“It was only when my father died in 2016 that this deep truth of human existence
hit me: there are two basic categories of people, the living and the dead, and the
members of both categories are equally people. Some people are dead people,
in other words.” —Justin Smith-Ruiu, from 3 Quarks Daily
Knot
There are days I speak to Mom or Dad, who are
no longer here so to speak, but I hear no reply
unless I count a coincidental breeze
riffing through the leafy larynx of a tree,
or a hawk or crow who, perfectly timed,
swings into a downdraft to close the space between,
calling to an offspring still learning
—but I am not a hawk or crow and am
ignorant of their language
The thing is the opacity of this enigma: the Celtic knot
of their once having been, a tangle as incomprehensible
as their not having been once before:
….. before they ever were,
….. before they ever breathed
….. then both suddenly did
But (and so), I engage them hoping (but little) that they’ll
come to me in a dream or sudden fabulous thought, and they do,
each seizing an end of that impossible knot, snapping it into
a single line but longer than anything that can be reduced to words
Jim Culleny 11/11/23


The narrator of Alberto Moravia’s 1960 novel Boredom is constantly defining what it means to be bored. At one point, he says “Boredom is the lack of a relationship with external things” (16). He gives an example of this by explaining how boredom led to him surviving the Italian Civil War at the end of World War II. When he is called to return to his army position after the Armistice of Cassibile, he does not report to duty, as he is bored: “It was boredom, and boredom alone—that is, the impossibility of establishing contact of any kind between myself and the proclamation, between myself and my uniform, between myself and the Fascists…which saved me” (16).
The only light in the second-class train compartment came from the moonlight, which filtered through the rusty iron grill of the window. The sun had set hours earlier, a fiery red ball swallowed whole by the famished Rajasthani countryside. I sat at the window on the bottom berth of my compartment of the Sainak Express, headed from Jaipur to Delhi.








Sughra Raza. Yarn Art on The Mass Ave Bridge, July 2014.
Daniel Goleman’s 


