In Praise of Mirza Ghalib
—a transcreation after Mohammad Iqbal (1877-1938)
Imagine a bird with agile wings introduce the gathering
Now imagine the flawless bird seduce the gathering
You glimpse the fire of life veiled in everything
A hidden crown jewel imbues the gathering
Bringing forth Spring, coloring our world green
In silent foothills, a river renews the gathering
Curls of Urdu are forever grateful to the comb
You show us how not to obtuse the gathering
Your words grace not just ghazals — mischievous —
Even frozen lips in photos suffuse the gathering
Heart’s rage is a moth candle burns; your gaze foretold
sun and moon in sand grains infuse the gathering
Your regal flight entrances even the Pleiades
Rose of Shiraz bud of Delhi salutes the gathering
Your dust conceals a thousand million pearls, laments
from thresholds to rooftops induce the gathering
O Shahjahanabad — cradle of learning
Is Hindustan now out to traduce the gathering?
Ghalib buried in New Delhi’s jungle, Goethe
Interred in Weimar’s garden muse the gathering
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Goethe (1749- 1832); Ghalib (1797 – 1869)



Unspeakable horrors transpired during the genocide of 1994. Family members shot family members, neighbours hacked neighbours down with machetes, women were raped, then killed, and their children forced to watch before being slaughtered in turn. An estimated 800,000 people were murdered in a country of (then) eight million. Barely thirty years have passed since the Rwandan genocide. Everywhere, there are monuments to the dead, but as an outsider I see no trace of its shadow among the living.



Barbara Chase-Riboud. Untitled (Le Lit), 1966.



One of the easy metaphors, easy because it just feels true, is that life is like a river in its flowing from then to whenever. We are both a leaf floating on it, and the river itself. Boat maybe. Raft more likely. But those who know such things say there is a river beneath the river, the hyporheic flow. “This is the water that moves under the stream, in cobble beds and old sandbars. It edges up the toe slope to the forest, a wide unseen river that flows beneath the eddies and the splash. A deep invisible river, known to its roots and rocks, the water and the land intimate beyond our knowing. It is the hyporheic flow I’m listening for.” The person speaking is Robin
There is a scene near the end of First Reformed, the 2017 film directed by Paul Schrader, where the pastor of a successful megachurch says to the pastor of a small, sparsely attended church:


