Andrea Scrima’s first book, the novel A Lesser Day, was rereleased in a second edition in 2018 (Spuyten Duyvil Press) to accompany the publication of a German translation (Wie viele Tage, Literaturverlag Droschl, Graz). A German edition of her second novel, Like Lips, Like Skins (Kreisläufe) was published by Literaturverlag Droschl in the fall of 2021. Scrima’s essays and criticism can be read in journals including The Brooklyn Rail, Literary Hub, Frankfurter Allgemeine Zeitung, Times Literary Supplement, The American Scholar, The Millions, Music & Literature, The Scofield, Schreibheft, and Manuskripte. She was the recipient of a literature fellowship and several research grants from the Berlin Council on Science, Research, and the Arts in Berlin, Germany and took part in writing residencies at Schloß Salem, the Helene Wurlitzer Foundation in Taos, and Ledig House, New York. She is editor-in-chief at the Berlin- and Brooklyn-based online literary magazine StatORec and co-edited the recently published anthology Writing the Virus (Outpost19 Books), a New York Times Sunday Book Review “New & Noteworthy” title of 2021. Email: a.scrima [at] t-online.de
A Conversation between Andrea Scrima and Anike Joyce Sadiq The following conversation took place from November 2021 to February 2022 via e-mail in reaction to a general meeting of the Villa Romana Association that took place on October 28, 2021 in Martin-Gropius-Bau, Berlin. The authors participated in this meeting in their function as members, having…
by Andrea Scrima March 1, 2022 I left Florence exactly two years ago, a week after the first Corona lockdowns went into effect on February 22, 2020; I returned to the city for the first time yesterday, just as Russian attacks on Ukraine shifted into full gear. Back in Berlin, the war felt suddenly very…
by Andrea Scrima In her second novel Like Lips, Like Skins (German edition: Kreisläufe, Literaturverlag Droschl, 2021) Andrea Scrima unpacks a family story of strong emotional ties. When the first-person narrator Felice finds her deceased father’s diaries, she combs them for clues to a past riddled with blind spots. She abandons a drawing series because…
Like Lips, Like Skins, Andrea Scrima’s second novel (German edition: Kreisläufe, Literaturverlag Droschl 2021), is a diptych; the first half of the book is dedicated to the first-person narrator’s mother, the second half to her late father. We meet Felice in the early eighties as a young art student in New York and as a…
by Andrea Scrima Clairvoyant of the Small, Susan Bernofsky’s long-awaited biography of the Swiss modernist writer Robert Walser, is erudite, painstakingly thorough, and sensitively written. Readers of Walser finally have a volume that connects the development of the writer’s work and its publishing history to the various episodes of his peripatetic adult life in the…
by Andrea Scrima Oh patria mia, mai più ti rivedrò! Mai più! Mai più ti rivedrò! O cieli azzurri o dolci aure native Dove sereno il mio mattin brillò O verdi colli o profumate rive O patria mia, mai più ti rivedrò! (Oh my homeland, I will never see you again! No more! Never see…
by Andrea Scrima “If the spirit of the fox enters a person, then that person’s tribe is accursed.” 1. In his 1953 essay “The Hedgehog and the Fox,” which postulates two quintessential moral dispositions at the heart of history’s main opposing ideologies, Isaiah Berlin divides the world’s influential writers into two categories of thought. Elaborating…
by Andrea Scrima David Winner’s third novel, Enemy Combatant, has just been published by Outpost19 Books and has already received a starred Kirkus review. The book is an action-packed road trip gone horribly haywire, a misadventure mired in alcoholic debauchery and doomscrolling-induced moral indignation at the imperial arrogance of the Bush administration following 9/11. Sensitively…
by Andrea Scrima Adapted from a talk given on April 28, 2017 at the New School, New York City, as part of The Body Artist: A Conference on Don DeLillo. For some readers, Don DeLillo is a guy thing: an immensely gifted geek whose male characters are incapable of emotional communication; whose dialogue sounds more like…
by Andrea Scrima An anthology I’ve edited with David Winner, titled Writing the Virus, has just been published by Outpost19 Books (San Francisco). Its authors—among them Joan Juliet Buck, Rebecca Chace, Edie Meidav, Caille Millner, Uche Nduka, Mui Poopoksakul, Roxana Robinson, Jon Roemer, Joseph Salvatore, Liesl Schillinger, Andrea Scrima, Clifford Thompson, Saskia Vogel, Matthew Vollmer, and…
by Andrea Scrima The stories in Seiobo There Below, if they can be called stories, begin with a bird, a snow-white heron that stands motionless in the shallow waters of the Kamo River in Kyoto with the world whirling noisily around it. Like the center of a vortex, the eye in a storm of unceasing,…
by Andrea Scrima In one sense, the stories of the collection Almost No Memory, originally published in 1997 and reprinted in The Collected Stories of Lydia Davis in 2009, can be read as a psychological portrait of a middle-aged woman coming to terms with all the usual things life has to offer after a certain age:…
by Andrea Scrima Lydia Hamann and Kaj Osteroth have been working as a collaborative team since 2008. I got to know them in January and February of this year, when they began a year-long residency at the Villa Romana in Florence that was abruptly cut short in early March by the pandemic and the lockdown…
by Andrea Scrima Ryan Ruby is a novelist, translator, critic, and poet who lives, as I do, in Berlin. Back in the summer of 2018, I attended an event at TOP, an art space in Neukölln, where along with journalist Ben Mauk and translator Anne Posten, his colleagues at the Berlin Writers’ Workshop, he was…
by Andrea Scrima Eve Sussman and Simon Lee are visual artists who use a variety of media, ranging from photography and film to live performance. Some of their work experiments with narrative tropes in video, text, and the act of talking to other people on the phone or in the real world. Their joint projects include CollusionNoCollusion, created during a residency in St. Petersburg, Russia; No food…
A Conversation with Joan Giroux by Andrea Scrima Joan Giroux, born 1961 in Syracuse, New York, moved to the East Village in the early eighties to attend Parsons School of Design. After graduation, she began traveling back and forth between New York and Berlin, first as a guest student with Shinkichi Tajiri at the Hochschule…
by Andrea Scrima Tragedies like the mass shootings in El Paso, Dayton, and most recently (since this panel first aired last month) in Odessa bring everything to a stop. As we read the details and look at the pictures, we all pause, look around, and take stock of our priorities and what we hold dear.…
Andrea Scrima: Girl Zoo, which has just been published by the FC2 imprint of the University of Alabama Press, is a collection of stories that takes contemporary feminist theory on an odyssey through the collective capitalist subconscious. Scenes of female incarceration are nightmarish, hallucinatory: each story exists within its own universe and operates according to…
by Andrea Scrima Andrea Scrima: Madeleine, you translate, write critical essays, and have been editing for Music & Literature for six years. Recently, all these areas of your expertise were called upon in a particularly rigorous way in preparation for a quietly sensational literary event: the publication of a mammoth portfolio of Swiss writer Peter…
Andrea Scrima: Saskia, you’ve written a book that invites us into the BDSM community to explore the complicated emotional landscape lying at the heart of its negotiations over consent and—as the title you chose for your book underscores—permission. When the book begins, Echo, the young narrator, is submerged in a fog of emotional blunting following…