by Eric Bies
On the night of July 13, 1977, the old god Zeus roused from his slumber with a scratchy throat. Reaching drowsily for the glass by his bedside, his arm knocked a handful of thunderbolts from the nightstand. Swift and white, they rattled across the floor to the mountain’s, his home’s, precipitous edge: off they rolled and dropped to plummet through the dark. That night, great projectiles of angular light splashed against and extinguished New York City’s billion fluorescent eyes.
A week later, John Gardner turned 44—a fortuitous number, for the American novelist and medievalist was on a roll. That year alone he was set to see the publication of two children’s books, a collection of short stories, a work of criticism, and a biography. Six years had passed since the release of a short novel, Grendel, his ingenious Frankenstein-ing of the Beowulf myth that is read in American high schools to this day. Eleven years later, at the age of 49, Fate would see fit to fling him from his motorcycle and strike him dead. But first, in 1977, he had to publish his Life and Times of Chaucer. Owing to novelistic tendencies, the work has probably received more admiration from laymen than academics (rather redemptive as far as literary legacies go, actually). It is one of those books, unhampered by its erudition, that is a joy to read all the way through to the bitter end, and its final paragraph, as Steve Donoghue has pointed out, remains one of the strangest, strongest, and most memorable deathbed scenes in our literature:
When he finished he handed the quill to Lewis. He could see the boy’s features clearly now, could see everything clearly, his “whole soul in his eyes”—another line out of some old poem, he thought sadly, and then, ironically, more sadly yet, “Farewell my bok and my devocioun!” Then in panic he realized, but only for an instant, that he was dead, falling violently toward Christ.
The “bok” to which Chaucer says his goodbye is, of course, The Canterbury Tales. Had he had the time, Chaucer would have gladly doubled the length of his book. Who knows what he must have truly felt to take leave of his Knight, his Miller, his Pardoner, his Monk? Readers of this magnificent story cycle will readily sympathize. For even a writer as self-assured as Chaucer could not have anticipated how well and how dearly his countrymen would come to know his characters. The fact that the book remained unfinished at the time of his death did practically nothing to impede its momentous rise. Thankfully, just sixteen years after Chaucer fell violently toward Christ, England got its Gutenberg. When William Caxton set up press in Westminster, the first pages he printed were wet with the ink of Chaucer’s quill. Read more »