fundamental that we cannot forecast beyond it. All other risks are a continuation of the status quo, to a greater or lesser extent.
The interesting thing is that not only are these two risks joined together at the hip, towering over this century like the Norns in Norse mythology, they also share many similarities – both in terms of the nature of the risks and how they are mitigated against. It can therefore be instructive to study these similarities to see what we can learn and apply across the two risk areas. The risk equation – think Lady Justice with her two competing scales – has the nature of the risk on one side and the effectiveness of its mitigation on the other. No risk goes fully unmitigated (except perhaps in a Don’t Look Up scenario). Subtracting one from the other leaves us with residual risk. This is what matters at the end of the day. Starting with the nature of the risk, two similarities stand out. Read more »

The first time I became aware of Friedrich, many years ago, I was in Zurich to meet an elderly Jungian psychoanalyst—my head stuffed with theoretical questions and eerie dreams with soundtracks by Scriabin. Walking down the Bahnhofstrasse, I passed a bookstore window displaying a stunning art book with the elegant title Traum und Wahrheit (Dream and Truth) and a simple subtitle: Deutsche Romantik. I didn’t yet speak German, but I knew enough to be interested. The book was too heavy for my luggage. I bought it anyway and had it shipped.
What lured my eye to the cover as I passed by was a partial view from one of my now favorite Friedrich paintings, Das Große Gehege (The Great Enclosure)—a cool marshy landscape evoking real ones I would later see from train windows. How could just a corner of a painting have such power? It was the light, the late afternoon saturation of yellow, the black shadowed trees, and the hint of evening gloom already visible as gray on the horizon even though the sky above was still blue. I was captivated.

Because I have taken some medical leave from 3QD in the past few weeks, we have not had magazine posts for a while, though we have continued to post curated articles in the “

Many decades ago, I was fortunate to have had the opportunity of living in India for several years. I was enthralled by that country: its cultural richness; the environment; the food, but most of all the friendliness and warm hospitality of its diverse people. There were, of course, issues that confounded me and stark contradictions stared back at me from many directions, but of particular concern was the scale of the poverty amongst vast sections of the population, an issue that visited me at home frequently. A small begging community gathered regularly at my front gate, hungry and calling out for food. As my knowledge of the Indian social structure deepened, I came to understand that these people belonged to the most oppressed castes in Indian society and not only they, but a multitude of others were living in poverty, and with hunger.





Chakaia Booker. Romantic Repulsive, 2019.
I will use this column to defend myself against the accusation, first made by my surgical assistant Mr. Alan Turing, that I was negligent in the death of an individual under my medical care. Or, as one armchair prosecutor has said, that I am “a stereotypically British sentimentalist who thinks dogs are more human than people.”
There is a beautiful garden in a quiet tree-lined street in Manhattan’s Little Italy. There are rows of flower, lush, abundant and slightly wild, a stone balcony you can imagine Romeo climbing up to, stone balustrades, several lions, one with climbing vines adorning his face, a sphynx, various other statues, a copy of a Hermes medallion from the late antiquity, a fig tree and a hydrangea tree, giant shady pear trees, and many small hidden paths that lead to gazebos and intimate garden spaces. People in the garden sit and while the time or read by a little table. In a very small space, Elizabeth Street Garden has been able to replicate the richness of life, spaciousness of spirit, the magnanimity and dedication to beauty of the best Italian gardens. It is one of the truly great places in NYC. But after 12 years of struggle between the city and garden advocates, on June 18, 2024, the 