by David Oates
We are always looking for the book it is necessary to read next. —Saul Bellow

That quote hangs over my writing desk. Its purpose is to remind me of the urgency of writing. Not the correctness of writing, not its sentiment or fashionability or mild amusement: its urgency. Bellow wants what I want – what every reader wants: the book that is necessary and of the moment, now.
It’s what drives me as a writer. As a reader. And as a small-press publisher.
In the marketplace of books, it can be hard to find that next, necessary book. I keep a list of what to read next – lots of people do. But what is offered to me? Mostly big books from big names, published in editions up into the millions of copies (Michelle Obama’s initial print run for Becoming was 3.4 million, increased to 4.3 million because of demand). The big publishers want sure-fire bestsellers. . . but are these really the necessary books? The “Big Six” publishers who dominate the English-speaking book world have consolidated yet again – it’s the “Big Five” now – and they want a guaranteed return on investment. Until authors can guarantee sales – until they are already in some way famous – why would Penguin Random House give them a contract?
Profit is their necessity, but it’s not mine. I want what is of the heart and of the moment, not merely what is salable.
This disconnect is what has brought small publishers to the fore. They take chances. They can afford to look for excellence, freshness, that je ne sais quoi. I think they follow trends that no trends that aren’t trends yet. And they look above all for urgency. They give writers their first and second books. They edit, sometimes fiercely. They create for writers time and space to grow.
In the economy of creativity, this is how it works now. It’s the little presses who are performing these crucial services. While the big guys make money. Read more »





Of all the secondary discomforts imposed by the pandemic, the most treacherous may be inertia. Life, interrupted, can be characterized as an absence of movement, like a stream that stops running, stagnating as the surface begins to cloud with algae and other still-standing detritus. Inertia that stems from the current situation can quelch any creative impulse. Even cinema, that paradigm of life in motion—the moving picture—isn’t much help if we expect our own lives to keep moving as well as movies do. They don’t, at least not right now.
In many ways, the story of my life is the story of books that I have read and loved. Books haven’t just shaped and dictated what I know and think about the world but they have been an emotional anchor, as rock solid as a real ship’s anchor in stormy seas. As the son of two professors with a voracious appetite for reading, it was entirely unsurprising that I acquired a love of reading and knowledge very early on. The Indian city of Pune that I grew up in was sometimes referred to as the “Oxford of the East” for its emphasis on education, museums and libraries, so a love of learning came easy when you grew up there. For 35 years until their mandatory retirement, my parents both taught at Fergusson College in Pune.


At the 100th anniversary of John Rawls’ birth back in February, some of the most generous op-eds, whilst celebrating the brilliance of his thought, lamented the torpor of his impact. ‘Rawls studies’ are by no means the totality of political philosophy, but they are one of its most significant strands, and his approach has been dominant for the past 50 years. I’m an admirer of political philosophy, having happily spent much time and energy studying it, specifically looking at theories of deliberative democracy, an area with important connections to Rawls’ thought. That political philosophy does not have much to say that is of direct practical concern does not bother me, the sense that it is not just uninfluential, but is disconnected from the reality of the present moment does though.
Anderson Ambroise. Rubble Sculpture.

I don’t think I saw an actual daffodil until I was 19, although I had admired the many varieties I saw pictured in bulb catalogs and even—I hesitate to admit this—written haiku about daffodils (at 14, in an English class). When my first husband and I drove through Independence, Missouri, early in our marriage, I saw my first daffodils, a large clump tossing their heads in a sunshiny breeze. Wordsworth flashed upon my inner ear, and as I remember it, I recited “And then my heart with pleasure fills, and dances with the daffodils!” (If I did in fact say that, I’m sure I added the gratuitous exclamation point.) My husband, who was driving, gently asked me to return my attention to the map (I was navigating).
