by Michael Abraham
It has all gotten too technicolor for Dorothy Gale. The trees and the grass are too green—not to mention the Emerald City (she had to take the glasses off several times to rub her eyes)—and the slippers are much too silver, or were they ruby? There are so many colors she is getting confused. The eyes of her friends, these queer little friends she has made, they are much too luminous for her, glittering, glittering, their eyes—it is driving her crazy. Yes, crazy: Dorothy is going crazy in Oz. She stares at the basket of the Wizard’s balloon, and she prays for wind, prays ardently. See, Dorothy has killed a witch, befriended a witch, killed another witch. Dorothy has done all the work of a messiah. She is tired, but, more than tired, her mind is starting to come a little undone at its edges. She loves these odd friends of hers, and she loves the feeling of being on an adventure, but, all along, she has been yearning for quite the opposite of adventure, for home. Not because home is all that special. Home is sepia and boring and full of responsibility. She’s yearning for home because there is something sinister beneath all the brightness of Oz, something dead sent against her flourishing. Kansas is safer. There are no witches to vanquish in Kansas. See, Dorothy never set out to be any kind of hero. She was just in the wrong cyclone at the wrong time. But she feels herself to be so much herself, so overmuch, when in Oz that it is starting to drive her mad. This grandiosity of being a slayer of witches. Dorothy Gale has become much too much of herself, and she is coming undone. So she stares at the balloon, and she prays for wind. And the wind comes, but it comes too soon. It carries off the Wizard. Read more »






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