Review of Fernando Castrillon and Thomas Marchevsky (eds) Coronavirus, Psychoanalysis, and Philosophy: Conversations on Pandemics, Politics, and Society (Abingdon: Routledge, 2021)
by Claire Chambers
In Salman Rushdie’s Midnight’s Children, the first-person narrator Saleem Sinai invites readers to imagine themselves in a large cinema, sitting at first in the back row, and gradually moving up, row by row, until your nose is almost pressed against the screen. Gradually the stars’ faces dissolve into dancing grain; tiny details assume grotesque proportions; the illusion dissolves or rather, it becomes clear that the illusion itself is reality.
This is a figurative way of talking about history’s distortions, or the difficulties of exploring contemporary events given the incomplete view afforded by a nearby vantage point.
Such a confusing closeness to dramatic and discombobulating scenes is discussed in some detail by both the editors of Coronavirus, Psychoanalysis, and Philosophy, as well as by Rocco Ronchi, an Italian philosopher and one of the contributors to the volume. In his essay ‘The Virtues of the Virus’, Ronchi observes: ‘We are too close to the Covid-19 event to be able to catch a glimpse of the future it bears. Our fear is human, and this makes us unreliable witnesses’. Meanwhile, in ‘Introduction: Of Pestilence, Chaos, and Time’, editors Fernando Castrillon and Thomas Marchevsky praise their authors’ boldness for investing in the risky business of writing about the coronavirus pandemic even while ‘knowing full well that they might be ridiculed or even dismissed outright for what at a later date could be read as ill-informed, judgmental, or simply short-sighted’. These are salient warnings for those of us who also wish to make a modest intervention into public debate on the current fast-moving and time-sensitive situation. Read more »