by Nils Peterson
I went to graduate school at Rutgers in New Brunswick, New Jersey. Rutgers had a fine University Chorus that sang one concert a year with a New York Orchestra at Carnegie Hall and one concert a year with the Philadelphia Orchestra. Though my scholarly friends scoffed at such a waste of time, I had the chance to sing with some of the great conductors, Eric Leinsdorf, for instance, and, of course, Eugene Ormandy.
My last semester in New Jersey, we sang the Brahms German Requiem with the Philadelphia Orchestra. It was a transcendent thrill. I had loved the piece as a listener, but now I had the chance to go so deeply inside it as a singer (and spend a long weekend in Philadelphia to boot). Not long after our last performance, I got married and set out across country for California and my first full-time teaching job at San Jose State, not yet a university. The year was 1963.
I arrived in San Jose dead broke. My wife and I had money for one night in a hotel (all night long, the same noisy cars circled round and round) and then we had to find a place to rent the next day or we would have had to use part of our month-in-advance rent money. Incredibly, we found a cottage on a rich man’s estate overlooking the valley. We were allowed to use the swimming pool in the yard. The one in his living room was for his family alone. We had also gotten our first credit card, a Bank America one with a $200 limit. (Well, my pay was $6,600 a year.) We maxed it out on a $195 hi-fi set.
I found that I enjoyed teaching even though I had three sections of composition. My fourth class was a survey of English Literature. Originally, I was scheduled to have 4 composition classes, but the new head of the department took pity on me and split one of the senior professor’s class. In gratitude, I think I tried to squeeze a graduate seminar into each class, but the students seemed to like it and me.
One November morning, bright and shiny like the November morning I’m typing this in, I walked out of my English Lit class to the news that President Kennedy had been shot. Read more »

Masjid Al Aqsa, or The Far Mosque of Jerusalem, as the Quran calls it, is emblematic of the spirit of compassion and transcendence for Mevlana Rumi. “A heart sanctuary,” in the words of Rumi in his poem “The Far Mosque,” Al Aqsa represents a conquest over the egoistical desires of dominance, greed, vanity, violence and supremacy. It is held together by the sacred energy of merciful love, even “the carpet bows to the broom/the door knocker and the door swing together/like musicians.”
In 2016, 


Khalil Rabah. About The Museum, 2004.

If a city could be an organism, then Kherson in Eastern Ukraine would be a sick body. For eight months, between March and November 2022, Kherson was occupied by Russian forces. Kidnapping, torture, and murder – in terms of violence and cruelty, Kherson’s citizens have seen it all. Today, even though liberated, the port city on the Dnieper River and the Black Sea is still being regularly bombarded: a children’s hospital, a bus stop, a supermarket. Even though freed, how could this city ever heal?
Two popular books released this year have breathed new life into the ancient debate over whether we have free will.
We all naturally take an interest in the night sky. Just last week, my fiancee and I attended an event put on by the Astronomical Society of New Haven. Without a cloud in the sky, near-freezing temperatures, and a new moon, the conditions were ideal for looking through telescopes the size of cannons. To see anything, you had to stand in line, in the cold, for your opportunity to look at something for a minute. 

Ron Amir. Bisharah and Anwar’s Tree, 2015. From the exhibition titled Doing Time in Holot.
