by Akim Reinhardt
Two months ago, a college student in my Native American history class was perturbed. How it could be that during her K-12 education she never learned about the 1890 massacre of nearly 200 Native people at Wounded Knee? She was incensed and incredulous, and understandably so. It’s an important question, a frustrating question, and a depressing question. In other words, it’s the kind of question anyone who teaches Native American history is all too used to.
My students typically begin the semester with a vague sense of “we screwed over the Indians,” and are quickly stunned to discover the glaring depths of their own ignorance about the atrocities that Native peoples have endured: from enslavement, to massacres, to violent ethnic cleansings, to fraudulent U.S. government actions, to child theft and the forced sterilization of women, to a vast, far-reaching campaign of cultural genocide that continued unabated well into the 20th century.
I started slowly, explaining to her that one problem is the impossibility of covering everything in a high school history class. Even in a college survey, which moves much faster, you just can’t get to everything. There’s way too much. A high school curriculum has no chance.
But, I said, that begs the question, both for college and K-12: What gets in and what gets left out? Read more »
Violence : War :: Lies : Mythology
Manhattan always has been and always will be New York City’s geographic and economic center. But if you’re actually from New York, then you’re very likely not from Manhattan. Like me, you’re from one of the outer boroughs: The Bronx, Brooklyn, Queens, or Staten Island. And as far as we’re concerned, we’re the real New Yorkers. The natives with roots and connections, and the immigrants who are life-and-death dedicated to making them, not the tourists who come for a weekend or a dozen years before trundling back to America.
I was a minor mess in high school. Had no idea what to do with my curly hair. Unduly influenced by a childhood spent watching late ‘70s television, I stubbornly brushed it to the side in a vain attempt to straighten and shape it into a helmet à la The Six Million Dollar Man or countless B-actors on The Love Boat and Fantasy Island. I couldn’t muster any fashion beyond jeans, t-shirts, and Pumas. In the winter I wore a green army coat. In the summer it was shorts and knee high tube socks.
Being a horrible person is all the rage these days. This is, after all, the Age of Trump. But blaming him for it is kinda like blaming raccoons for getting into your garbage after you left the lid off your can. You had to spend a week accumulating all that waste, put it into one huge pile, and then leave it outside over night, unguarded and vulnerable. A lot of time and energy went into creating these delectable circumstances, and now raccoons just bein’ raccoons.
There was this one moment. A sunny June day in Nebraska. No one was around. I dribbled the basketball over the warm blacktop, moving towards a modest hoop erected at the end of a Lutheran church parking lot. I picked up my dribble, took two steps, sprung lightly from my left foot, up and forward, my right arm extending as my hand gracefully served the ball to the white backboard. Its upward angle peaked, bounced softly, and descended back through the netless hoop.
There should be more.
Most people associate the Cold War with several decades of intense political and economic competition between the United States and Soviet Union. A constant back and forth punctuated by dramatic moments such as the Berlin Airlift, the Berlin Wall, the arms race, the space race, the Bay of Pigs, the Cuban Missile Crisis, Nixon’s visit to China, the Olympic boycotts, “Mr. Gorbachev, tear down this wall!” and eventually the collapse of the Soviet system.
I first heard Motörhead in 1988. I was a DJ at 
During my late 1970s New York City childhood, repeats of Star Trek aired every weeknight on channel 11, WPIX. The original 79 episodes ran about three times per year, which means that, allowing for the occasional miss, I’d seen each episode about 10 – 12 times before reaching high school.
Forever is a long time.
Back in 2014 I circled the country. It was a very long trip. From late August to early November I drove over 9,000 miles, all of it by myself. For many people, perhaps most, that kind of marathon driving day after day, particularly without someone to talk to, is only made bearable by listening to music. And given my own background, which has includes stints as a radio DJ, music critic, and rankly amateur musician, most everyone I know assumes I fall into that camp. Which is why they’re often shocked to find out that I don’t.
This song got caught in my head as I circled the country in my 1998 Honda. Leaving New York City, I drove west into the heart of America, up to the Dakotas, out to California, down the Golden State, and then back along the Southern route before angling northward to Baltimore. I saw nearly all the America you can see. But of course there’s not just one America. There are many.
When a song gets really stuck in my head, I break it down. I learn how to play it and even ponder ways to fiddle with it and improve it. In the throes of involuntary obsession, it gives me something to do. It’s a coping mechanism, a way to retain my sanity. And for this project, it also means writing, at least a little bit, about the song and artist. To create some context.
I never met Jeremy Spencer, so I can only guess. I suspect he was searching for something. Only 23 years old, perhaps he was unhappy with himself, or the world around him. Perhaps he was scared and craving shelter from the storm. Perhaps he dreamed of what could be, or pined for a grand voyage. Maybe he just got lost.
I was always a skinny fuck. Forever the thinnest kid in the class, and for a longtime the second shortest boy (thank you, David Mehler). My stick-figure proportions were the thing of legend. I could suck my stomach in so far that some people swore they could touch the inside of my spine. My uncle used to refer to me as the Biafra Boy, a tasteless reference to the gruesome famine that accompanied the Nigerian Civil War (1967 – 70). In an effort to fatten me up, my grandmother would serve me breakfast cereal with half-and-half instead of milk. It was to no avail. A growth spurt in the 8th grade got me well above the short kids, but my body didn’t fill out. I graduated high school standing five feet, nine and a half inches tall, and weighing less than 120 pounds.
Several co-workers, all of whom have Ph.D.s. An old friend who’s a physicist. Scads of family members of both blue and white collar variety. Numerous neighbors. And of course the well dressed, kindly old women who occasionally show up at my door uninvited, pamphlets in hand.
In 1974, noted science fiction author Joe Haldeman published a novel called The Forever War, which won several awards and spawned sequels, a comic version, and even a board game. The Forever War tells the story of William Mandella, a young physics student drafted into a war that humans are waging against an alien race called the Taurans. The Taurans are thousands of light years away, and traveling there and back at light speed leads Mandella and other soldiers to experience time differently. During two years of battle, decades pass by on Earth. Consequently, the world Mandella returns to each time is increasingly different and foreign to him. He eventually finds his home planet’s culture unrecognizable; even English has changed to the point that he can no longer understand it.