by Akim Reinhardt
Stuck is a weekly serial appearing at 3QD every Monday through early April. The Prologue is here. The table of contents with links to previous chapters is here.
This song has been with me, quite thoroughly, for two weeks now. There should be more to talk about. Such as Blind Faith, rock n roll’s first super group, cobbled together from members of Cream (guitarist Eric Clapton, drummer Ginger Baker), Traffic (singer/keyboardist Steve Winwood), and Family (bassist Ric Grech). How they sparkled brightly and burned out after just one album and tour. Or Winwood specifically, author and singer of this particular song. A child prodigy of pop, he joined the Spencer Davis Group when he was only 14 years old, soon penning and singing two hit singles: “Gimme Some Lovin’” (later covered by the Blues Brothers) and “I’m a Man” (later covered by Chicago). Or I could talk about the song itself. Over five minutes long, it is at turns coarse and lush, rigid and ethereal, intense and contemplative and euphoric. Or perhaps I could share something about who I am. Stories about being on the water, relatively few in number, yet still rich in moments of bonding with family and friends, of self-definition, of living without time, of killing with rods and hooks.
But instead, all I have is this one lyric.
Waiting in our boats to set sail
Days upon days of obsession hang upon this short, taut thread. Guitars, organ, drums, bass, vocals spinning round those seven words. One small dot, dark and unmoving amid the raging, whirring maelstrom of all things, demanding my senses heed and bend to it.
Waiting in our boats to set sail
The quiet anguish of gently rocking between blue skies and placid water for want of summer wind. The holy promise, too great to speak aloud, of sailing into all that is vast and open and free, already so complete and perfectly oblivious to my bow, should it ever come to slice through air and wave. Read more »
Most people associate the Cold War with several decades of intense political and economic competition between the United States and Soviet Union. A constant back and forth punctuated by dramatic moments such as the Berlin Airlift, the Berlin Wall, the arms race, the space race, the Bay of Pigs, the Cuban Missile Crisis, Nixon’s visit to China, the Olympic boycotts, “Mr. Gorbachev, tear down this wall!” and eventually the collapse of the Soviet system.
I first heard Motörhead in 1988. I was a DJ at 
During my late 1970s New York City childhood, repeats of Star Trek aired every weeknight on channel 11, WPIX. The original 79 episodes ran about three times per year, which means that, allowing for the occasional miss, I’d seen each episode about 10 – 12 times before reaching high school.
Forever is a long time.
Back in 2014 I circled the country. It was a very long trip. From late August to early November I drove over 9,000 miles, all of it by myself. For many people, perhaps most, that kind of marathon driving day after day, particularly without someone to talk to, is only made bearable by listening to music. And given my own background, which has includes stints as a radio DJ, music critic, and rankly amateur musician, most everyone I know assumes I fall into that camp. Which is why they’re often shocked to find out that I don’t.
This song got caught in my head as I circled the country in my 1998 Honda. Leaving New York City, I drove west into the heart of America, up to the Dakotas, out to California, down the Golden State, and then back along the Southern route before angling northward to Baltimore. I saw nearly all the America you can see. But of course there’s not just one America. There are many.
When a song gets really stuck in my head, I break it down. I learn how to play it and even ponder ways to fiddle with it and improve it. In the throes of involuntary obsession, it gives me something to do. It’s a coping mechanism, a way to retain my sanity. And for this project, it also means writing, at least a little bit, about the song and artist. To create some context.
I never met Jeremy Spencer, so I can only guess. I suspect he was searching for something. Only 23 years old, perhaps he was unhappy with himself, or the world around him. Perhaps he was scared and craving shelter from the storm. Perhaps he dreamed of what could be, or pined for a grand voyage. Maybe he just got lost.
I was always a skinny fuck. Forever the thinnest kid in the class, and for a longtime the second shortest boy (thank you, David Mehler). My stick-figure proportions were the thing of legend. I could suck my stomach in so far that some people swore they could touch the inside of my spine. My uncle used to refer to me as the Biafra Boy, a tasteless reference to the gruesome famine that accompanied the Nigerian Civil War (1967 – 70). In an effort to fatten me up, my grandmother would serve me breakfast cereal with half-and-half instead of milk. It was to no avail. A growth spurt in the 8th grade got me well above the short kids, but my body didn’t fill out. I graduated high school standing five feet, nine and a half inches tall, and weighing less than 120 pounds.
Several co-workers, all of whom have Ph.D.s. An old friend who’s a physicist. Scads of family members of both blue and white collar variety. Numerous neighbors. And of course the well dressed, kindly old women who occasionally show up at my door uninvited, pamphlets in hand.
In 1974, noted science fiction author Joe Haldeman published a novel called The Forever War, which won several awards and spawned sequels, a comic version, and even a board game. The Forever War tells the story of William Mandella, a young physics student drafted into a war that humans are waging against an alien race called the Taurans. The Taurans are thousands of light years away, and traveling there and back at light speed leads Mandella and other soldiers to experience time differently. During two years of battle, decades pass by on Earth. Consequently, the world Mandella returns to each time is increasingly different and foreign to him. He eventually finds his home planet’s culture unrecognizable; even English has changed to the point that he can no longer understand it.
