by Eric Bies

In 1895, Ernest Hartley Coleridge published a volume of selections from his grandfather’s notebooks. Anima Poetae, the first such selection to be assembled, granted readers passage into the fantastic interior of the man, poet, and uncommon philosopher George Saintsbury would one day declare worthy of Aristotle and Longinus. Simply open the book onto any of its three hundred thrilling pages, and there shall be revealed the soul of the great Romantic poet Samuel Taylor Coleridge. Most fascinating among these revelations, perhaps, is the record of the poet’s reading. We learn, for instance, of his fondness for Milton and Swift—of his unfondness for Darwin and Hume. We learn that he puzzled (as Ezra Pound a century hence) over Duns Scotus and the Trinity, and that he was gobsmacked with the Germans: names like Kant, Fichte, and Schiller propagate like cacti. At one point we catch him privately praising the letters of Dorothy Wordsworth (“the best reading in the world”). Strikingly modern, we find he was a reader of dreams, too—his own often fitful, plaguing the waking hours—and even made some of them up:
If a man could pass through Paradise in a dream, and have a flower presented to him as a pledge that his soul had really been there, and if he found that flower in his hands when he awoke – Ay! and what then?
In the early nineteen-tens, the American scholar Jonathan Livingston Lowes undertook to mine the fullest possible spread of the notebooks. Combing through the archives of the British Museum and the Bristol Library, he herded his systematic record of the poet’s reading into one of the first great studies of the imagination. Upon its release in 1927, The Road to Xanadu drew admiration from every quarter. Readers could not help but to boggle at the rigor of its scholarship—painstaking literary detective work of the most rewarding type, as when Charles Olson crept through Melville’s marginalia and located all of that Shakespeare in Moby-Dick—much of which established the first key links between the books Coleridge perused and the poems he composed. Read more »



After my student days in Cambridge, in my professional life I have been to Britain many times, occasionally for lectures and conferences, but sometimes more formally on visiting assignments. The latter, except for the two terms at Trinity College, Cambridge, as a Visiting Fellow, have been more to Oxford and London School of Economics; this may be partly because for some time there was a relative decline in the quality of the Cambridge Economics Department after the internal troubles and the exit of some big names that I have alluded to before. In Oxford I have been on formal visits to All Souls College, St. Catherine’s College, and Nuffield College.
Nah. Let’s talk about our brains. The neocortex is where all our fancy thinking takes place. The neocortex wraps around the core of our brain, and if you could carefully unwrap it and lay it flat it would be about the size of a dinner napkin, and about 3 millimeters thick. The neocortex consists of 150,000 cortical columns, which we might think of as separate processing units involving hundreds of thousands of neurons. According to research at Jeff Hawkins’ company Numenta (and as explained in his fascinating recent book,
I assume that if your eye was drawn to this essay, then you are also troubled by feelings of rage. But I don’t want to be presumptuous—there are other reasons to read an essay that promises to tell you what to do with your anger. Maybe you think I have an agenda. Perhaps you have formed an idea of what my rage is about, and you disagree with that figment, and you are hate-reading these words right now, waiting for me to reveal the source of my own rage so that you can write a nasty comment at the end of this post or troll me on social media or try to cancel me or dox me or incite violence against me or come to my house and sneak onto my porch and stare balefully into my front windows or throw an egg at my car or trample deliberately on the ox-eye sunflowers that are bursting around my mailbox or put a bomb in my mailbox or disagree with me strenuously in your heart. There is a wide range of potential negative responses, and I don’t have time to list them all. The point here is that one must contend with them, and that is another reason to feel rage.





The first full moon I saw after the procedure looked as if it might burst, like a balloon with too much helium. It was just above the horizon, fat and dark yellow —moving slowly upward to the firmament where it would later appear smaller and take on a whiter shade of pale. I could distinguish its tranquil seas, the old familiar terrain coinciding with a long abandoned memory.
Even before the bandage came off, the implant’s ID card seemed to confirm it: I am a camera—with a new Zeiss lens made in Jena. Jena is back in my life.


