by Barbara Fischkin

It was the summer of 1961. I was six years old. My mother and I had arrived in Omaha the night before, flying out of what was still “Idlewild,” not JFK International Airport, as it is now named. We would visit relatives with roots in the same Eastern European shtetl as my mother. Unlike most of the family, this branch had left the New York area for the cornfields of the American Midwest.
The relatives—Max and his wife, Sarah, their grown children Geraldine and Stanley and a bachelor brother, Sam—were the only Jewish people on their street. My mother told me this before we left—to prepare me. She knew that coming from the Midwood section of Brooklyn, I would find this odd. No other Jews? My mind, though, was fixated on adventure, being so far from New York for the first time, meeting new cousins and taking my first airplane ride.
Cousin Sarah, her hair already white, told me she had never been on an airplane. I remember the envious tone in her voice. I noticed her tone carried a signal that I was too young, thus undeserving, to have been granted this privilege.
I blew that off, as kids do at an age when guilt does not, or should not, get in the way of a good time. My mother suggested that I go across the street to play with a little girl who lived in a big house. I probably guessed she wasn’t Jewish but my mind was still fixated on this new adventure. Read more »



Firelei Baez. Untitled (A Corrected Chart of Hispaniola with the Windward Passage), 2020.
by Leanne Ogasawara
The barbarians have won.



In the West, it feels like we have never lived
If 1840 outside of Richmond, say, had really been like that what would it have looked like? Warm, smiley, friendly no violence or anger or retribution. Freedom, wealth, and privilege burdens that black people were lucky to avoid. The only possibility of such a universe, I would imagine, might have involved some sort of depraved mass lobotomization or heavy doses of obliterating narcotics. This vision of the old South was as impossible as it was untrue.
Flash forward to mid-fifties New York, Patricia Highsmith’s Ripley in the new Andrew Scott Netflix version is approached by a black man at a bar who says he has a job for him. There is no reference to their races as if black people approaching white people and offering them work was a regular occurrence at that time. In the Highsmith original, no such character exists. Deeply racist, Highsmith cast almost all non-white characters in her work as foolish and/or despicable.
Joseph H. Shieber, April 7, 2024 of Wallingford, PA. Beloved husband of Lesa Shieber; proud father of Samuel and Noa; loving son of Benjamin and Eileen Shieber; devoted brother of William (Rebecca) Shieber and Jonathan (Kathleen) Shieber.
As the saying goes, if you believe only fascists guard borders, then you will ensure that only fascists will guard borders. The same principle applies to scientists working on nuclear weapons. If you believe that only Strangelovian warmongers work on nuclear weapons, you run the risk of ensuring that only such characters will do it.

A new study has revealed a troubling development in the state of Maryland: while murder rates fluctuated between 2005 and 2017—first trending downward, then increasing for a few years—the homicides recorded during that period have grown steadily more violent the entire time.
Consider again the wooden desk. It was once part of a tree, like the ones outside your window. It became a bit of furniture though a long process of growth, cutting, shaping buying and selling until it got to you. You sit before it as it has a use – a use value – but it was made, not to give you a platform for your coffee or laptop, but in order to make a profit: it has an exchange value, and so had a price. It is a commodity, the product of an entire economic system, capitalism, that got it to you. Someone laboured to make it and someone else, probably, profited by its sale. It has a history, a backstory.
All of this is the case, but none of it simply appears to the senses. Capitalism itself isn’t a thing, but that doesn’t make it less real. The idea that all that there really is amounts to things you can bump into or drop on your foot is the ‘common sense’ that operates as the ideology of everyday life: “this is your world and these are the facts”. But really, nothing is like that: there are no isolated facts, but rather a complex, twisted web of mediations: connections and negations that transform over time.