Let Us Be Lovers

by Jerry Cayford

Design: New Jersey Turnpike Authority. This image: en:User:Mr. Matté, Public domain.

“America,” by Paul Simon, from Simon and Garfunkel’s 1968 album, Bookends, speaks to our moment. What it says to me is a bit different from what I am reading about it from other people, but I don’t think I’m idiosyncratic. The key, as I see it, is to realize that the song is about America, not about Paul and his girlfriend Kathy taking a bus trip. For those who don’t know this song or haven’t heard it in decades, here is the studio recording. Spend three worthwhile minutes.

“America” opens with deceptive gentleness:

Let us be lovers, we’ll marry our fortunes together.

The gentleness primes us for the impact of the song’s climax. But the opening is also odd, the phrasing archaic. Nobody says, “Let us be lovers.” The verb “marry” is intransitive now; we don’t even say, “We’ll marry our children together.” And we don’t speak of our “fortunes” except as money. Since the rest of the song is completely naturalistic—anachronism is not its style—the oddness makes the phrases memorable, and marks them for study.

We hear a pop song many times on the radio (or wherever), then buy it and listen to it repeatedly. Soon, we know the lyrics by heart. We force our parents to listen to it. The whole song is present to us as a single concept, more than as a narrative arc. In this way, a three-minute pop song is more like a three-second slogan than like a thirty-minute show or a short story. I see “America” as answering a slogan like “Make America Great Again.” If we think Make America Great Again is the wrong concept, but don’t know how to counter it, perhaps we didn’t listen well enough when Simon and Garfunkel sang of America fifty years before. Read more »

Monday, July 4, 2022

What To Do With Your Rage

by Deanna Kreisel (Doctor Waffle Blog)

I assume that if your eye was drawn to this essay, then you are also troubled by feelings of rage. But I don’t want to be presumptuous—there are other reasons to read an essay that promises to tell you what to do with your anger. Maybe you think I have an agenda. Perhaps you have formed an idea of what my rage is about, and you disagree with that figment, and you are hate-reading these words right now, waiting for me to reveal the source of my own rage so that you can write a nasty comment at the end of this post or troll me on social media or try to cancel me or dox me or incite violence against me or come to my house and sneak onto my porch and stare balefully into my front windows or throw an egg at my car or trample deliberately on the ox-eye sunflowers that are bursting around my mailbox or put a bomb in my mailbox or disagree with me strenuously in your heart. There is a wide range of potential negative responses, and I don’t have time to list them all. The point here is that one must contend with them, and that is another reason to feel rage.

But to return to my opening supposition: all of these possible responses are also born of rage, so I imagine that you might benefit from an essay about what to do with your rage even if your rage is rage at my rage.

So let’s begin. Read more »