Encouraging Good Actors: Using AI to Scale Consumer Power for the Common Good

by Gary Borjesson

And these two [the rational and spirited] will be set over the desiring part—which is surely most of the soul in each and by nature the most insatiable for money—and they’ll watch over it for fear of its…not minding its own business, but attempting to enslave and rule what is not appropriately ruled by its class, thereby subverting everyone’s entire life. —Plato’s Republic 442a

I want to share my vision for a tool that helps inform, direct, and scale consumer power.

Money Talks, by Udo J Keppler. William Randolph Hearst sitting with two large, animated, money bags resting on his lap; on the floor next to Hearst is a box labeled “WRH Ventriloquist.” Courtesy of Library of Congress.

It would be a customized AI that’s free to use and accessible via an app on smartphones. At a time when many of us are casting about for ways to resist the corruption and authoritarianism taking hold in the US and elsewhere, such a tool has enormous potential to help advance the common good. I’m surprised it doesn’t already exist.

Why focus on consumer power? Because politics in the US has largely been captured by monied interests—foreign powers, billionaires, corporations and their wealthy shareholders. Until big money is out of politics (and the media), to change the country’s social and political priorities we will need to encourage corporations and the wealthy to change theirs.

As Socrates observed in the Republic, these “money makers” operate in society like the appetitive part operates in our souls. This part seeks acquisition and gain; it wants all the cake, and wants to eat it too. If unregulated, this part (perfectly personified by Donald Trump) acts selfishly and tyrannically, grasping for more, bigger, better, greater everything—and subverting the common good in the process.

The solution, as Socrates saw, is not to punish or vilify this part, but to restrain and govern it, as we do children. For the more spirited (socially minded) and rational parts of ourselves and society recognize the justice and goodness of sharing the cake. Thus the AI I envision will have a benevolent mindset baked into its operating constraints. But before seeing how this might work, let’s consider how powerful aggregated consumer spending can be. Read more »

Tuesday, May 13, 2025

To Write Well With AI, Write Against It

by Kyle Munkittrick

Four of the same man with different personas, in writers room, working on a document together.
Gemini’s Persona Writers’ Room

To write well with AI, you’ve got to understand Socrates.

Paul Graham and Adam Grant argue that having AI write for you ruins your writing and your thinking. Now, honestly, I tend to agree, but I thought these smart people were making a couple mistakes.

First, they seemed to be criticizing first drafts. If you asked a person to write a poem in five minutes with vague instructions, unless they were a champion haiku composer like Lady Mariko from Shogun, it would probably be pretty bad. AI is best in conversation, reacting to feedback. Sure the initial draft might be bad, but AI can revise, just like we can. Second, and more important, if AI shouldn’t be doing the writing, it should probably be the critic. Even if it didn’t have good taste, it could surely evaluate a specific piece, given sufficient prompt scaffolding. Right?

After completing a major portion of a draft of an in-progress novel, I decided to test my theory. I shared the first Act with Claude (3 Sonnet and Opus) and Boom! I got exactly what I hoped for—some expected constructive criticism along with glowing praise that my novel draft was amazing and unique.

In reality, it was not.

This was not a skill issue! It was a temptation issue. My prompt was ostensibly well-crafted. I knew how to avoid exactly this problem, but I didn’t want to. I knew, deep down, that my novel was, in fact, overstuffed, weirdly paced, exposition dumpy, and had half a dozen other rookie mistakes. Of course it was! It was a draft! But I crippled my AI critic so that I could get a morale boost.

The sycophantic critic is an under-appreciated, and, to me, equally concerning, risk of using AI when writing. Read more »

Monday, March 9, 2020

A sonnet for Socrates

Socrates, snub-nosed, wall-eyed, paunchy, squat,

stood before his accusers and confessed

to being a gift from god—a gadfly, a pest

sent to save the city from moral rot

by stinging it out of its torpor.  He was not

believed.  The Athenians could not think themselves blessed

to be bitten by philosophy.  Unimpressed,

they silenced their gadfly with a judicial swat.

 

Today, we keep our would-be pests inside

a jar, contentedly droning away from the world.

But should one ever get free and buzz about seeking

to sink a sharp question into society’s hide,

then the nation yelps, newspapers are furled,

and packs of good citizens clamber up flailing and shrieking.

 

by Emrys Westacott

Monday, December 30, 2020

Was Socrates Anti-Democratic?

by Scott F. Aikin and Robert B. Talisse

When people talk about Socrates, they typically refer to the leading character in Plato’s dialogues. This is because little is known about the historical Socrates beyond the fact that he wandered barefoot around Athens asking questions, an activity that got him executed for religious invention and corrupting the youth in 399 BCE. The relation between the historical figure and the Platonic character is debatable. In any case, Plato’s Socrates is most commonly read as a staunch anti-democrat. However, once one distinguishes between being opposed to democracy from theorizing the ways democratic society can fail, the relationship between Socrates and democracy grows more complicated.

