The Trickster That Led Us from Birth to Death

by Daniel Gauss

The Snowman Cafe, where American hippies, draft-dodgers and seekers of inner wisdom came in the 60s and 70s.

I met this guy at the Snowman Cafe in Kathmandu. At first, I thought he was just another local guy popping in for a smoke (people can smoke there) and some chocolate cake, but he told me the following story, and I believe it. He was, in fact, a trickster. Throughout human history, he explained, someone like him comes along and whispers a suggestion to us. We don’t have to take it, but we always do.

Each suggestion is so compelling that we walk through the new door that opens and then the door closes behind us forever. He leaned back in his chair, took another drag on his cigarette, and he told me the dark truth: every crossing had promised so much, and led to some benefits, but also brought us closer to civilizational death.

Some people, of course, urged caution and told us not to cross the next threshold. He joked, “You look like one of those nay-sayers who gets pushed against his will through the door. I always pitied you folks, so you at least have a right to know what happened.” I pass this on to any other nay-sayers.

It is as if we have been guided by death, the ultimate trickster, throughout our history. Death is quite patient and he plays a good game of chess, it looks as if we’re not gonna beat him. Read more »

Monday, October 28, 2019

Why on Earth Should It Mean That It Is Not Real?

A Conversation with Joan Giroux

by Andrea Scrima

Joan Giroux, born 1961 in Syracuse, New York, moved to the East Village in the early eighties to attend Parsons School of Design. After graduation, she began traveling back and forth between New York and Berlin, first as a guest student with Shinkichi Tajiri at the Hochschule der Künste, then to take part in a graduate program at the Milton Avery Graduate School of the Arts in Annandale-on-Hudson, NY. With a focus on sculpture, Giroux moved from interactive objects and kinetic sculpture into installation, performance, social practice, and community engagement. She has shown internationally at venues including the Museum of Contemporary Art Chicago, Weinberg/Newton Gallery, American Academy in Rome, Munson-Williams-Proctor Institute, Artists Space, BACA Downtown, and Künstlerhaus Hamburg, and has participated in international symposia for the arts and the environment in Korea, Japan, and Germany. She also shows her work in a number of public, alternative, and nontraditional venues, such as in the exhibition memory marks at the Hospice of Santa Barbara’s Leigh Block Gallery. Grants and awards include the Marie Walsh Sharpe Studio Residency, a Research Fellowship at the University of Michigan, and artist’s grants from Berlin’s Senate for Cultural Affairs and the Pollock Krasner Foundation, as well as residencies at the Squire Foundation and the MacDowell and Millay colonies. She teaches at Columbia College in Chicago. Read more »