by Ethan Seavey

In the growing sector of the contemporary art world which focuses on environmental issues, participants in the art (artists, critics, and the general audience) disagree on the intention of each work of art: does it merit only aesthetic praise, or is it a successful work of climate activism? In my brief internship at Art of Change 21, a French nonprofit association at the intersection of contemporary art and the environment, I frequently encountered this dichotomy. At Art Paris 2022, the association hosted an exhibition centered around artists who deal with environmental themes. My goal is to contextualize some of the artworks present at this exhibition, based on critical theory as well as my own experiences.
When an artist depicts an environmental issue, they want to bring attention to it, and for many in the art world, this attention is enough to be considered powerful activism. In a study for the Norwegian University of Science and Technology, Laura Kim Sommer and Christian Andreas Klöckner collected qualitative date based on surveys and cognitive recognition information and determined that art engaging with environmental issues had strong emotional effects upon its audience. This study was conducted at the 2015 UN Climate Conference, for an exhibition of art pertaining to climate issues. (Art of Change 21 was born at this Climate Conference, and had no role in the display of these artworks; the association was present elsewhere in the conference, though, with similar projects.) Read more »