Baker/No-Baker, Thinker/No-Thinker

by Mark R. DeLong

An English baker in 1944 pours dough from a very large metal bowl. The bowl is about 2 meters in diameter and is tilting on a rack designed to make moving the bowl and pouring its contents easier.
A Modern Bakery – the Work of Wonder Bakery, Wood Green, London, England, UK, 1944.

“Computerized baking has profoundly changed the balletic physical activities of the shop floor,” Richard Sennett wrote about a Boston bakery he had visited and much later revisited. The old days (in the early 1970s) featured “balletic” ethnic Greek bakers who thrusted their hands into dough and water and baked by sight and smell. But in the 1990s, Sennett’s Boston bakers “baked” bread with the click of a mouse.1Richard Sennett reported about visits he made to the bakery about 25 years apart. The first visits took place when he and Jonathan Cobb were working on The Hidden Injuries of Class (Knopf, 1972), though Sennett and Cobb do not specifically recount the visits in their book. The second visits took place when Sennett was working on The Corrosion of Character: The Personal Consequences of Work in the New Capitalism (W.W. Norton, 1998). “Now the bakers make no physical contact with the materials or the loaves of bread, monitoring the entire process via on-screen icons which depict, for instance, images of bread color derived from data about the temperature and baking time of the ovens; few bakers actually see the loaves of bread they make.” He concludes: “As a result of working in this way, the bakers now no longer actually know how to bake bread.” [My emphasis.]

The stark contrast of Sennett’s visits, which I do not think he anticipated when he first visited in the 1970s, are stunning, and at the center of the changes are automation, changes in ownership of the bakery, and the organization of work that resulted. Technological change and organizational change—interlocked and mutually supportive, if not co-determined—reconfigured the meaning of work and the human skills that “baking” required, making the work itself stupifyingly illegible to the workers even though their tasks were less physically demanding than they had been 25 years before.

Sennett’s account of the work of baking focuses on the “personal consequences” of work in the then-new circumstances of the “new capitalism.” But I find the role of technology in the 1990s, when Microsoft Windows was remaking worklife, a particularly important feature of the story. Along with relentless consolidation of business ownership, computer technologies reset the rules of labor processes and re-centered skills. Of course, the story is not even new; the interplay of technology and work has long pressed human labor into new forms and configurations, allowing certain freedoms and delights along with new oppressions and horrors. One hopes providing more delight than horror.

Artificial intelligence will be no different, except that the panorama of action will shift. The shop floor will certainly see changes, but other changes, less focused on place, will also come about. For the Boston bakers, if they’re still at it, it may mean fewer, if any, clicks on icons, though those who “bake” may still have to empty trash cans of discarded burnt loaves (which Sennett, in the 1990s, considered “apt symbols of what has happened to the art of baking”).

In the past few weeks, researchers at Microsoft and Carnegie Mellon University reported results of a study that laid out some markers of how the use of AI influences “critical thinking” or, as I wish the authors had phrased it, how AI influences those whose job requires thinking critically. Other recent studies have received less attention, though they, too, have zeroed in on the relationship of AI use and people’s critical thinking. This study, coming from a leader of AI, drew special attention. Read more »

Footnotes

  • 1
    Richard Sennett reported about visits he made to the bakery about 25 years apart. The first visits took place when he and Jonathan Cobb were working on The Hidden Injuries of Class (Knopf, 1972), though Sennett and Cobb do not specifically recount the visits in their book. The second visits took place when Sennett was working on The Corrosion of Character: The Personal Consequences of Work in the New Capitalism (W.W. Norton, 1998).

Sunday, December 8, 2024

“Their Wives Wind Them Up While Asleep”

by Mark R. DeLong

A line of about half-dozen men, bundled up against cold, affix bolts and assemble magnetos for Ford's Model T. The image shows the first assembly line created for Ford's car assembly line in 1913.
Workers on the First Moving Assembly Line Put Together Magnetos and Flywheels for 1913 Ford Autos, Highland Park, Michigan. 1913. https://catalog.archives.gov/id/1633486. https://commons.wikimedia.org/wiki/File:Ford_assembly_line_-_1913.jpg.
Rights: Public domain

Restoration of my old car took well more than a decade before it again powered itself along US Highway 501. With time and experience, differences between a craftsman and me would continue to diminish, as my inexperienced hands layered their actions into bodily remembered history and embodied knowledge. My hands remained bumbling and hesitant, though in time a little less than when I began. A craftsman’s hands would be effective and confident, mastering both tools and materials. The craftsman’s eyes, hands, and mind work in concert—far better tuned than mine. But despite the gulf of experience between craftsmanship and my labor, the years hunched over the car opened or, better, finely textured my understanding of how work helps to fulfill human life. That seemingly basic understanding was, paradoxically, obscured by the automobile itself.

A common element that the craftsman and I shared throughout the process amounted to the perspective of the whole project. Even when the car’s parts were contained in Ziplock bags, its chassis stripped to bare metal (much rusted through, too), my mind saw the product that my work, bumbling or not, could bring forth. Mine was an unjustifiably sturdy and very hopeful vision; the same would go for the craftsman, though he had skills to justify the hope. That hopeful perspective, justified and not, formed the strongest bond tying the craftsman and me.

A stripped down chassis of a 1963 Jaguar E-type with badly worn light brown "sand" paint. The chassis has no engine and is stripped bare. It stands on jackstands.
Barely a bolt remains on the car chassis a week after it was pushed into the garage. The rest of the car’s parts were stored in Ziplock bags or boxes. Putting it all back together took about fifteen years, and a lot of learning. Digital photograph by Mark DeLong, September 20, 2002.

In the mid-nineteenth century, William Morris used hope to draw the distinction between “useful work and useless toil.” “What is the nature of the hope which, when it is present in work, makes it worth doing?” Morris asked in Signs of Change (1888). “It is threefold, I think—hope of rest, hope of product, hope of pleasure in the work itself; and hope of these also in some abundance and of good quality.” Morris along with William Blake and John Ruskin nostalgically revered craft, and Morris particularly romanticized it. Yet, if nostalgia and idealism colored his vision of work somewhat, Morris understood the special qualities of craft work: its connectedness to meaning, its close tie to qualities of uniqueness, beauty, and durability—its reverence for things and the making of them.

Blake’s “dark Satanic Mills” loomed in the factories of the time. The three men yearned for the good old days of craftsmanship as a reaction to the indifferent brutality of the Industrial Revolution, though what they desired—a pleasantly medieval fantasy, really—may never have supplied the needs of their own time. Read more »