by Thomas O’Dwyer

When you think you’ve heard all the nonsense or hype about the digital noise that is drowning out real life around us, along comes someone who spends $69 million to buy a piece of digital miasma. “A fool and his money are soon parted.” That’s a lot of money or a lot of foolishness, or both. Miasma is a noxious atmosphere once thought to rise from swamps or putrid matter and cause disease. It’s not too strong a word for what oozes from the Internet swamp of lies, hate, hype and fraud that seems to be responsible for an alarming array of new social, economic, and mental afflictions. Why would anyone pay such a price for some digital art file (a collection of ones and zeros?) Was it April 1? Even more strange, one of the art world’s most renowned dealers, Christie’s, engineered the sale. Everyday: The First 5,000 Days is a collage of 5,000 small random images put together by Beeple, a graphic artist from Wisconsin. It exists only as an image file which one assumes could be infinitely copied and shared – because it’s digital. There are millions of copies of Mona Lisa online but nobody would think of trying to sell one for the price of Leonardo’s original.
But wait, you eager digital merchants, there’s more, much more. In February, an endlessly looping digital cartoon cat chanting “nyananyana” sold for $587,000. Yes, compared to the Everyday image, that was cheap, a bargain. So what’s going on? Trying to explain any new digital fad leads a curious enquirer to the edge of a rabbit warren of vague definitions and unfamiliar words. These digital art pieces, like Everyday and the Nyan cat cartoon, are known as non-fungible tokens. They are unique because they are generated on a blockchain and bought and sold on Ethereum. You see where we’re going with this or, more likely, you don’t, so let’s back up a bit. Read more »

I don’t think I saw an actual daffodil until I was 19, although I had admired the many varieties I saw pictured in bulb catalogs and even—I hesitate to admit this—written haiku about daffodils (at 14, in an English class). When my first husband and I drove through Independence, Missouri, early in our marriage, I saw my first daffodils, a large clump tossing their heads in a sunshiny breeze. Wordsworth flashed upon my inner ear, and as I remember it, I recited “And then my heart with pleasure fills, and dances with the daffodils!” (If I did in fact say that, I’m sure I added the gratuitous exclamation point.) My husband, who was driving, gently asked me to return my attention to the map (I was navigating).


In 1887 Ludwik Zamenhof, a Polish ophthalmologist and amateur linguist, published in Warsaw a small volume entitled Unua Libro. Its aim was to introduce his newly invented language, in which ‘Unua Libro’ means ‘First Book.’ Zamenhof used the pseudonym ‘Doktor Esperanto’ and the language took its name from this word, which means ‘one who hopes.’ The picture shows Zamenhof (front row) at the First International Esperanto Congress in Boulogne in 1905.
If, for a long time now, you’ve been getting up early in the morning, setting off to school or your workplace, getting there at the required time, spending the day performing your assigned tasks (with a few scheduled breaks), going home at the pre-ordained time, spending a few hours doing other things before bedtime, then getting up the next morning to go through the same routine, and doing this most days of the week, most weeks of the year, most years of your life, then the working life in its modern form is likely to seem quite natural. But a little knowledge of history or anthropology suffices to prove that it ain’t necessarily so.
It’s official: Lilly Singh, the YouTube phenomenon, 
Marlène Huissoud. A3 Drawings 8, 2020. 
Patriotism is a contested ideal in the culture war which bubbles away in the UK. It’s worth examining not only as an idea in itself but also with regards to how it is understood and expressed in the present cultural context of the UK. It seems to me that the debate is dominated by two ends of a spectrum, both misguided. At one end there are those who find the word itself too problematic to be worth salvaging. It is, they would argue, despite claims to the contrary, unavoidably linked to its ugly cousin, nationalism, with its xenophobic and jingoist associations.


Copse and cosmos