by Matt McKenna
Over the past year, theatres have been inundated with terrific biopics: Leonardo DiCaprio won a Golden Globe for his portrayal of Jordan Belfort in The Wolf of Wall Street, Matthew McConaughey won an Oscar for his rendition of Ron Woodroof in Dallas Buyers Club, and 12 Years a Slave won best picture for its depiction of the life of Solomon Northrup. Less talked about, but even more interesting than the aforementioned films is Non-stop, the recently released Ben Bernanke biopic starring Liam Neeson. Granted, the film isn't a straight retelling of the economist's life–at no point does Neeson's character open up an Excel document and ponder interest rates. Instead, Neeson's character spends most of his time texting terrorists and punching people in the nose, things for which Bernanke isn't particularly well known. Don't be fooled by these surface differences, however. Director Jaume Collet-Serra realized that, in order to adequately tell the story of Ben Bernanke's life as the chairman of the Federal Reserve, he would have to do it through the lens of a suspense-thriller set on a transatlantic flight.
Non-stop is a fantastic example of a high-concept film: an international flight is hijacked, and the accused hijacker happens to be Bill Marks, the American air marshal assigned to protect the plane. Because the movie is more of a mystery film than an action film, the overarching tension isn't so much about the safety of the passengers on board. Rather, audiences are expected to wonder whether or not Marks, played by Liam Neeson, is actually hijacking the plane or if he is, in fact, attempting to save it from being hijacked. The is-he-a-good-guy-or-is-he-a-bad-guy question that pervades Non-stop mirrors the questions surrounding Ben Bernanke and his tenure as chairman of the Federal Reserve. In a sense, Bernanke was the air marshal assigned to protect the United States economy. And indeed, the policies Bernanke enacted while the economy was “hijacked” by the Great Recession have engendered voluminous commentary on the subject of whether or not he did a good job or a bad job at improving the country's economic outlook.