The depiction of Socrates as an anti-democrat draws largely from the scathing critique he launches in Plato’s masterpiece, The Republic. There, Socrates famously characterizes democracy as the rule of the unwise, corrupt mob. Like children loose in a candy store, the democratic herd pursues pleasure only, rewarding sweet-talkers and flatterers with the power of political office, who in turn exploit politics for their own gratification. The result is injustice. Accordingly, Socrates says, democracy ultimately dissolves into tyranny — a population of citizens dominated by their basest desires, and an opportunistic ruler that manipulates them for personal gain.

Socrates’ critique of democracy is formidable. Notice, however, that Socrates is laying out a vulnerability inherent within democratic politics that no advocate of democracy can afford to ignore. In fact, the tradition of democratic theory is largely focused on identifying ways in which this vulnerability can be mitigated. And popular discussions today about disinformation, corruption, and incivility tend to concede much of Socrates’ case. The point is that giving voice to a standing weakness of democracy does not by itself make one an anti-democrat. One might argue that a crucial part of democratic advocacy is to engage in criticism of extant democratic practice.

Yet in The Republic, Socrates also lays out a vision of the perfect city, the kallipolis, and it is decidedly undemocratic. Kallipolis is an absolute kingship where philosophers rule over a strictly stratified society in which everything is exactingly regulated, from education, production, and conquest to art, diet, sex, and parenting. According to the standard line, that Socrates proposes the kallipolis as the paradigm of justice entails that he is an anti-democrat. Read more »

Monday, January 28, 2019

In the Agora of Socrates

by Shadab Zeest Hashmi

No one knows if it was really in the state prison, the ruins of which are visible today outside the ancient Agora of Athens, that Socrates was kept during the final days before his execution, so many times has the area been destroyed and reconstructed— walking past it sends a chill down my spine. Ancient Greece is visceral and vivid because it entered my imagination early in life; some of the most cherished tales of my childhood came from the crossovers of Hellenistic history and legend, such as the one in which Sikander (Alexander the Great) is accompanied by the Quranic Saint Khizr, in pursuit of “aab e hayat,” the elixir of immortality, or the one about the elephantry in the battle between Sikander and the Indian king Porus, or of the loss of Sikander’s beloved horse Bucephalus on a riverbank not far from Lahore, the city where I was born. I became familiar with ancient Greece through classical Urdu poetry and lore as well as through my study of English literature in Pakistan, but I would read Greek philosophers in depth many years later, as a student at Reed college; I would subsequently discover Greek influence on scholars in the golden age of Muslim civilization while working on a book on al-Andalus— the overlooked, key contribution of Arabic which served as a link between Greek and Latin, and its later offshoots that came to define the cultural and intellectual history of Europe.

Visiting the Agora in the sweltering heat of July, I am amazed by how comfortably these ruins from over two thousand years are nestled in the modern landscaping, park benches and pavements, how familiar the patchy, intensely green grass is, the deep, somnolent shade of oaks— the ancient is home once again, brought down to a child’s scale, at once snug and phantasmagoric, historic and pulsating with new life. Read more »

Monday, February 4, 2013

Ancient Paradoxes and the Good Life

by Scott F. Aikin and Robert B. Talisse

Sophocles_statue_in_lateranMost are already familiar with many of the thoughts driving the Ancient Paradoxical ethical tradition. Surely we’ve all either thought and endorsed or at least heard someone express thoughts along the following lines:

It’s not whether you win or lose, but how you play the game.

It’s not getting what you want, it’s wanting what you get.

Being good is its own reward.

Let’s first note an important terminological point about the paradoxical tradition. Paradox is a Greek word that, in its classical usage, that meant something counter intuitive, something surprising. Para, meaning alongside or against, and doxa, belief. So a paradox is something that runs against what we normally believe. In short, those who belong to the paradoxical tradition say surprising things. Now, the paradox is most clearly in view for us, as we endorse sentiments like It’s not whether you win or lose, it’s how you play the game, but we nevertheless cheer for winners, and nobody makes it to any Halls of Fame simply for being a good sport. The same goes for all the familiar old saws – we think they are right, but nevertheless don’t live in accord with them. The paradoxical tradition is one of consistently living in accord with sentiments like these.

Socrates was one of the first great paradoxicalists, and one of the most famous. One particular paradox he announces after the Athenians sentence him to death for impiety and corrupting the young. He says he does not believe “a good man can be harmed in life or in death” (Apology 41d). And so we have the first of the ancient paradoxes of the good life, call it:

The paradox of invulnerability: Insofar as you are virtuous, you cannot be truly harmed.

Now what makes this view paradoxical is that Socrates says this in the face of a jury who’ve sentenced him to death. Having to drink hemlock and suffer its effects. That sounds like a harm. Dying? It certainly seems worse than living on and being Socrates. How else might someone consider it a punishment?

The paradoxical perspective on this is that these slings and arrows of outrageous fortune would be harms only if they harmed our souls. A death sentence is a harm only if it makes you willing to grovel, lie and cheat to avoid it. Poverty and suffering are harms only if it makes you a horrible person, violent, or selfish. Illness is a harm only if it makes you resentful and empty.

The world can destroy us, but if we live well, it cannot destroy the good in us. The world can take the light of goodness inside you only if you let it. Our job is to tend and care for that light of decency and goodness inside us. Virtue ensures it’s not snuffed out.

Read more »