by Ethan Seavey
My grandmother’s bird of choice is the rooster. She was raised in rural Kentucky and now lives in rural Wisconsin. She collects all sorts of roosters (and, by extension, some hens): wall art, printed dish towels, ceramic statues as small as a pinky and as large as a lamp, coin bowls and blankets and something nostalgic in each one.
If you don’t mind stepping briefly into her condo, we can see what it’s like. Eyes everywhere. Thoughtless, energetic eyes. Suspicion and preparedness. A rooster’s eye is life because it is anxiously awake, unsure why, but it is safe because it is always aware of sources of suspicion; suspicion, of course, comes from an abundance of anxiety. So those eyes don’t think much about what they’re watching. I’m sure you’ll find it hard to find hundreds of rooster eyes in your peripheral vision, but you’ll get used to it. If you feel overwhelmed, you can look outside her large windows, you can see the small and glassy lake with sailboats gliding over its surface like razors through taut fabric.
My mother’s bird of choice is the crow. She unconsciously developed an uncanny connection with them. It started during our group quarantine, after the onset of the pandemic. We spent April through May isolated in our ski cabin. We had no friends there so we could not be tempted to socialize. We could social distance easily, with the majority of the houses nearby sitting empty, their owners waiting for the ski resort to reopen. Read more »